Tag Archive: ben affleck

With the success of Skyfall and Sam Mendes’ direction it appears that the James Bond franchise is now in an enviable position. For the first time in a few years, the director’s chair on the next Bond film is a coveted seat indeed and so far, only A-list directors are being linked to the role. So let’s take a look at the possible candidates…

Bond 23, or Skyfall if you want to call it by it’s proper name, broke into the top ten highest grossing films of all time and was loved by audiences and critics alike. Part of that reason was the direction which was masterfully handed by Sam Mendes. Early reports suggested that Mendes had refused to return for Bond 24 but if you believe what you read, Mendes is right back in the frame and surely should be the first choice.

What to expect if Mendes directs? Brilliant character development and lots of Oscar buzz but no Oscars.

From Memento right through to The Dark Knight Rises, every one of Nolan’s films has been critically acclaimed. The Dark Knight, under Nolan’s supervision, is arguably the best film of recent years and one of the best of all time. A technically gifted director who puts a great deal of thought into everything he does, if he gets his usual team of Jonathan Nolan and Wally Pfister together again, it could be a masterpiece.

What to expect if Nolan directs? Bond will either be dreaming, a twin or… Michael Caine.

Ang Lee hasn’t had it all his own way since he began making films in Hollywood but he does hit more often than he misses. Sam Mendes became the first Oscar winning director to direct a Bond film, how do you top that? Employ a man who has two Oscars. Brokeback Mountain and Life of Pi both won Lee the Oscar for Best Director and would no doubt keep Bond at the elevated status Mendes has now given him.

What to expect if Lee directs? A touching love story between Bond and Q.

Perhaps the least recognisable name on this list among mainstream audiences, Refn has had an extremely good few years. Since Pusher Refn has received critical acclaim and his 2011 film Drive became an instant classic and was loved for its character development and theme heavy plot. However, his most recent effort Only God Forgives has divided early audiences with its controversial content.

What to expect is Refn directs? Brutal fight scenes leaving Bond scarred for life on every limb.

Affleck has not been linked with the director’s role… until now! Since shifting his focus from acting to directing Affleck has become hot property. Gone Baby Gone, The Town and the Oscar winning Argo have won Affleck a lot of fans, with his oversight for a nomination at the Oscars being one of the most controversial topics surrounding the ceremony this year.

What to expect is Affleck directs? Bond 24 to win Best Motion Picture but Affleck to not even be nominated.


I’m pleased to see Affleck getting the recognition he deserves as a director.

The Golden Globes took place last night and Argo was the hit of the night winning Best Drama and won Ben Affleck Best Director. This would suggest that Argo is now the favourite to pick up the Best Picture Oscar (it was already many people’s favourites and this will just strengthen arguments) but will that be the case?

Argo will face tough competition at the 85th Academy Awards from Les Miserables in particular which picked up the Best Musical or Comedy Golden Globe last night. I’m not sure why the Golden Globes feels the need to separate films into drama and musical/comedy but that’s what they do and they infer that Argo will be going head to head with Les Miserables. The cynic in me still thinks that something like Lincoln or Zero Dark Thirty will get the win thanks to their very strong pro-American vibes. Last year, The Descendants and The Artist were the winners of Best Motion Picture Golden Globes and The Artist went on to stuff its face with more and more awards in the following weeks, I can’t see the same happening for Argo to the same extent but I wouldn’t say an Oscar is beyond doubt.

However, Ben Affleck is not even nominated for Best Director at the Oscars! I think the Best Director Oscar is well up for grabs and any of the five nominees (Steven Spielberg, Ang Lee, Michael Haneke, David O. Russell, Benh Zeitlin) could easily win it. But surely it says something that the winner of the Golden Globe for direction is not even nominated for the Academy Award? Personally, I though Affleck’s direction was one of the best features of Argo!

Lawrence is one of the youngest actresses to be nominated for an Academy Award and the Golden Globes suggest this could be her year.

The Best Actor Oscar looks set to be between Hugh Jackman and Daniel Day-Lewis and these are the two people I would have been backing before last night. I do hope that Daniel Day-Lewis wins the Oscar as he is clearly one of the best actors that his generation has seen, and I would go so far as to say he will go down as one of the greatest of all time. Jennifer Lawrence and Jessica Chastain will compete for the Best Actress award and Lawrence is nailed on favourite so it’s hard to look past her for this one.

