Tag Archive: america


Last week saw the release of the latest (brilliant) trailer for Iron Man 3. It looks as though this is going to be Marvel’s best stand alone film to date and will no doubt be packed full of brilliant moments featuring Tony Stark. With that in mind I decided to look over Stark’s four previous film appearances and pick out his best parts.

10. Court Scene – Iron Man 2

I think that this is a scene that really plays to Tony Stark’s character. Despite being in a formal setting where he is pretty much being attacked by the American government, Stark fails to take the situation seriously and instead decides to crack a few one liners and plays up for an audience reaction.

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9. Tony ‘suits-up’ whilst falling – The Avengers

During the events of The Avengers, after an exchange that also features on this list, Tony is thrown from a window by Loki. It is during this fall that we find out Tony’s technology has come a long way since Iron Man Mark I as his suit flies out of the building and latches onto him moments before he hits a crowded area of pavement that would surely kill him.

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8. “What if I told you we were putting a team together?” – The Incredible Hulk

It’s the scene that first shows Marvel’s multi-strand franchise. A great entrance from Tony Stark and showing that he is willing to work as part of a team, despite his huge ego!

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7. Iron Man’s First Flight – Iron Man

Every superhero scene has that moment where the protagonist masters their ability. Here we have Stark testing out his new suit and pushing it to the extremes as well as getting the hang of flying. With additional comedy landing.

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6. “We have a Hulk” – The Avengers

This is one of the best moments of The Avengers in my opinion. You have the most cunning person in the universe (Loki) in an exchange of words with master wordsmith and one-liner expert, Tony Stark. Full of charm and wit as always.

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5. The Suit Case – Iron Man 2

Before Tony could call his suit to him while he was falling out of buildings he was able to carry it around in a suitcase. Easily one of the coolest gadgets to ever grace the big screen!

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4. Break-Out Cave – Iron Man

This is the Iron Man Mark I armour. Now we really see how smart Stark is at his ability to construct this incredible suit while trapped in a cave. The first time we see Stark using his new weapon and generally just busting out using nothing but brute force.

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3. “Genius, billionaire, playboy, philanthropist” – The Avengers

It’s the line that has become the most quoted line from a Marvel film ever (probably). It’s how Stark’s fans have come to affectionately know him by and you can’t help but smile at Stark’s overindulging ego.

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2. Saving the world – The Avengers

It doesn’t come much bigger than saving the world. Tony has come such a long way since the first Iron Man film and is now willing to sacrifice himself to save the rest of New York’s population. Stark genuinely believes that he is going to die and this just shows how developed a character he has become over the journey of his existence on screen.

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1. “I am Iron Man” – Iron Man

Not a lot really tops saving the world but I think that this does. In arguably the most satisfying scene of Iron Man Tony Stark admits his alter ego. This is not something that usually happens in superhero films but it completely fits in with Stark’s ego-fuelling attitude and is completely in character. It’s a beautiful ending to a fantastic film!

Django Unchained is Quentin Tarantino’s latest adventure into history following the success of Inglourious Basterds. ‘Unchained‘ delves deeper into America’s past and examines, in a way that only Tarantino could do, the ugly side of American history that is often brushed over in the mainstream.

Jamie Foxx is Django, a slave freed by bounty hunter Dr. King Schultz. Schultz employs Django to help him bring three overseers of slave farms to their demise and the two grow a mutual respect between one another as they journey. Upon learning of Django’s wife being a slave at Candieland, owned by Calvin Candie, King Schultz decides to train and help Django embark on a revenge mission to free his wife.

It’s a fantastic story of revenge and as you would expect Django Unchained is wonderfully written. Tarantino is famous for his dialogue and while he seems to reign that in here there are still a few scenes where you get the back and forth, quick moving dialogue which is fun to see and listen to. One thing Tarantino doesn’t reign in, however, is his love of violence and gore; the blood flies everywhere at such ridiculous angles and guts come flying out of dead bodies in a way that is hilarious, but that is what makes Tarantino so enjoyable. As a person in interviews he is so over the top and you expect that from his films, it’s brilliant.

Jamie Foxx’s lead performance helps to make Django one of the coolest characters ever committed to film in my opinion. Django is just a complete character, he is so likeable and has so many different colours to his personality which makes him very interesting to watch, so credit to Tarantino for his creation but also Foxx for bringing him to life. There is one scene in particular that springs to mind involving Django and two of the Brittle brothers where Foxx really lets loose all of Django’s pent up anger and this makes this particular scene difficult to watch but so enjoyable at the same time because you’re on his side; there’s a wildness in his eyes.

