Tag Archive: 1998


The three biggest action stars in the world… ever.

During the eighties and nineties the action genre was the place to be and many action stars were born. Bruce Willis, Sylvester Stallone, Arnold Schwarzenegger, Steven Seagal and Dolph Lundgren all made careers out of being action heroes. Their films were, most of the time, nothing more than a simple storyline where a hero just got to kick ass and the audience would have fun cheering the hero on while he did so, eg. Die Hard, Rambo. Nowadays you won’t really find that among the big Hollywood films, the genre has evolved over time and action films seemed to get more serious, genres started to merge and the days of the real action genre and action heroes are behind us, I think.

While people like the actors mentioned above are still making films I do believe that the only real action hero we have left is the English born Jason Statham. He is most famous for the Transporter trilogy and his films continue to get a cinema release whereas the likes of Lundgren, Seagal and Jean Claude Van Damme do not, so why is this? I think it is because Statham does have a real talent for acting whereas a lot of action heroes are just there because of their size and physique; Statham has shown before he can manage the acting as well as the action, he seems like a really nice guy which audiences always like and he is still relatively new in his career, having only started out in 1998. It’s been 14 years sure, but actors these days go for a lot longer than that!

The Expendables 2 is coming out later this year and back in 2010 we saw a return to the sole action genre with the original film directed and written by Sylvester Stallone himself. The idea was to bring together a great ensemble cast of action heroes to bring the genre back to the forefront of blockbuster cinema. The cast included Jason Statham, Jet Li, Dolph Lundgren as well as a scene that features three stars synonymous with the action genre: Stallone, Schwarzenegger and Willis. The sequel retains this cast and expands with Van Damme and Chuck Norris. The idea to revive the big action block buster was a good one in theory and went down well with fans as the film opened to huge commercial success across the globe but critics were less favourable as the film received mixed to negative reviews. Despite this, a third film is rumoured to happen and Steven Seagal says he has been offered a part. But it does seem as though the only way to get a big action film back on the big screen is to bring together an ensemble, otherwise audiences are not going to be grabbed.

Asian cinema still features a lot of action films and the very successful The Raid (originally titled Serbuan Maut) was even released in British cinemas earlier this year and went down very well with critics so maybe it is just Hollywood that can’t get it right? I suppose that the nearest thing we have to a pure action film these days is the Fast & Furious franchise but you could hardly say that Paul Walker is an action hero or that even Vin Diesel is (come on, he was in The Pacifier) no matter how much he really likes to think he is himself. The Bourne films are marketed as action films and I guess they could be described as such but this is still an evolution from real action films as it features more in crime and even political genres, however the action does feature a lot. And Matt Damon would not consider himself an action hero I don’t think. Liam Neeson isn’t particularly an action hero yet his film Taken is probably the most successful action movie of recent times and is the only really really good one that I can think of right now.

I would argue that the nearest thing we have to real action films now are the superhero movies. The action heroes have been replaced with those of the comic book world as they appear on the big screen and clearly define the theme of good versus evil and the hero goes on to kick some ass very much like Rambo, John McClane or Frank Martin would do. All the time, trying to keep it fun for audiences.

Over time all genres do evolve as audiences crave something new, something that will break boundaries or challenge them to put the pieces together themselves but I, for one, would like to see more old school action films being made. But none of these rubbish straight to DVD films, I want real action blockbusters with real action heroes in them. All it will take is for one new action hero to step out of the shadows and then a flurry of them will follow as it did for he superhero movies and for the fairy tale films too. So whoever he is, he better step up quick.

Mark Ruffalo is hitting headlines everywhere at the moment. Most recently, he has become the latest victim to the twitter hackers of the internet but that’s not what everyone is bothered about right now. The other reason you might be hearing Mark Ruffalo’s name everywhere you go right now is because he is currently starring in Marvel’s The Avengers and is the outstanding performer of the ensemble. Up until a few years ago, though, Ruffalo was not widely known by audiences, so just where has he come from?

Ruffalo began acting in 1989 (yes he really has been around that long) but he only appeared in one off television episodes, short films or very very minor roles in films. It was not until 1998 that Ruffalo started making waves in the acting world. He managed, by chance, to meet Kenneth Lonergan, a very successful playwright and screenwriter and the two began collaborating on stage productions. For appearing in Lonergan’s play This Is Our Youth Mark Ruffalo was cast in Lonergan’s film You Can Count On Me; Ruffalo gained a lot of positive reviews and was even likened to a young Marlon Brando, for an actor trying to get his break that is not a bad comparison to have.

Ruffalo sporting a whole new look for Collateral

This led to more work in the early noughties for Ruffalo and his film career finally began to take off with some haste. He experimented with genres going from romance with XX/XY to war with Windtalkers; from drama Life About Me to comedy View From The Top working with esteemed actors like Nicolas Cage and Gwyneth Paltrow along the way. Mark Ruffalo also had a part in the critically acclaimed Eternal Sunshine of the Spotless Mind alongside the brilliant Jim Carey and he certainly should be used to praise after appearing in another critical hit Collateral with Tom Cruise.