The rest of the Golden Globes correctly predict the winners for me: Christopher Waltz for Best Supporting Actor, Anne Hathaway for Best Supporting Actress, Adele to win for Best Original Song for Skyfall and Quentin Tarantino to win Best Screenplay.

In terms of the acting awards last year the Golden Globes were a certain prediction of the Oscar Awards but only time will tell if this year will follow suit.

I’m back from my Christmas hiatus and in the past couple of weeks critics and fans alike have been compiling their lists of the ten best films of 2012 or twenty best or whatever you like, but I have decided to take a different approach to compiling my list and I will be looking at, month by month, what were the best releases. I’ll be using the UK release dates for films and, in doing it month by month there will be some big omissions and some surprise inclusions.

Will any of these films feature on the list?


January – The Grey

To be honest, if you look at what was released in January it doesn’t really fill you with enthusiasm for the rest of the year as there weren’t really many films worth noting released this month. I think that people were still more bothered about seeing the previous year’s Christmas releases (The Girl with the Dragon Tattoo, Sherlock Holmes: A Game of Shadows, Mission Impossible: Ghost Protocol) however there were a few films that stood out. You might think that We Need to Talk About Kevin, Shame or War Horse might win this month but I decided to go for Liam Neeson’s The Grey. Neeson continued his rebirth as an action hero in 2012 and it was largely down to his enounter with wolves in the partially surprising hit: The Grey.


February – Chronicle

February brought a lot of very disappointing ventures to the cinema. Safe House was a blockbuster than lacked a punch, Man on a Ledge was a very boring ‘thriller’ and One For the Money is one of the most boring films I have ever seen! However, saying that I was really impressed by Woman in Black which seemed to reinstate Hammer Films at the forefront of the horror scene but for the best film of the month it fell short and I went for Chronicle. Chronicle was seen by many to be very refreshing to an overcrowded superhero genre. The characters that appear in this found footage film are not from the pages of comic books and, like The Grey, Chronicle was another surprise hit but worth of all it’s critical acclaim.

March – 21 Jump Street

If you think that 21 Jump Street is a strange and ridiculous choice to be on this list then I really do encourage you to look at films that were released in the UK in March this year. March saw releases from some very highly anticipated films that were subsequently big disappointments, none bigger than John Carter. Of course, March also brought us the beginning of a huge new franchise with the Jennifer Lawrence led The Hunger Games, however I enjoyed 21 Jump Street a lot more. I can’t remember the last time I laughed so much in the cinema, 21 Jump Street was a welcome injection of humour to an otherwise dull month.


April – Avengers Assemble

There was a clear winner for this month. Marvel’s Avengers Assemble became the third highest grossing film of all time, breaking no end of records on its way to this achievement. This was the event that film fans had been waiting for for 4 years and it did not disappoint, The Avengers (as it was known sensibly in other countries) provided big entertainment, big action, big characters and big laughs. The only real competition in this month came from another film with Joss Whedon’s name attached: Cabin in the Woods, which was seen to redefine the horror genre but really, nothing could top Avengers Assemble.


May – The Raid: Redemption

May saw a lack of big releases as the prospect of going up against Marvel’s box office Goliath seemed a little bit daunting for many studios. And of course there is a bit of a lull in the cinema calender before the big summer smashes get released. The Raid was something that we don’t see nearly enough on this side of the Atlantic, a foreign release… and a successful one at that! The Raid is a brilliant, action packed, adrenaline fueled Indonesian martial arts film and it should come as no surprise that there are plans in America to do an English language remake.


June – Killer Joe

Now, June saw the second big release of the year: Prometheus. And don’t get me started on how over rated that was and what a bore fest it unfortunately turned out to be. Rock of Ages was a very very dull adaptation of the successful stage musical and The Five Year Engagement was about five years too long. Killer Joe proved that Matthew McConaughey could really act and it turned out to be a very gritty, gothic crime drama that also featured Emile Hirsch who is quietly going about proving what a good actor he is too.


