Tag Archive: anne hathaway


Don Jon Trailer

UK Release Date: 15th November 2013

Stars: Joseph Gordon-Levitt (also directing), Scarlett Johansson, Julianne Moore, Tony Danza, Brie Larson.

Plot: A New Jersey guy dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love.

Don Jon (previously known as Don Jon’s Addiction) marks the feature length directorial and writing debut of Hollywood nice guy Joseph Gordon-Levitt, making it one of the most exciting movies yet to come (no disgusting pun intended) this year.

Reviews from films festivals have been positive with Don Jon being cited as making Gordon-Levitt one of the hottest new directors around. He’s already proven his versatility with all his work done through hitRECordJoe and he just looks amazing in this new trailer.

The trailer provides a great introduction to the life of Jon and his less than healthy addiction and provides some really good laughs, making it a must see for any fans of comedy films with heart and all fans of Joseph Gordon-Levitt. And if that’s not enough there are even cameo appearances from Anne Hathaway, Channing Tatum and Cuba Gooding Jr.

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Obviously the big news of the week was the Oscars but I’m not going to bore you with the names of the winners which I am sure you have seen plastered around numerous blogs in the past weeks. Let’s start with the worst news EVER just to get it out of the way: Michael Bay has announced that Megan Fox has been cast as April O’Neil in the Teenage Mutant Ninja Turtles reboot that Bay insists on ruining. Has there ever been such bad casting? NO.

 

So now that that’s out of the way. Anchorman: The Legend Continues is being released late this year and as if having a cast of Will Ferrell, Steve Carell, Paul Rudd, Luke Wilson and Kristen Wiig isn’t enough. Now James Marsden has been added to that list. Marsden will be playing Ferrell’s main rival in the film, a news anchor over at San Diego TV. I have previously written a blog about the lack of a career that Marsden has had other than starring in the X-Men films but if all goes well here he may become sought after property in actual good comedy films.

 

It’s common consensus that Adam Sandler is not good anymore. If he ever even picked up any of his Razzie awards that he won then he wouldn’t have anywhere to put them all in his house, there is just too many. His recent career has been nothing short of apocalyptic. Sandler has now joined a new romantic comedy following a couple who have had a disastrous blind date and somehow find themselves stuck together in a resort for families, each with their kids from a previous marriage in tow. There are several actresses in the running but the favourite at the minute seems to be Sandler’s co-star in The Wedding Singer and 50 First Dates Drew Barrymore which could, hopefully, signal a return to form for Sandler.

 

Annie is one of the most famous musicals in the world. Despite being met with mixed responses from critics when the original film was released back in 1982 it has achieved international fame and a few of its songs have become world famous. Now there is a remake in the works with plans for the film to be released at Christmas 2014. Will Smith and Jay-Z are on board as producers and Will Smith made one of the best decisions of his career by deciding to replace his daughter Willow Smith who was originally cast in the lead role. The girl now in the lead role is Quvenzhané Wallis, the youngest ever actress to be nominated for Best Actress at the Oscars for her performance in Beasts of the Southern Wild.

 

In 2011 Fox released Rio, an animated film about two blue macaws voiced by Anne Hathaway and Jesse Eisenberg. The original film also featured the voicing talents of will.i.am, Jamie Foxx, Leslie Mann and Rodrigo Santoro who are all returning for the sequel, among others, but the cast has grown even more. Andy Garcia, Bruno Mars and the amazing Pierce Gagnon (the kid from Looper) are just a few of the names signed on for Rio 2.

The story of Les Misérables, originally written as a novel by Victor Hugo, is 150 years old. The first adaptation of Les Misérables as a musical came in 1980 and it has gone on to become one of the biggest and one of the best musicals on stage in the world. So how do you adapt the musical to film while keeping the operatic feel? How do you make a 150 year old story seem relevant to the 21st century audience? These are the questions that faced director Tom Hooper (The King’s Speech) when creating this giant production.

Les Misérables primary focus is Jean Valjean, a prisoner released on parole after spendingnineteen years in jail. Upon his release and his attempt to become a better man and live a better life he breaks his parole and ruthless policeman Javert dedicates his life to returning Valjean to prison. Along the way Valjean takes in the child of a dying prostitute. The plot spans seventeen years and is set against the backdrop of political turmoil and rebellion in France, culminating in the June Rebellion of France.

One of the key features of Les Misérables was the fact that the actors did not lip sync; their vocals were actually recorded while they sang on set, which is a very unique way of doing things when making a musical film. This means that the actors are forced to act, sing, move and sometimes fight all at the same time. It is a testament to how talented the whole case is that this never gets in the way of their vocals: this also helps to really keep a theatrical feel about the performance.

