What are Leonardo DiCaprio’s Best Film Roles?

Leonardo DiCaprio recently announced that he is to take a break from acting after he has been busy making three films in the last two years. While The Great Gatsby and The Wolf on Wall Street are yet to be released, Django Unchained is in cinemas now.

Since getting his break in the film world back in 1993 playing a mentally challenged teenager in What’s Eating Gilbert Grape, Leonardo DiCaprio has gone on to become one of the most consistent, most versatile and most sought after actors. DiCaprio is one of my favourite actors so I have compiled a list of his top five most iconic performances. And it was incredibly hard, there are some big performances and big films that miss out, but feel free to tell me what you think in the comments. Here goes…

 

5. Jack Dawson – Titanic

As much as I don’t like Titanic and I don’t buy into the whole audience love for it that comes with the film there is no doubting that Titanic was the film that made DiCaprio ‘king of the world’ and really launched him into the limelight. Playing the young and poor Jack Dawson made DiCaprio an international heart throb and opened so many doors for him, allowing him to take his career in any direction he liked. The success that Titanic became has made sure that nobody could ever forget DiCaprio.

4. Calvin Candie – Django Unchained

Django Unchained marks the first time that DiCaprio plays the villain, and what a fine villain he makes. Calvin Candie is one of the most unlikeable character’s in film; he has so many moral issues and just because of the time period of the film he’s a despicable human being. But DiCaprio plays him with such menace and intensity that you just want to see more and more of him. It’s one of DiCaprio’s most enthralling and guiltily enjoyable performances.

3. Jim Carroll – The Basketball Diaries

Believe it or not, DiCaprio did have a career before Titanic. In 1995, a film was made of Jim Carroll’s juvenile diaries chronicling his kaleidoscopic free-fall into the harrowing world of drug addiction. While there may be a few problems with the film (it’s not one of DiCaprio’s best) DiCaprio puts in a fantastic performance as the drug addicted teen and it is one that highlighted his acting talent very early on and it was plain to see he was made for stardom.

2. Howard Hughes – The Aviator

The Aviator is another biopic starring Leonardo DiCaprio and this one actually got him an Oscar nomination. DiCaprio shows Hughes’ rise to success in the field of aviation and film production and even more convincingly, brings us down with Hughes’ decline of mental health. It’s a wonderful film directed by Martin Scorsese and quite rightly got nominations over the board for the film as a whole and DiCaprio’s mesmerising performance.

1. Danny Archer – Blood Diamond

Another role that got DiCaprio nominated for an Oscar. This is one of his best performances and Blood Diamond is one of my favourite films that he has done. DiCaprio got critical acclaim for mastering the difficult South African accent and really puts in a flawless performance that shows his character develop from selfish smuggler to a hero. It’s a wonderful performance which is truly moving by the end of it, DiCaprio puts on a wonderful show.

So that’s my top greatest roles taken on by Leonardo DiCaprio. As you can see there are some brilliant movies that miss out: Gangs of New York, Catch Me If You Can, The Departed, Shutter Island and Inception. For me, all this does is make clear that DiCaprio is one of the greatest actors of his generation with a filmography to match!

Are You Watching Closely? – The Prestige (2006)

Christopher Nolan is an absolute genius. I love him as a director and a storyteller; every single one of his films, be it Memento, Inception or The Dark Knight trilogy are wonderful masterpieces of cinema and The Prestige is no different. Released in 2006, The Prestige is based on the 1995 novel of the same name written by Christopher Priest, the novel was adapted into a screenplay by Christopher and Jonathan Nolan.

The Prestige is a very complicated telling of a very complex professional and personal rivalry of two magicians. As young aspiring magicians Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) were friends and colleagues until a trick went wrong and Angier’s wife was killed. Angier blamed Borden for this as he suspects Borden tied an unbreakable knot around his wife’s wrists before a drowning trick. This leads to a rivalry that becomes an obsession for the both of them; each man obsesses with what the other man is doing and how he is doing it, both men sabotaging each other’s tricks in attempts to discredit or even murder their opponents. It is a deadly rivalry revolving around the greatest trick of all time: Borden’s Transported Man.

Jackman and Bale lead the cast brilliantly. Bale is somewhat of an enigma to me where his acting skills are concerned, despite always putting in a solid performance I often feel as if he has more to give and that he is holding something back but as we move forward through The Prestige it becomes clear that Bale is giving his best. Scarlett Johansson is the lead female playing the beautiful assistant to Angier, then Borden, Olivia Wenscombe who becomes both a pawn and a player within their games. I think that Olivia is an example of Nolan not really knowing entirely what to do with female characters as she seems to lack the motivation the two male leads are given and she often comes across as just a lovesick blonde. The remaining supporting cast consists of Michael Caine, Andy Serkis and David Bowie who perform very well as you would expect (maybe not of Bowie but he proves he has a talent for this).