All actors like to prove they are versatile just to improve their CV, make them more preferable for roles, but even so you don’t have to do them all. Unfortunately for Mark Ruffalo he tried and even decided to step into rom-com. If you’re a male established actor usually rom-coms aren’t the way to go, but anyway Ruffalo appeared in 13 Going on 30, Just Like Heaven and Rumor Has It before returning to a more serious side of things in 2007 with Zodiac, a crime drama directed by the amazing David Fincher.

It doesn’t get much better than working with DiCaprio AND Scorsese

In 2010 Ruffalo appeared in four films. Date Night and Sympathy For Delicious can be forgotten about because with the other two he certainly makes up for them. First, there was Shutter Island, a fantastic thriller where Ruffalo played second fiddle to Leonardo DiCaprio and did a terrific job, no doubt about that. Then there was The Kids Are All Right for which his performance saw him nominated for Best Supporting Actor at the Oscars.

In 2011 Ruffalo starred in Margaret which, despite its cast featuring Ruffalo, Matt Damon and Anna Paquin, only had a limited release. But now, here we are, the year is 2012 and Ruffalo becomes the third person to portray the Incredible Hulk in as many films. A lot of Marvel fans had enjoyed Ruffalo’s close friend Ed Norton’s performance as Bruce Banner and were wary of Ruffalo taking on the part. How delighted fans are now that he did just that though, becoming without a doubt the best Bruce Banner/The Incredible Hulk on the big screen.

After the huge blockbuster that is The Avengers, Ruffalo is returning to more dramatic roles in Thanks For Sharing, Foxcatcher and Now You See Me but it is highly likely that Ruffalo has a clause in his contract with Marvel tying him down to several more projects as Bruce Banner so this will definitely not be the last you hear of the brilliant Mark Ruffalo.

Ruffalo became the first person to portray the Hulk on the big screen thanks to the use of motion capture technology.

Joel and Ethan Coen are very very recognisable names in the world of film making with almost all of their films achieving critical acclaim, the same can be said of Christopher Nolan and his occasional collaborator, the less famous brother Jonathan Nolan. There is no doubt that these two sets of brothers have a huge talent for film making and I think everyone has at least seen a film by each of them, if not count it among their favourite movies of all time.

The Coens are two of only seven directors to win three Oscars for one film.

The Coen brothers are the seasoned professionals of the two having been making movies since Blood Simple in 1984. Joel and Ethan are a perfect partnership; they write, produce, direct and edit all of their films together and rightly share joint credits in doing so. Their back catalogue of movies includes big hitters such as The Big Lebowski, Fargo, True Grit and No Country For Old Men; there aren’t many directors that can claim to have such a wealth of superb films in their locker.

The year is 1998: enter Christopher Nolan. Nolan first worked with his brother Jonathan on the absolutely fantastic Memento, adapted from Jonathan’s short story. Whilst not working together on every project like the Coen brothers Christopher and Jonathan Nolan have written The Dark Knight (often cited as one of the best films of all time), The Prestige and one of the most anticipated films of this year, The Dark Knight Rises, together. Some might say these films have enough about them to challenge the very best of the Coen brothers themselves.

The working partnership between the two brothers is obviously very different but there is no doubt that all four individuals have a huge love for the cinema and a passion to bring incredible films to huge, happy audiences. The films that the brothers make are also very different in themselves; the Nolan films, aside from Memento, are huge blockbusters with big budgets, whereas the Coen films are smaller scale, more intimate and more character related (something that Christopher Nolan might disagree with but this is my opinion).

The Nolans’ The Dark Knight is considered one of the all time greatest movies.

If we go by the highest accolade in film making, the Academy Awards we would believe that the Coens were the better of the two partnerships, racking up 33 Oscar nominations for their films collectively, winning six of them, including two for screenwriting and one for directing. The films written by Christopher and Jonathan Nolan have garnered 12 nominations, including two wins. However, with the Nolans having done only three films together it is highly likely that if they continue to work together their Oscar count will rise higher than the Coens’.

In my opinion, the experience that the Coen brothers have over the Nolans gives them the edge and I really believe that they make some of the best movies of our time, True Grit and No Country For Old Men being two of my favourites of theirs. Whilst the Nolans do make terrific films, there is no doubt about that, I feel that they still have a long way to go before being as good as the Coens but if they continue on the road they are on and continue to write films together than I have no doubt that they will surpass the directing duo that currently sits at the top of the tree.

One thing is for sure though, I will continue to enjoy the films made by the Nolans and the Coens for as long as they make movies. Film fans are lucky to have two such magnificent partnerships working today to create absolute works of art.