Hugh Jackman is Oscar nominated for his performance as prison Jean Valjean and his background in theatre clearly helped his performance in Les Misérables. Jackman’s transformation on screen as his character rises and falls in stature is fantastic and, with his performance, he brings so much emotion to the role it is hard not to feel for him. Hugh Jackman’s portrayal of Valjean is probably one of my favourite individual performances I have ever seen. This is also true of Anne Hathaway’s portrayal of prostitute Fantine, although for very different reasons. Fantine is forced to desperate measures in order to raise money to look after her child and the sequence which portrays this (accompanied with the song ‘Lovely Ladies‘) is so harrowing and you can really feel the despair and desperation of the character. I am slightly disappointed that Russell Crowe wasn’t nominated for an Oscar for his performance: even though he plays the villain I thought Crowe made Javert reluctantly likeable and I was really impressed by his singing too.

The songs and the music are the centre piece of Les Misérables and, as you would expect being as though it is a musical, the songs are wonderful. With such beautiful music and compelling lyrics the choice of songs (and addition of new song ‘Suddenly‘) really help to create a wonderful narrative which is vital here as there are very few spoken lines within the two and a half hour running time. Hathaway singing ‘I Dreamed a Dream‘ was a real highlight of the film, ‘Do You Hear the People Sing?‘ was a wonderful team production, ‘Empty Chairs at Empty Tables‘ was another personal highlight along with my favourite song of them all ‘Stars‘.

At the beginning of this review I called the making of Les Misérables a giant production and the huge scale on which this film is made is evident from the very first shot. Right from the get go it is a real team effort and everybody pulls their weight equally. The sets are incredible, the set pieces are fantastic, character development is wonderful. Lots of characters are introduced at different times throughout the film but they never clog up the storyline.

Les Misérables is a terrific story on so many levels and, even at two and a half hours long, I could have happily sat through it again as soon as it finished!

My Rating: 10/10.

I’m pleased to see Affleck getting the recognition he deserves as a director.

The Golden Globes took place last night and Argo was the hit of the night winning Best Drama and won Ben Affleck Best Director. This would suggest that Argo is now the favourite to pick up the Best Picture Oscar (it was already many people’s favourites and this will just strengthen arguments) but will that be the case?

Argo will face tough competition at the 85th Academy Awards from Les Miserables in particular which picked up the Best Musical or Comedy Golden Globe last night. I’m not sure why the Golden Globes feels the need to separate films into drama and musical/comedy but that’s what they do and they infer that Argo will be going head to head with Les Miserables. The cynic in me still thinks that something like Lincoln or Zero Dark Thirty will get the win thanks to their very strong pro-American vibes. Last year, The Descendants and The Artist were the winners of Best Motion Picture Golden Globes and The Artist went on to stuff its face with more and more awards in the following weeks, I can’t see the same happening for Argo to the same extent but I wouldn’t say an Oscar is beyond doubt.

However, Ben Affleck is not even nominated for Best Director at the Oscars! I think the Best Director Oscar is well up for grabs and any of the five nominees (Steven Spielberg, Ang Lee, Michael Haneke, David O. Russell, Benh Zeitlin) could easily win it. But surely it says something that the winner of the Golden Globe for direction is not even nominated for the Academy Award? Personally, I though Affleck’s direction was one of the best features of Argo!

Lawrence is one of the youngest actresses to be nominated for an Academy Award and the Golden Globes suggest this could be her year.

The Best Actor Oscar looks set to be between Hugh Jackman and Daniel Day-Lewis and these are the two people I would have been backing before last night. I do hope that Daniel Day-Lewis wins the Oscar as he is clearly one of the best actors that his generation has seen, and I would go so far as to say he will go down as one of the greatest of all time. Jennifer Lawrence and Jessica Chastain will compete for the Best Actress award and Lawrence is nailed on favourite so it’s hard to look past her for this one.

The rest of the Golden Globes correctly predict the winners for me: Christopher Waltz for Best Supporting Actor, Anne Hathaway for Best Supporting Actress, Adele to win for Best Original Song for Skyfall and Quentin Tarantino to win Best Screenplay.

In terms of the acting awards last year the Golden Globes were a certain prediction of the Oscar Awards but only time will tell if this year will follow suit.

Again, nothing seems to have really peaked my interest THAT much in the world of movies this week, other than the release of the brilliant Looper, of course.

