The Big Wedding Review

In a comedy film titled The Big Wedding you wouldn’t be thought of as crazy to expect at least one of two things: a big wedding and/or some good jokes. If this is what you’re expecting then you are in for a major shock by the time the end credits begin to roll.

At the centre of The Big Wedding is Alejandro’s (Ben Barnes) marriage to Missy (Amanda Seyfried). Alejandro is adopted and his biological mother is a devout Catholic, therefore when it is announced that the biological mother is to attend the wedding Alejandro’s adopted parents, Don (Robert De Niro) and Ellie (Diane Keaton), are forced to pretend that they are still married, despite the fact they have been divorced for over ten years. Oh the fun that could come from this, right? Wrong!

The film opens with a quite misguided attempt at humour as we are introduced to the three main(?) characters, Don, Ellie and Don’s new girlfriend/Ellie’s best friend, Bebe (Susan Sarandon). The majority of backstory is thrown out of the window early on as the film focusses on introducing the main characters, trying to use humour to get the audience on side: there are no funny moments in this opening sequence, nor in Alejandro and Missy’s meeting with the vicar (Robin Williams), nor in Lyla’s (Katherine Heigl) introduction. You can just about force a laugh when Alejandro’s virgin brother (Topher Grace) is introduced.

The Big Wedding seems to be an experiment as to how much recycled comedy you can put into one film: the storyline seems to be very 80s style humour, the characters have all been seen before and offer nothing new to the storyline, and almost every story beat is predictable, despite how unpredictable the writer/director thinks he is being. Add all of this to the fact that almost none of the characters are really likeable then you know what you’re in for: an hour and a half of wishing the movie is going to take one almighty twist in which the wedding gets attacked by a nuclear weapon. This, unfortunately, never happens.

Early on there seem to be some promising aspects with Heigl and Grace’s interaction being the main source of genuine laughs but this soon fades away and is forgotten about as they have very little interaction at all after the first twenty minutes. A lot of the time, even in a bad comedy you can see what the film is attempting to do, you can see the potential. There isn’t even any real smidge of potential here, however.

The characters are, on the whole, very unlikeable; the plot is completely predictable for the most part; the acting is very poor, in particular Ben Barnes, while Amanda Seyfried is completely wasted in a nothing role; and the dialogue feels horribly forced and back to front.

The Big Wedding tries so hard to load in multiple story lines and in a last ten minutes that feels so rushed, these story lines are given very little time to come to natural solution and the films seems to jerk awkwardly towards the finishing line: this makes The Big Wedding, in actuality, seem more like a big waste of money.

My Rating: 3/10.

epic Review

Epic. Never has a summer blockbuster been so ambitiously named. After one of the most exciting and visually astounding trailers of the year so far, anticipations are set high for the latest Blue Sky outing. With a voicing cast including the likes of Amanda Seyfried, Jason Sudeikis, Josh Hutcherson, Christoph Waltz and Beyonce Knowles, could the one hour, forty minute journey into the forest live up to the hype of a two minute trailer?

On the one day in a hundred years where Tara (Knowles), Queen of the forest, is set to select her heir an evil group known as the Boggans, led by Mandrake (Waltz) intend to kill her and destroy the forest in order to take complete control. The Leafmen are the group charged with the order of stopping the Boggans but in particular the soldiers that have to carry that weight belong to the incredibly uncharismatic Ronin (Colin Farrell) and rookie Nod (Hutcherson) with the help of a human girl, M.K (Seyfried) who gets shrunk down to two inches tall Alice in Wonderland style in order to save the forest.

No time at all is wasted in introducing the miniature world of the forest and the ongoing battle as three birds tussle in the sky with Nod and the little bird that he rides. Then the real life sized world comes into play with M.K arriving to live with her mad scientist father (Sudeikis) and you get the feeling that there is going to be a strong father-daughter relationship at the centre of this animated war film but when it ends there seems to be a great gaping hole where the human emotion of the film should have been.