July – The Dark Knight Rises

At the beginning of July The Amazing Spider-Man was released and was a very good attempt at reshaping Spider-Man’s origins; then on the 20th of July Christopher Nolan turned up to show everyone how it was done. Nolan’s Batman trilogy ended with one of the greatest films of the year. Full stop. He brought an all star cast here and cranked up the tension, cranked up the stakes and people flocked to the cinema to see how the greatest superhero trilogy ever made would end. And it did not disappoint. Sure, it never quite reached the heights of The Dark Knight which preceded it but I thought that the ending of The Dark Knight Rises was one of the greatest and most satisfying endings I have ever seen.


August – Ted

Fans of controversial humour, outrageous humour and toilet humour were delivered an early Christmas present back in August when Seth MacFarlane made his feature film directorial debut in this story of a child’s teddy bear coming to life to become a sex-craved, pot smoking best friend (voiced by MacFarlane himself). I think Ted may suffer from a lack of rewatchability but all in all it was a very funny film with some great cameos and hilarious scenes. The “white trash girls names” scene is one of the best scenes of the year in itself!


September – Looper

There were some very popular films released in September: Anna Karenina, Dredd, The Sweeney and House at the End of the Street to name a few. Lawless, featuring wonderful performances from Tom Hardy, Shia LaBeouf and Guy Pearce among others was an incredible film and gives Looper a run for its money but when I saw Looper I knew I was watching something special. Looper is one of the best films that I have ever seen and has fast become one of my favourites. The time travel plot device that has long been a staple in the science fiction genre and Looper gave an alternate look while skirting around the edges of Rian Johnson’s own laws of time travel. Looper was incredible! My best film of the year.


October – Skyfall

2012 saw the return of James Bond to the big screen in Skyfall, directed by Sam Mendes. After a disappointing Quantum of Solace Bond returned in a flood of critical acclaim and commercial success worldwide in the critically lauded Skyfall. Skyfall delivered a more personal look at the characters in Bond’s world, including a small trip into Bond’s background, a more in-depth look at M and revealed a few dark secrets of MI6. Skyfall also brought back some famous characters in a new style, Q and Moneypenny. Skyfall was simply fantastic and should be an outside bet for a couple of Oscar nominations.


November – Argo

My heart longs to say that Rise of the Guardians was the best film released in November but my head says otherwise. November saw End of Watch and Silver Linings Playbook released as well but I think that Argo was a really really incredible achievement for Ben Affleck. Argo was crammed full of suspense and tension and had audiences chewing on their nails whilst sitting on the edge of their seats. A true story of a rescue attempt using the undercover story of being a film crew for a science fiction film seems almost unbelievable but Argo brings it to the screen with such perfect realism.


December – Life of Pi

Life of Pi was very hotly anticipated as soon as it was announced. Being a best-selling book Life of Pi already had a huge audience waiting to see how the adaptation would turn out. The story is of 16 year old Pi who suffers a ship wreck which kills his family and leaves Pi stranded with just a Bengal tiger named Richard Parker. It is a truly touching and emotional story and is already reaping the rewards of their hard work with Golden Globe nominations for Best Score, Best Drama and Best Director.

Blah blah.. Disney… blah blah… Star Wars. Exactly. With Michael Arndt currently writing Episode VII it has now been announced who will write Episodes VIII and IX, clearly Disney is expecting big things from their newest franchise. Lawrence Kasdan and Simon Kinberg are the two people chosen to write the next sequels but it is unclear who will write which one as of yet. These are very good choices as Kasdan has previous with the Star Wars series (so why wasn’t he chosen to write Episode VII?) as he wrote The Empire Strikes Back and Return of the Jedi. simon Kinberg also has experience with blockbusters, he has written Sherlock Holmes and is currently writing Days of Future Past, the sequel to X-Men: First Class. However, Kinberg has previously had writing credits on Mr & Mrs Smith, Jumper and X-Men: The Last Stand, not such a good choice after all?