First up, the best news of the week I think is the announcement that writer and actor Seth MacFarlane will be hosting the 85th Academy Awards, or the Oscars as the rest of us know them. In recent years the awards have opted for actors/actresses to host the ceremony so it is a nice change that a writer will be hosting it, meaning a lot of his material will be his own. Now this obviously becomes somewhat of a risk because MacFarlane is known for being pretty intense with his jokes and right on the border between what is acceptable and what is not (that line being crossed on more than one occasion). However, I am looking forward to his performance as I do think he is a very talented writer and he should be able to keep everyone entertained with ease. When James Franco co-hosted the Oscars in 2010 (alongside Anne Hathaway) he was nominated for Best Actor, I doubt that MacFarlane’s Ted will be winning anything though.

Also this week Fox announced that Mark Millar has been hired to oversee all of their current Marvel products, much in the same way that Joss Whedon is doing actually AT Marvel but probably to less effect in Millar’s case and to a lot less excitement. That being said, this is probably a good move because Millar has a history writing comic books for Marvel having contributed to X-Men comic books and the Civil War storyline. He clearly has an understanding of how comic books work and how the comic book should influence the movies (much like Whedon) and God knows Fox do need some help with their Marvel properties. Fox currently has X-Men: Days of Future Past and a Fantastic Four reboot in the pipeline.

In other Marvel related news (I don’t know if you can tell from my blog but I do love Marvel) there is more good news! The Amazing Spider-Man came out this year and was without a doubt the best film based on a Marvel property not made by Marvel Studios in a good few years! Part of this was down to the fact that Marc Webb was directing and Andrew Garfield was playing a role he suits down to the ground: Peter Parker. I had always assumed that Garfield would be returning for the sequel but directors are usually more touch and go with many directors leaving after one instalment. But this week the return of both Webb and Garfield was announced to a chorus of cheers.

There hasn’t really been much news this week that has really grabbed my attention other than these three stories so this shouldn’t take long.
Steven Spielberg’s Robopocalypse is one of the most highly anticipated movies in production right now and the film takes place sometime in the future after the robot uprising.

Earlier this year Chris Hemsworth was reported to have landed the lead role (although some people say that is still being negotiated) but now there have been more rumours about the casting. Anne Hathaway is reportedly in talks to land the female lead which, I think, would be a bad call for this because she doesn’t have a reputation in big blockbusters (The Dark Knight Rises being her only one) and she isn’t actually that good an actress in my opinion; I just don’t see the hype. However, the other casting rumour involves British actor Ben Whishaw who I have no doubt will be a huge star in the next ten years. He has wonderful acting ability and a great sense of likeability surrounding him: he will be in Cloud Atlas and Skyfall later this year. Robopocalypse is due for a 2014 release.

Whishaw is ‘Q’ in the latest Bond outing.

Last month I wrote a blog about my dream cast for a female version of The Expendables. In that cast list I placed Gina Carano, who had her first acting role at the very beginning of this year in Haywire, and now it seems that she is the first name to sign on the dotted line and join the movie. A great choice. Carano will next be seen in the next Fast & Furious instalment alongside action heavyweights Vin Diesel and Dwayne Johnson.

And finally another casting choice that I can smile about. Casey Affleck has taken a part in Race to the South Pole. The film will chronicle the real life journey of two men in the early 1900s, the British Robert Falcon Scott (Affleck’s character) and Norwegian Roald Amundsen (yet to be cast), and their race to be the first man to reach the South Pole which is the last uncharted territory on the planet at the time. What’s more is that Ben Affleck and Matt Damon (that old friendship) will be partnering up to produce the film based on Peter Glanz’s script. It will be Glanz’s second feature film after The Longest Week but Casey Affleck does choose his films carefully so all signs are pointing in the right direction on this journey.

It is one of the most anticipated films of all time and how well it is received will determine how Christopher Nolan’s Batman trilogy is seen by future generations; whether it really is one of the greatest film trilogies of all time or whether it burns out over two films and disappears without a trace after a poor final chapter. After watching Batman Begins and The Dark Knight yesterday, I was ready for whatever Christopher Nolan had to throw at me with The Dark Knight Rises…or at least I thought I was.

The previous two films opened wonderfully: Batman Begins brought us Bruce Wayne’s origin as a child (or at least part of it) and his place in the real world at present day, The Dark Knight brought us one of the best opening sequences of all time with the Jokers bank robbery. ‘Rises‘ introduces the audience to a new world, eight years after the last confirmed sighting of Batman, Harvey Dent is still celebrated as a hero and Gotham’s streets are free of crime thanks to a police department headed up by Commissioner Gordon (the role reprised once more by the brilliant Gary Oldman). We are introduced early on to new characters in the franchise; Bane, John Blake, Miranda Tate and Selina Kyle aka. Catwoman.

