I Know That Face! It’s Jason Flemyng!

He's so happy!

There are some actors who work incredibly hard but never reap the rewards that Brad Pitt or George Clooney do; there are some actors who appear in a lot of films but not many people would know who they were. If you enjoy films, especially those directed by Guy Ritchie or Matthew Vaughn, then you will know the face of Jason Flemyng.

Flemyng boasts a wide variety of films in his back catalogue: gangster flicks, comic book movies, big budget blockbusters, small budget indies but interestingly, Flemyng continues to return to his television roots despite, by many people’s opinion, making it as a film star.

Lock, Stock: Flemyng's big break.

In 1994, Flemyng made his first film appearance after dropping in on a number of television series. This film was a version of The Jungle Book, but it was four years later that he got his big break in Lock Stock and Two Smoking Barrels, directed by Guy Ritchie and produced by Matthew Vaughn. Ritchie then went on to direct Flemyng again in Snatch.

In the early 2000s Flemyng made a transition to big budget Hollywood films. The two notable films of this time are From Hell, alongside Johnny Depp, and unfortunately the heavily criticised League of Extraordinary Gentlemen where he starred with Sean Connery.

The fun that Jason Flemyng had with Lock Stock and Two Smoking Barrels‘ co-star Jason Statham led to Flemyng being cast in action sequel Transporter 2. The relationships that Flemyng has forged in the movie industry are clearly important to him as he continued to work with Ritchie, Statham and Vaughn on more than one occasion.

Helping to reboot the X-men franchise

Matthew Vaughn has described Flemyng as his ‘lucky charm’ and this is why Flemyng features in most of Vaughn’s films, whether Vaughn is producing or directing. The partnership formed on Lock Stock has seen Flemyng given roles, however big or small, in Snatch, Mean Machine, Layer Cake, Stardust, Kick-Ass and a brilliant role in X-men: First Class as teleporting mutant Azazel. This is a role Flemyng will more than likely return for, especially as Vaughn is once again signed on to direct.

Jason Flemyng’s work has not gone ignored by others in the industry and he has appeared in several other films such as Soloman Kane, Clash of the Titans, Ironclad, the critically acclaimed The Curious Case of Benjamin Button and even an uncredited appearance in The Social Network.

With such a wide range of films to his name it is almost impossible to avoid Flemyng’s work. He is a really really good British star who doesn’t get half the recognition that he deserves. No matter what role he plays, big or small, Jason Flemyng gives it his all.

 

The Devolution of Adam Sandler

Seriously Adam, what is going on?!

Adam Sandler’s career infuriates me. He made a name for himself in the world of comedy during the early 1990s thanks to his several appearances on Saturday Night Live and then made the journey to become a big movie star. During the late 90s and the early 2000s he was one of the funniest men working in film and his films were always (okay, most of the time) a treat and well worth a laugh or two. Then something happened. I don’t think anyone quite knows what happened, or even if Sandler himself knows, but his films turned terrible.

After impressing with his writing on Saturday Night Live, Adam Sandler was given the chance to perform on the show. He did so and became famous for his amusing songs that he would write, ‘The Chanukah Song’ being one of his best.

Sandler made the leap into films in the mid 90s and for the rest of the decade continues to be funny. Films such as Billy Madison, Happy Gilmore, Big Daddy and The Waterboy made Sandler a legend among comedy fans. His films were funny, they were worth seeing and they were something that you could laugh about with your friends after watching. These ones still are.

Then the turn of the century came and Adam Sandler continued to make movies. Little Nicky, Mr. Deeds, Anger Management and even 50 First Dates are all good films and worth watching for a laugh. And Sandler impressed everyone in 2002 when he took the lead in romantic comedy Punch-Drunk Love.

For a couple of years Adam Sandler left the mainstream comedy circuit and made sports film The Longest Yard (among his best films in my opinion, not for Sandler’s performance in particular, just as a film on the whole) and he made Click. Click was based in comedy but it was a dramatic performance from Sandler that was worth noting; it was a different performance to his other comedy films and it was very very good.

So far, so good.

Then 2007 came and something absolutely terrible hit cinemas and this is what I have pinpointed as the turning point in Adam Sandler’s career: I Now Pronounce You Chuck and Larry. It is a rubbish film. Nothing more needs saying. But then Sandler went on to do a ridiculous role in You Don’t Mess With the Zohan in which he played an Israeli counter-terrorist commando who fakes his own death to pursue his real dream of a career in hairdressing. THAT. IS. STUPID!

Sandler continued the decline with Bedtime Stories, Grown Ups and Just Go With It (not helped by the fact it features the cardboard actress that is Jennifer Aniston). None of these films have ever reached the heights of his earlier outings. And his most recent effort, Jack and Jill where he plays both of the title characters saw Sandler nominated for a series of Razzies.

Today I watched the trailer for Adam Sandler’s newest project hitting cinemas in the UK later this year: That’s My Boy. I really hoped the trailer would look good, I want nothing more than for his career to just get back on track, unfortunately though, this film will not be the rebuilding of Sandler’s comedy efforts. Guaranteed.

Adam Sandler needs to take a long hard look at his recent films and think about his career, not just for me but for himself. I can only assume he is working through some massive mid-life crisis and the sooner he gets through it the better, for everyone.

Below is the trailer for That’s My Boy being released in the UK on 7th September 2012.