The Amazing Spider-Man 2 is picking up the pace now. We know that Jamie Foxx is in the running to play the villain and probably will do so but now we know that Harry Osborn will feature in the film and several actors are being auditioned. Those in the running include Dane DeHaan (Chronicle), Sam Claflin (Snow White and the Huntsman), Eddie Redmayne (My Week With Marilyn) and Boyd Holbrook (Milk). If it was up to me I would be snapping up Sam Claflin to play the past as soon as I could. Claflin is a British actor that I have seen a lot of (Pillars of the Earth, United, Snow White and the Huntsman) and has also landed himself roles in other big blockbusters such as Pirates of the Caribbean: On Stranger Tides and The Hunger Games: Catching Fire. It is clear he is going to have a great career and I really would love to see him emulate James Franco in this role.

Claflin gets the thumbs up from me to play Harry Osborn.

Scoot McNairy is getting around a lot in Hollywood at the minute. As soon as I first saw him in Monsters I was a fan, he is a very good actor and deserves all the success that comes his way. This year he has starred in Killing Them Softly with Brad Pitt and Argo with Ben Affleck. This week, McNairy has been cast in two more films. These are The Rover, an “existential western” set in the “near future” starring Robert Pattinson and Guy Pearce; the other is Frank alongside Michael Fassbender. Scoot McNairy is fast becoming one of my favourite actors! (expect a blog all about him in the next week or so).

Finally, Pinocchio. The classic tale of a carpenter who makes a puppet that turns into a real boy. The story has been done several times, most famously by Disney and probably most recently on television show Once Upon A Time. For months and months this project has been in the works with two names attached to team up to make it happen and they are, arguably, ideal for the job. the two in question are director Tim Burton and (no, not Johnny Depp or Helena Bonham Carter) the brilliant Robert Downey Jr, who would play Geppetto! The film has been on and off more than Ross and Rachel in Friends (can you believe its 10 years since that finished? I can’t!) but now a writer has been hired to produce a script. And that writer is Jane Goldman, the woman behind such hits as Stardust, Kick-Ass, X-Men: First Class and The Woman in Black. Good times!

Argo Review

In a year with so many big action sequences and huge blockbuster films hitting the cinema screen it would be easy for Argo to have escaped attention. Argo depicts the unbelievably true story of the rescue of six American diplomats in Tehran, Iran during 1979 in which CIA operative Tony Mendez (played here by Ben Affleck) attempts to infiltrate Iran and get the diplomats out by pretending to be a film crew scouting locations for their new science fiction film titled Argo.

The obvious problem when making a film about a rescue mission is thus: audiences primarily go because they want to see the rescue which puts pressure on the build up to the rescue because it becomes a hard task to get your audience invested in your characters and your story. It was a worrying start for Argo, I felt, because the opening narration which outlines Iran’s state at the time of the events seemed pretty boring and while not exactly irrelevant, it wasn’t actually needed either. Fortunately these early concerns of boredom were soon put to rest, largely thanks to Ben Affleck, although not for his acting.

Ben Affleck is not often quoted as anyone’s favourite actor and, in all honesty, I don’t think his performance in Argo as Tony Mendez will change that at all. Tony Mendez seems to come across as quite a boring although no doubt brave and intelligent man but he’s not a character who immediately gains your interest and pulls you into the story. Fortunately, Ben Affleck is a wonderful director and he directs Argo as well as starring in it and he does a brilliant job of really capturing the emotion of the story. Every time that the film goes back to Iran and focusses on the stranded Americans the film seems to dig a lot deeper than most, with real panic, stress and human pain being shown and Affleck very subtly leaves the empathic audience to really get a feel for the conditions and sadness of the situation by themselves.

Ben Affleck is helped by the fact that he has a very experienced cast for him to direct. The cast combines stars of both television and film in the forms of Bryan Cranston, John Goodman, Alan Arkin, Scoot McNairy and Kerry Bishe among others. Every cast member puts in a more than adequate performance and really bring to the forefront the emphasis on emotion and character. Along with Affleck’s brilliant direction it is partly Goodman and Arkin’s double act and comedic moments that help to sustain interest before the actual rescue takes place.

Once Afflek’s character touches down in Iran and meets the diplomats that is when the pace begins to quicken and things begin to get a lot more interesting! The rescue itself is nail biting stuff that will make your heart thump out of your chest. There is so much suspense and tension created, conflict between the characters, flaws in the plan, will the be found out or not? I think you are best of seeing Argo with no knowledge of the real life escape to save yourself from ruining the ending of the film. Although, even if you do know how the situation resolves itself you will still be overcome with emotion as you will the escape to happen and you wish for everyone to make it out of Iran safely. Of all the films I have seen this year Argo is the one that has created the most tension and suspense. The final act is incredibly gripping, nail biting, edge of your seat entertainment and the audience is rewarded with a fantastic ending.