Of these newcomers it was Blake who I looked forward to seeing the most because the stature of his character struck my curiosity and he is played by Joseph Gordon-Levitt who is one of my favourite actors. However, it was Anne Hathaway as Catwoman that really stole the show for me. Nolan has proved doubters wrong by writing a strong conflicted female character who is more than a match for Bruce Wayne himself. In Batman Begins and The Dark Knight I felt that the only places the films really lost points was in the fight scenes; I never found Batman’s fight scenes as exciting or thrilling as I should have because it always felt a little too staged, too jarred but when Catwoman kicks ass in The Dark Knight Rises she really goes for it and the choreography is excellent, the fights are seamless and exciting, they are really incredible sequences. The eventual final climatic fight between Batman and Bane (played by another brilliant English actor Tom Hardy) is better than any fight scenes of the previous two instalments as well.

The plot can be condensed into a simple sentence: Batman has to stop the city of Gotham being blown up by Bane. Replace the two character names and the name of the city and that plot could fit any generic action movie. But to do this, to try and explain the plot of The Dark Knight Rises in one sentence is to do yourself and the film a massive injustice. There are enough twists and turns, revelations and red herrings to keep the audience interested and invested in the story and it moves at the perfect pace; you can tell it’s a long film but everything, every tiny piece of detail and dialogue is needed and it is well worth sitting through!

The Dark Knight Rises is a brilliantly written film, it is directed beautifully and every single member of the cast, young and old, performs excellently to make this wonderful masterpiece. With a cast that boasts so many big names (Christian Bale, Michael Caine, Morgan Freeman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Juno Temple, Cillian Murphy, Gary Oldman, Liam Neeson and Matthew Modine) it would have been just as easy to let them run riot and it still would have been brilliant to watch but with Christopher Nolan at the helm this pool of talent brought their very best to the table to make one of the best films of all time and bring the final curtain on a trilogy that will define the superhero genre but the whole face of cinema for years to come.

My Rating: 10/10

UK Release Date: 11th January 2013.

Plot: Prisoner 24601, Jean Valjean, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in early 19th-century France, the story reaches resolution against the background of the July Revolution of 1832.

Stars: Tom Hooper (director), Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen, Helena Bonham Carter… quite a few then.

Les Miserables, affectionately referred to as Les Mis, is one of the all time classic stage productions and musicals. It has been performed for years and won a string of awards in its time in the theatres; it is one of the most well known productions of our time and now comes to the cinema screens of Hollywood. I have seen a stage production of this as well as a school production and the story is great so I anticipate big things from the cast and crew of this film.

This is only a teaser trailer but everything about Les Miserables screams ‘oscar bait’. The timing of its release will not be coincidental by any stretch of the imagination, giving it perfect timing to be considered for awards season. Hooper won last years Oscar for best direction with The King’s Speech and there is no shortage of big hitters among the cast. It has been confirmed by Hooper that all the actors and actresses do their own singing and did it live on set so there is no dubbing over with vocals later on which will make Les Mis all the more authentic.

Musicals conjure up horrible thoughts usually in the mass audience but when done right amazing things can be achieved. The Les Mierables trailer doesn’t give much away in terms of plot but I think the trailer looks really good and gives a great idea of what to expect. I will certainly be very surprised if this movie gets ignored by the Academy Awards.

Thankfully, Les Miserables looks more ‘The Sound of Music‘ rather than ‘High School Musical‘.

UK Release Date: 20th July 2012.

Eight years after Batman took the fall for Two Face’s crimes, a new terrorist leader, Bane overwhelms Gotham’s finest, and the Dark Knight resurfaces to protect a city that brands him an enemy.

It’s the final chapter to Nolan’s brilliant Batman trilogy and one of the most hyped movies of the year but I can’t help but feel that this is a rather underwhelming trailer. Perhaps it’s because The Avengers trailers were full of action and style and all of the current hype is all about that, but there are still some interesting things to consider from the trailer.

Some things never change and even eight years on from The Dark Knight, Batman is still talking in the same voice and it’s still annoying. On the subject of voices though, Bane’s seems to have been improved after the negative reception of the first trailer (or perhaps that was just a bad line of dialogue and the rest was alright, who knows?).