The rest of the cast is almost flawless too. Christoph Waltz is nominated for an Oscar for his performance as Dr. King Schultz and rightly so, he’s such a likeable character and Waltz’s performance is the root of a lot of laughs due to his mannerisms. Leonardo DiCaprio is one of my favourite actors and it is great to see him playing a villain for the first time in his career and this gives him a chance to really let go of himself and bring a very intense and uncomfortable feel about his character; it’s so different to what he has done before but it is up there with his best performances. For me, there were only two let downs: I thought we would get to see a different side of Samuel L. Jackson after the early hype about him but he was just the same as always and largely disappointing for me; and all the way through I was hoping for a Tarantino cameo but when it finally came it was just underwhelming and restrained.

I’ve heard a lot of complaints about the running time and how Django Unchained sort of falls short because of this but I didn’t feel this to be the case. I did feel like it could have ended at earlier points and been drawn to a close quicker but then what followed those points I really enjoyed and was glad that they carried it on. On the whole, Django Unchained is just a really cool and incredibly stylish film. The beginning is good, the middle is better, and the end is fantastic. Not a realistic choice at the Oscars for Best Picture in my eyes but Tarantino could easily pick up Best Original Screenplay.

All in all, not Tarantino’s best, but far from his worst!

My Rating: 8/10.

I’m pleased to see Affleck getting the recognition he deserves as a director.

The Golden Globes took place last night and Argo was the hit of the night winning Best Drama and won Ben Affleck Best Director. This would suggest that Argo is now the favourite to pick up the Best Picture Oscar (it was already many people’s favourites and this will just strengthen arguments) but will that be the case?

Argo will face tough competition at the 85th Academy Awards from Les Miserables in particular which picked up the Best Musical or Comedy Golden Globe last night. I’m not sure why the Golden Globes feels the need to separate films into drama and musical/comedy but that’s what they do and they infer that Argo will be going head to head with Les Miserables. The cynic in me still thinks that something like Lincoln or Zero Dark Thirty will get the win thanks to their very strong pro-American vibes. Last year, The Descendants and The Artist were the winners of Best Motion Picture Golden Globes and The Artist went on to stuff its face with more and more awards in the following weeks, I can’t see the same happening for Argo to the same extent but I wouldn’t say an Oscar is beyond doubt.

However, Ben Affleck is not even nominated for Best Director at the Oscars! I think the Best Director Oscar is well up for grabs and any of the five nominees (Steven Spielberg, Ang Lee, Michael Haneke, David O. Russell, Benh Zeitlin) could easily win it. But surely it says something that the winner of the Golden Globe for direction is not even nominated for the Academy Award? Personally, I though Affleck’s direction was one of the best features of Argo!

Lawrence is one of the youngest actresses to be nominated for an Academy Award and the Golden Globes suggest this could be her year.

The Best Actor Oscar looks set to be between Hugh Jackman and Daniel Day-Lewis and these are the two people I would have been backing before last night. I do hope that Daniel Day-Lewis wins the Oscar as he is clearly one of the best actors that his generation has seen, and I would go so far as to say he will go down as one of the greatest of all time. Jennifer Lawrence and Jessica Chastain will compete for the Best Actress award and Lawrence is nailed on favourite so it’s hard to look past her for this one.

The rest of the Golden Globes correctly predict the winners for me: Christopher Waltz for Best Supporting Actor, Anne Hathaway for Best Supporting Actress, Adele to win for Best Original Song for Skyfall and Quentin Tarantino to win Best Screenplay.

In terms of the acting awards last year the Golden Globes were a certain prediction of the Oscar Awards but only time will tell if this year will follow suit.

January sees the big Oscar contenders come to the UK. Many of these films have already been released over in the states to critical acclaim as you might expect.

 

The Impossible – 1st January

Based solely on the trailer, The Impossible is THE film to see this January. It is the first film to be released that uses the 2004 Indian Ocean tsunami at the heart of it’s story, telling the tale of one family caught up with thousands of strangers in a horrible natural disaster. Featuring the brilliant Ewan McGregor and the incredible Naomi Watts.

 

Gangster Squad – 10th January

Finally, the all-star long awaited gangster flick will be arriving on UK screens. Delayed after the tragic shootings in Aurora, Gangster Squad is a film that many people have been looking forward to seeing and now you get your chance. Featuring a cast of Josh Brolin, Sean Penn, Ryan Gosling and Emma Stone among others.