It’s a film that lacks any intensity at all. For a film where the whole of the forest seems to be at stake you would expect that there is at least going to be a huge battle at the end but alas, this is not the case. The one time you think you will get to see a huge fight it is cruelly ripped away from you and you are forced to travel with the more boring companions on the quest.

There is a little humour provided in the form of a slug and a snail voiced by Aziz Ansari and the wonderful Chris O’Dowd respectively. And there’s a nice little musical number about halfway through the film in an attempt to lift the film more upbeat from its second act which is certainly lacking any determination at all.

The only thing that comes remotely close to being epic are the brief action sequences. The animation during the fight scenes does stand out as some of the best animation in recent years and the action scenes are full of potential and wouldn’t look out of place in Peter Jackson’s Lord of the Rings trilogy (although the fact that its animated might make it stick out a little).

There are some laughs, good fight scenes and another great (if underused) turn by Christoph Waltz. You cannot doubt that Epic will find an audience as it is enjoyable at times, but it does feel someone’s followed a dot-to-dot for making a children’s animated film and decided to miss out the dots that contain heart and emotion.

My Rating: 6/10

News of the Week (13/02/13) – Godzilla, Oliver Twist and Finding Nemo 2

There’s a mixture of good, bad and just plain weird news this week. First of all there was the good news that the Godzilla reboot was looking to take itself seriously and add some serious acting talent to the cast. Aaron Taylor-Johnson was, until recently, the only actor attached to the project (set for a 2014 release) but this week both Elizabeth Olsen (Silent House) and Bryan Cranston (Breaking Bad) have joined up.

 

A mixture of news in the sequel business this week. The good news first is that Albert Brooks, the voice of Marlin in Finding Nemo, WILL be back for the sequel which already has seen Ellen Degeneres return for her part as Dory. This is good news as you couldn’t really have the film without him; we followed him on his journey all the way through the original film and it would be pretty harsh on Nemo to kill off his dad considering his mum has already bitten the sea’s equivalent to dust. Marlin was the most important, and in my opinion the best, character in Finding Nemo so I’m pleased to see Brooks back. Oh… the bad news is that Night at the Museum 3 is being made which we really don’t need to see after the shambles of the second one.

 

After the success of Ted last year Seth MacFarlane’s next project is going to put him in the lead role once more, this time in live action mode rather than as a CGI teddy bear. It will be a comedy western entitled A Million Ways to Die. We already knew this but this week Amanda Seyfried has been added to the cast. Seyfried (of Mean Girls and Les Miserables fame) will play the wife that leaves MacFarlance’s character to plunge the whole story into motion. Charlize Theron is also set to star.

 

And finally, some really WEIRD and completely unexpected news. Sony has a little project in the pipeline entitled Dodge & Twist which is a sequel update reworking …it’s just a completely new story about Oliver Twist. This story sees Oliver Twist twenty years older than when he was a pickpocketing child and he encounters old rival Artful Dodger who is now on the right side of the law. Twist gets wrapped up in a plan to steal the Crown Jewels and has Artful Dodger in hot pursuit. Interesting…?

Do You Hear the People Sing? – Les Misérables Review

The story of Les Misérables, originally written as a novel by Victor Hugo, is 150 years old. The first adaptation of Les Misérables as a musical came in 1980 and it has gone on to become one of the biggest and one of the best musicals on stage in the world. So how do you adapt the musical to film while keeping the operatic feel? How do you make a 150 year old story seem relevant to the 21st century audience? These are the questions that faced director Tom Hooper (The King’s Speech) when creating this giant production.

Les Misérables primary focus is Jean Valjean, a prisoner released on parole after spendingnineteen years in jail. Upon his release and his attempt to become a better man and live a better life he breaks his parole and ruthless policeman Javert dedicates his life to returning Valjean to prison. Along the way Valjean takes in the child of a dying prostitute. The plot spans seventeen years and is set against the backdrop of political turmoil and rebellion in France, culminating in the June Rebellion of France.