It looks as though Catwoman and Batman might just be teaming up to help Gotham, although being Catwoman I am expecting a betrayal in there somewhere but Anne Hathaway, surely, must have put fans minds at ease now as she looks great in the costume and we see her in a couple of quick action shots in the trailer. She wasn’t the fans first choice, perhaps, for Selina Kyle but she looks as though she will do a good job.

There are a few lines of dialogue that could hint at events of the film, or just be red herrings from Christopher Nolan. There is a lot of expectation that Batman and Bruce Wayne will die at the end of this film and with Alfred saying “I won’t bury you, I’ve buried enough members of the Wayne family” and when Catwoman says Wayne has given Gotham everything he replies with “no I haven’t, not yet”… is Batman going to keep fighting until he dies?

And also, why does Joseph Gordon-Levitt get so much trailer time if he is just playing some random police officer; surely he has a bigger role to play, whether it be his relationship with Wayne/Batman or possibly even in the future of Batman.

The trailer asks a lot of interesting questions and gives fans a taste of what to expect. The Dark Knight Rises will be a hit no matter what, but will it be as big as The Dark Knight?

He is considered by many to be one of the greatest directors of the modern world and by the time he eventually retires his name will undoubtedly be up there with the all time true greats of film making. By comic book fans he is thought of as the man who saved Batman from it’s earlier embarrassments in the cinema and Warner Bros. now have him producing Man of Steel, the new Superman movie, in hope that he can bring another hero back from the cinema dead zone. However, Christopher Nolan does have his haters, but why? Is he really THAT good?

Without exception every single one of the feature length films directed by Christopher Nolan has been a critical success. Whether it be the small scale Memento or the huge big budget summer blockbuster that is Inception, Nolan never fails to impress the critics. Nolan has been nominated for three Oscars (one for directing, another two for writing) and despite not yet winning the award he is being recognised by his peers as one of the best directors around.

Nolan’s writing prides itself upon it’s mysteries. Memento was something new, something brilliant. And the mystery was kept going by the fact that the film played out backwards and nobody, not even the main character, knew what was going on. The Prestige had a fantastic shock ending that nobody had predicted upon first watch, yet when watching again it becomes clear that Nolan has left some clues along the way for any viewer intelligent enough to spot them. All the while, Nolan is teaching the arts of a magic trick whilst creating his own in The Prestige at the same time. The essence of mystery is something Nolan followed through with Inception and I think everyone who left the cinema after seeing Inception got confused at least once whilst watching and the ending still causes arguments a couple of years on (even though it is pretty clear what the ending actually is if you look for the clues).

However, one of Nolan’s biggest downfalls is his writing of female characters. This is a criticism that is levelled at the director again and again, upon the release of every one of his films and audiences have a point. The female characters in Nolan’s films have very little purpose but to act as plot devices and have an effect on the main character; in themselves they have little story and virtually no development. Scarlett Johansson in The Prestige is a good example of this and Ariadne in Inception too, along with the women in his Batman films. There really seems no need for them to be there and they add next to nothing to the story. With the inclusion of Catwoman in The Dark Knight Rises it seems maybe Nolan is trying to prove that he can write a captivating female character to compete with the men of his films.

It has been said that Nolan gets the best out of all the actors he works with, but look at the people he has worked with: Guy Pearce, Al Pacino, Robin Williams, the brilliant Hilary Swank, Christian Bale, Hugh Jackman, Leonardo DiCaprio, Joseph Gordon-Levitt, Tom Hardy, Michael Caine… the list goes on. Point is, every one of the aforementioned actors was already established and thought of as a very good, if not some of the best, performers at the time. Even I could have made a film with Michael Caine and Leonardo DiCaprio and got good performances from them because they are already brilliant actors! Nolan doesn’t seem to challenge himself, but then again, if you can work with the best around then you’re going to do that and who can really blame him.

As briefly mentioned earlier, Christopher Nolan has brought a new life and new energy to an otherwise dead and buried franchise in the form of Batman Begins and The Dark Knight, the latter being described as one of the best films of all time. It may be a stretch but Nolan could be seen as the saviour of comic book films. Before him, of course, there was already Spider-Man and X-men that had been successful but Nolan showed what successes comic book movies have the potential to be.

Whether you like him or not nobody with a sensible view on movies can argue that Christopher Nolan is not a good director. His films are among the best of modern cinema and he is definitely one of my top three directors of all time. With The Dark Knight Rises coming out this year it seems certain that Nolan is set to rise yet again and receive even more praise as he brings the curtain down on one of the best trilogies of all time.

The hype surrounding this man is definitely justified.