 

Les Miserables – 11th January

A new interpretation of the hit musical comes to the screen this year and if you’ve managed to avoid the adverts featuring Anne Hathaway singing then well done. I think Les Mis is bound to do well thanks to all it’s Oscar buzz and having already been nominated for 4 Golden Globes but it’s not that high on my list thanks to all of it’s competition.

 

Django Unchained – 18th January

And if Les Miserables thinks having 4 Golden Globe nominations is something to shout about then step aside for Django Unchained‘s 5. This is Quentin Tarantino’s first attempt at a full on Western and it certainly will not disappoint! It has been nominated for Best Drama, Best Director, Best Screenplay and Leonardo DiCaprio and Christoph Waltz both have nominations for Best Supporting Actor; Oscars are sure to follow.

 

Lincoln – 25th January

Now cynics may think that Lincoln has been made with the intention of winning awards rather than pleasing audiences… that is what I believe as well. This looks like Oscar-baiting in all it’s glory: a film about one of America’s most celebrated Presidents telling the story of a pivotal time in America history. If this isn’t Steven Spielberg shouting “GIVE ME OSCARS” I don’t know what is. It seems to be working though.

 

Zero Dark Thirty – 25th January

Back in 2010, The Hurt Locker surprised everyone to become one of the lowest grossing winners of the Best Picture Oscar ever. Zero Dark Thirty is director Kathryn Bigelow’s follow up film and tackles the events of the manhunt for Osama Bin Laden and his following death. I don’t think this one will do as well as The Hurt Locker but it should make for some interesting viewing at least.

Here are a collection of trailers for, what I think are, the best movies to be released in the UK this month and will be well worth a watch!

 

SEVEN PSYCHOPATHS – 5th December

This is something I have been looking forward to since I first saw the trailer. An exciting cast that combines Colin Farrell, Sam Rockwell, Woody Harrelson and Christopher Walken all brought together by Martin McDonagh in his In Bruges follow up.

 

THE HOBBIT: AN UNEXPECTED JOURNEY – 13th December

This is obviously the biggest film to be released this month and I’ve said enough about it already in previous posts so here is just one of the many TV spots for the epic Peter Jackson Lord of the Rings prequel.

 

SMASHED – 14th December

Mary Elizabeth Winstead and the brilliant Aaron Paul play a married couple whose bond is solely built on their love of alcohol. Their marriage is put to the test when the wife decides to get sober. Smashed has already been adored by critics and could serve as a little treat this December.

 

LIFE OF PI – 20th December

I was more than a little dubious when I watched the first trailer for Ang Lee’s adaptation of the epic novel but with the release of this second trailer I don’t see how anyone can doubt this. A clear Oscar contender for sure.

 

PITCH PERFECT – 21st December

Anna Kendrick stars (and sings on the soundtrack) in this obviously Glee inspired musical that has gone down well with critics and audiences alike in America. I found the trailer a lot funnier than I thought that I would and it does look really really fun.

 

Babel (2006) Review

Babel is the third offering from director Alejandro Gonzalez Inarritu in his ‘Death’ trilogy, following Amores Perros and 21 Grams. Being a big fan of 21 Grams I was looking forward to watching Babel and had high expectations due to the amount of critical acclaim it received back upon its release.

Babel tells the stories of four different families in three different continents who are all connected by one tragic incident. But as much as Babel is about these families and their stories the stories take a back seat in order for Inarritu and scriptwriter Guillermo Arriaga to develop and explore pivotal themes in human life such as death, communication and family. It is a good job really because I felt that none of the stories were really strong enough to stand up by themselves and all supported one another significantly. However, the story that takes place in Japan is a little less connected to the others and, despite arguably being the most interesting of the four stories, has little bearing on the film as a whole.

As well as the deep themes being explored it is also the terrific acting that makes Babel worth the watch. Brad Pitt is not a name associated with the phrase ‘terrific acting’; yes he is a bankable name and yes he is world famous but he’s never been the best actor around but Babel sees Pitt put in a really emotional performance and is definitely one of his best to date. The real stand out performance for me was, again, in the Japanese story. Rinku Kikuchi as Chieko Wataya, a deaf-mute Japanese schoolgirl, is incredible. This is genuinely one of the best performances I think that I have ever seen, it is so compelling and just layered with intrigue that it is not a performance soon forgotten. It’s a whole international effort with stellar performances coming from actors and actresses of all nationalities including Adriana Barazza, Elle Fanning, Mohamed Akhzam and Gael Garcia Bernal. But any Cate Blanchett fans thinking of watching Babel I probably wouldn’t bother. She is on the front of the DVD case and her name is one of the most well known of the cast but she is barely in it and after her first scene she barely even speaks or moves.