One of the key features of Les Misérables was the fact that the actors did not lip sync; their vocals were actually recorded while they sang on set, which is a very unique way of doing things when making a musical film. This means that the actors are forced to act, sing, move and sometimes fight all at the same time. It is a testament to how talented the whole case is that this never gets in the way of their vocals: this also helps to really keep a theatrical feel about the performance.

Hugh Jackman is Oscar nominated for his performance as prison Jean Valjean and his background in theatre clearly helped his performance in Les Misérables. Jackman’s transformation on screen as his character rises and falls in stature is fantastic and, with his performance, he brings so much emotion to the role it is hard not to feel for him. Hugh Jackman’s portrayal of Valjean is probably one of my favourite individual performances I have ever seen. This is also true of Anne Hathaway’s portrayal of prostitute Fantine, although for very different reasons. Fantine is forced to desperate measures in order to raise money to look after her child and the sequence which portrays this (accompanied with the song ‘Lovely Ladies‘) is so harrowing and you can really feel the despair and desperation of the character. I am slightly disappointed that Russell Crowe wasn’t nominated for an Oscar for his performance: even though he plays the villain I thought Crowe made Javert reluctantly likeable and I was really impressed by his singing too.

The songs and the music are the centre piece of Les Misérables and, as you would expect being as though it is a musical, the songs are wonderful. With such beautiful music and compelling lyrics the choice of songs (and addition of new song ‘Suddenly‘) really help to create a wonderful narrative which is vital here as there are very few spoken lines within the two and a half hour running time. Hathaway singing ‘I Dreamed a Dream‘ was a real highlight of the film, ‘Do You Hear the People Sing?‘ was a wonderful team production, ‘Empty Chairs at Empty Tables‘ was another personal highlight along with my favourite song of them all ‘Stars‘.

At the beginning of this review I called the making of Les Misérables a giant production and the huge scale on which this film is made is evident from the very first shot. Right from the get go it is a real team effort and everybody pulls their weight equally. The sets are incredible, the set pieces are fantastic, character development is wonderful. Lots of characters are introduced at different times throughout the film but they never clog up the storyline.

Les Misérables is a terrific story on so many levels and, even at two and a half hours long, I could have happily sat through it again as soon as it finished!

My Rating: 10/10.

Les Miserables Finally Coming to the Big Screen

UK Release Date: 11th January 2013.

Plot: Prisoner 24601, Jean Valjean, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in early 19th-century France, the story reaches resolution against the background of the July Revolution of 1832.

Stars: Tom Hooper (director), Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen, Helena Bonham Carter… quite a few then.

Les Miserables, affectionately referred to as Les Mis, is one of the all time classic stage productions and musicals. It has been performed for years and won a string of awards in its time in the theatres; it is one of the most well known productions of our time and now comes to the cinema screens of Hollywood. I have seen a stage production of this as well as a school production and the story is great so I anticipate big things from the cast and crew of this film.

This is only a teaser trailer but everything about Les Miserables screams ‘oscar bait’. The timing of its release will not be coincidental by any stretch of the imagination, giving it perfect timing to be considered for awards season. Hooper won last years Oscar for best direction with The King’s Speech and there is no shortage of big hitters among the cast. It has been confirmed by Hooper that all the actors and actresses do their own singing and did it live on set so there is no dubbing over with vocals later on which will make Les Mis all the more authentic.

Musicals conjure up horrible thoughts usually in the mass audience but when done right amazing things can be achieved. The Les Mierables trailer doesn’t give much away in terms of plot but I think the trailer looks really good and gives a great idea of what to expect. I will certainly be very surprised if this movie gets ignored by the Academy Awards.

Thankfully, Les Miserables looks more ‘The Sound of Music‘ rather than ‘High School Musical‘.