Alfred Borden and Robert Angier are wonderful characters. They are both completely believable and Nolan does a great job of blurring the lines of morality between the two; neither are wholly good or wholly bad and I believe that the audience can choose which side to take (perhaps only after sitting through multiple viewings though). The Prestige is told in a non-linear fashion and shoots back and forth between the present day and the past as the characters attempt to discover each other’s secrets through reading their diaries. The plots then come together and once they do the film really draws to a perfect finale. The final act, or ‘the prestige’, of Nolan’s phenomenal film has more twists than a bag of pretzels, each one being more significant than the last.

The rewatchability factor of The Prestige is right up there. Watching over and over again you see more and more clues that give away the ending which you don’t see the first time round because “you’re not really looking. You don’t really want to work it out. You want to be fooled”. The whole film is layered in foreshadowing, clue after clue to what the ending is working towards but if you don’t know then you won’t see it coming, you won’t work it out no matter how much you let your mind run wild yet it is so simple.

The Prestige may get forgotten about among Nolan’s works next to the originality of Memento and Inception and the hype around The Dark Knight but seriously, this is a perfect example of a story being told to the best it can be. Nolan proves himself to be a true magician behind the camera with this film carved into his very own magic trick: the Pledge, the Turn and finally, the hardest part of all, the Prestige.

My Rating: 10/10

Pixar – Just Another Studio?

Pixar are responsible for bringing to life some of the greatest film characters of all time!

For years and years now Pixar have been one of the best studios in the movie business. Pixar have been turning out perfect films over and over again since their first feature length film back in 1995; that film of course was Toy Story. Since then Pixar have continued to make perfect films, some of my favourites including Finding Nemo, Monsters Inc, Wall-E and that’s not even mentioning Cars, Up, A Bug’s Life, Ratatouille or The Incredibles. It is plain to see that Pixar have a knack for creating real works of art with some of the best characters to ever grace the cinema screen. They have often been thought of, especially by me, as one of the best studios making films today because of their originality, their creativity and their lust to tell a story that hasn’t been told before on the big screen in a time where plenty of the biggest studios in Hollywood are relying on sequels, reboots, fairy tale adaptations and even origin stories for famous films. In other words, studios are getting desperate but Pixar always seemed like the bright spark within the industry but are they now turning in to just another studio?

Edwin E. Catmull – Co-founder and current President of Pixar Animations.

This week Pixar have announced plans to make a sequel to 2003 hit (and one of the best and most touching stories Pixar have ever told) Finding Nemo, to be directed by Andrew Stanton, the man behind the original film and Wall-E. This follows the news that there is development for a Toy Story 4 in the pipeline and of course next year a prequel to Monsters Inc called Monsters University will be released. There are also rumours that a sequel is in development for Pixar’s very own superpowered family The Incredibles. This follows the hugely successful Toy Story 2 and Toy Story 3 and the film seen by many as the worst Pixar have ever made, Cars 2. Obviously, film fans everywhere will be rejoicing at the fact that plans to bring Woody, Buzz Lightyear, Mike, Sulley, Nemo, Marlin and Dory all back to the big screen because they are characters that were a huge part of so many people’s childhood and there will always be a sentimental connection towards those characters in the hearts of anyone who has ever watched these films. But are these proposed sequels bad news for Pixar and film fans in general?

The Toy Story franchise is a rare example of a trilogy where every film is of the highest quality, you can debate for days and days about which one is the best and why it is better than the other two but never will everyone agree. However, with Cars 2 it is the opinion of many that Pixar got it wrong; it didn’t really need a sequel and it wasn’t as good as the first one, it’s sort of a blotch on an otherwise stainless list of films in Pixar’s history. This means that if Pixar get it wrong with another sequel/prequel it could dampen feelings towards their much beloved characters.

Pixar’s feature length films have won a combined total of 11 Oscars and earned another 30 nominations!

Since 2003 Pixar have released a single film each year and it has done well commercially no matter what because Pixar is a name that will put bums on seats in cinemas, there remains no doubt about that. But with the news of the sequels it could signal one of two things: either Pixar is trying to follow suit of several other major film companies and milk the popularity of their characters for every last penny they can get out of them (something Disney are already managing to do with most of their character history) or rather more sadly, Pixar may just be running out of ideas. However, Pixar have said, although this was many years ago, that they would not consider making a sequel to one of their films if they couldn’t tell a story that was as good as the original, this suggests that a lot of hard work and thought will go into making these films but it will be a shame if this signals a slowing down in the creativity of Pixar because their characters have staying power like no others and everyone will be missing out if Pixar does indeed become ‘just another studio’.