As you might well expect the direction from Inarritu is flawless. Babel is not one of the strongest films I have ever seen but it is up there with the most beautiful. Inarritu clearly has a talent for his craft and this is nothing less than perfection in his directing of the film. Every single shot is well thought out and every single detail is covered. It is his performance as director that makes Babel what it is.

For all of it’s good points, as I mentioned earlier none of the stories are really that strong. It is hard to gain an emotional connection to any of the characters when you are being flown across the globe and back again to get all of these different stories flying at you. And for all the good acting and brilliant directing that is something that I could not look past. The writing needed to make the characters easier to connect with for the audience.

My Rating: 6/10.

Argo Review

In a year with so many big action sequences and huge blockbuster films hitting the cinema screen it would be easy for Argo to have escaped attention. Argo depicts the unbelievably true story of the rescue of six American diplomats in Tehran, Iran during 1979 in which CIA operative Tony Mendez (played here by Ben Affleck) attempts to infiltrate Iran and get the diplomats out by pretending to be a film crew scouting locations for their new science fiction film titled Argo.

The obvious problem when making a film about a rescue mission is thus: audiences primarily go because they want to see the rescue which puts pressure on the build up to the rescue because it becomes a hard task to get your audience invested in your characters and your story. It was a worrying start for Argo, I felt, because the opening narration which outlines Iran’s state at the time of the events seemed pretty boring and while not exactly irrelevant, it wasn’t actually needed either. Fortunately these early concerns of boredom were soon put to rest, largely thanks to Ben Affleck, although not for his acting.

Ben Affleck is not often quoted as anyone’s favourite actor and, in all honesty, I don’t think his performance in Argo as Tony Mendez will change that at all. Tony Mendez seems to come across as quite a boring although no doubt brave and intelligent man but he’s not a character who immediately gains your interest and pulls you into the story. Fortunately, Ben Affleck is a wonderful director and he directs Argo as well as starring in it and he does a brilliant job of really capturing the emotion of the story. Every time that the film goes back to Iran and focusses on the stranded Americans the film seems to dig a lot deeper than most, with real panic, stress and human pain being shown and Affleck very subtly leaves the empathic audience to really get a feel for the conditions and sadness of the situation by themselves.

Ben Affleck is helped by the fact that he has a very experienced cast for him to direct. The cast combines stars of both television and film in the forms of Bryan Cranston, John Goodman, Alan Arkin, Scoot McNairy and Kerry Bishe among others. Every cast member puts in a more than adequate performance and really bring to the forefront the emphasis on emotion and character. Along with Affleck’s brilliant direction it is partly Goodman and Arkin’s double act and comedic moments that help to sustain interest before the actual rescue takes place.

Once Afflek’s character touches down in Iran and meets the diplomats that is when the pace begins to quicken and things begin to get a lot more interesting! The rescue itself is nail biting stuff that will make your heart thump out of your chest. There is so much suspense and tension created, conflict between the characters, flaws in the plan, will the be found out or not? I think you are best of seeing Argo with no knowledge of the real life escape to save yourself from ruining the ending of the film. Although, even if you do know how the situation resolves itself you will still be overcome with emotion as you will the escape to happen and you wish for everyone to make it out of Iran safely. Of all the films I have seen this year Argo is the one that has created the most tension and suspense. The final act is incredibly gripping, nail biting, edge of your seat entertainment and the audience is rewarded with a fantastic ending.

It would be wrong to call Argo a feel good film but the sense of elation that runs through your body with the climax of the film is unmatched by most films this year. I would suggest that Argo could well be a dark horse for an Oscar nomination. It truely deserves the hype and brings the emphasis of the cinema back to human stories. Just brilliant.

My Rating: 8/10.

After a few weeks that have been fairly quiet on the news front in terms of things that have grabbed my interest this week has exploded and there is a lot to catch upon.

First, let’s start with a small update on the Assassin’s Creed feature film that is being lined up (starring and produced by Michael Fassbender). This will no doubt gain more exposure when it starts filming as Assassin’s Creed is one of the most famous and popular video game franchises of the past few years. Assassin’s Creed has now seen production company New Regency team up with Ubisoft to get this project off the ground; an official statement has said that the movie is being fast tracked and they want to get it out as soon as possible, to the highest standards reachable. Good news as I would hate this one sit in pre-production for years!

Talking of films that have been in pre-production for years: Ghostbusters 3. Obviously, there have been rumours about Ghostbusters 3 knocking around for years but now Deadline are reporting that the studio are hoping to be able to start filming next year, with or without Bill Murray’s permission which has been holding them back so far. So roll on the fantasy casts for the new generation of Ghostbusters: Seth Rogen, Jonah Hill, Matthew Gray Gubler and Emma Stone are being touted as possible leads.

It has been eleven years since the awful events that struck America. 9/11. And there have been a couple of films about the events, World Trade Center and United 93 and now it looks as though we are going to get another one. September Morn is a film that will detail the findings of the 9/11 Comission and Woody Harrelson, Martin Sheen and Ed Asner are all attached to star so far. But will a film about the findings of 9/11 really be wanted in America? Who knows.

So let’s round up the rest pretty quickly. The Hobbit is set for a December release this year and it has been released this past week that Stephen Colbert (Saturday Night Live) and the brilliant Jim Beaver (Supernatural) will be seen in cameo roles in the huge feature. A running time has also been quoted by Peter Jackson to be around 2 hours and 40 minutes, that’s a grand total of 160 minutes of Middle Earth adventure! Andy Serkis, fresh from directing the second unit on The Hobbit, is set to direct a motion capture film version of George Orwell’s Animal Farm. Serkis may also star in the film, nothing is confirmed yet, but he is clearly a great choice to direct after bringing such famous characters as Gollum and Caeser to life! And finally… Hugh Grant is set to return to his famous romantic comedy roles as he teams up with Music and Lyrics director Marc Lawrence again. No female lead has yet been signed on.

UK Release Date: 7th December 2012.

Stars: Martin McDonagh (director), Colin Farrell, Sam Rockwell, Christopher Walken, Woody Harrelson, Tom Waits, Olga Kurylenko, Abbie Cornish

Plot: A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster’s beloved Shih Tzu.

Seven Psychopaths is a film I have had my eyes on for what seems like an eternity, I had been awaiting a trailer for months and then had to wait even longer for a release date for the United Kingdom to be announced before I uploaded this, but it is definitely worth the wait. This film sees McDonagh and Farrell team up once more after the successful In Bruges.

Farrell is pretty hit and miss but he stars in one of my favourite films (Pride & Glory) and I really like him and here he is alongside a very good cast given a brilliant offbeat story. Sam Rockwell is terrific, Christopher Walken is a proven great, Woody Harrelson never fails to put in a memorable performance and given a storyline that involves kidnapping dogs in order to make money from the rewards and then getting mixed up with gangsters after kidnapping the wrong dog can only lead to plenty of laughs!

And the trailer certainly looks promising. It seems as though Rockwell and Walken are going to get the majority of the comedy lines while Farrell is just along for the ride (despite being the main character). The trailer reminds me a little bit of Sideways in terms of how the comedy looks; it feels different, fresh, new and not too forced which has already made Seven Psychopaths a hit at preview screenings.

The only bad thing is that it is being released in December which is primarily Oscar time when all the big films come out (however in America Seven Psychopaths comes out in October). However, early talk is saying that Seven Psychopaths could be in the frame for a Best Original Screenplay nomination.

UK Release Date: 25th January 2013.

Stars: Steven Spielberg (director), Daniel Day-Lewis, Tommy Lee Jones, Joseph Gordon-Levitt, Jackie Earle Haley, Jared Harris, Sally Field, Michael Stuhlbarg.

Plot: As the Civil War nears its end, President Abraham Lincoln clashes with members of his cabinet over the issue of abolishing slavery.

I have found a few trailers recently that have revived my hope in the comedy genre, which is one that I have considered very much a graveyard for the last couple of years, but here is something on the very opposite end of the scale; a hard hitting political drama based on former American president Abraham Lincoln.

I don’t think that there is a more exciting movie for the Oscar judges and Lincoln was clearly made for them. It is a biographical film about an American legend, a story about a pivotal moment in American history, directed by Steven Spielberg featuring an all star cast, of which a few have been nominated and won Oscars before and the make-up and costumes look great; Daniel Day-Lewis looks a dead ringer for Lincoln. Personally, depending on his screen time I’m hoping Joseph Gordon-Levitt gets an Oscar nod for his performance.

Like I said, Lincoln is very much a film for the Oscars and I’m not sure how it will do with the general audience but I have no doubts it will receive critical praise all over the world, especially in America and the United Kingdom. I’m looking forward to it; it has the potential to be the best ensemble acting performance ever.