It would be wrong to call Argo a feel good film but the sense of elation that runs through your body with the climax of the film is unmatched by most films this year. I would suggest that Argo could well be a dark horse for an Oscar nomination. It truely deserves the hype and brings the emphasis of the cinema back to human stories. Just brilliant.

My Rating: 8/10.

There hasn’t really been much news this week that has really grabbed my attention other than these three stories so this shouldn’t take long.
Steven Spielberg’s Robopocalypse is one of the most highly anticipated movies in production right now and the film takes place sometime in the future after the robot uprising.

Earlier this year Chris Hemsworth was reported to have landed the lead role (although some people say that is still being negotiated) but now there have been more rumours about the casting. Anne Hathaway is reportedly in talks to land the female lead which, I think, would be a bad call for this because she doesn’t have a reputation in big blockbusters (The Dark Knight Rises being her only one) and she isn’t actually that good an actress in my opinion; I just don’t see the hype. However, the other casting rumour involves British actor Ben Whishaw who I have no doubt will be a huge star in the next ten years. He has wonderful acting ability and a great sense of likeability surrounding him: he will be in Cloud Atlas and Skyfall later this year. Robopocalypse is due for a 2014 release.

Whishaw is ‘Q’ in the latest Bond outing.

Last month I wrote a blog about my dream cast for a female version of The Expendables. In that cast list I placed Gina Carano, who had her first acting role at the very beginning of this year in Haywire, and now it seems that she is the first name to sign on the dotted line and join the movie. A great choice. Carano will next be seen in the next Fast & Furious instalment alongside action heavyweights Vin Diesel and Dwayne Johnson.

And finally another casting choice that I can smile about. Casey Affleck has taken a part in Race to the South Pole. The film will chronicle the real life journey of two men in the early 1900s, the British Robert Falcon Scott (Affleck’s character) and Norwegian Roald Amundsen (yet to be cast), and their race to be the first man to reach the South Pole which is the last uncharted territory on the planet at the time. What’s more is that Ben Affleck and Matt Damon (that old friendship) will be partnering up to produce the film based on Peter Glanz’s script. It will be Glanz’s second feature film after The Longest Week but Casey Affleck does choose his films carefully so all signs are pointing in the right direction on this journey.

There are no awards for guessing that Warner Bros. and comic book company DC Comics are desperate to get their superhero team The Justice League to the big screen. After the phenomenal success of Marvel’s The Avengers, DC seem to be desperate to compete with them on the big screen which recently, they haven’t been able to do: Christopher Nolan’s The Dark Knight trilogy is really the only good effort from DC recently with Superman Returns and The Green Lantern paling in comparison to Iron Man and Thor. Now Warner Bros. are pushing on with the Justice League project with directors being lined up (Ben Affleck has been reported to have been approached & turned it down) but this could lead to a huge failure rather than success.

The most obvious problem to me is the Batman problem. Before The Dark Knight Rises was even released there was talk of Warner Bros. planning to reboot the caped crusader as soon as just two or three years down the line. After the huge acclaim that Batman Begins, The Dark Knight and The Dark Knight Rises received it seems a ridiculous idea to want to reboot the character of Batman immediately, with fans not even having time to let the old Batman go first (although this didn’t seem to be too much of a problem for The Amazing Spider-Man, another Marvel success). With Batman being a founding member of the Justice League a movie version would seem to be lacking something without him.

Next up, there is Wonder Woman. The Avengers sole representative of the female genre came in the form of Scarlett Johansson’s Black Widow and she was a very popular character in the third highest grossing movie of all time. This was no doubt down to the fact that she is largely a supporting character and at the helm of The Avengers was Joss Whedon, a man famed for his strong female characters. Wonder Woman is very different to Black Widow; Wonder Woman was the first female superhero and is a real staple in comic book history. She is the epitome of female superheroes and needs to be treated as such. Wonder Woman fans won’t want to see their favourite woman as a background character in someone else’s movie, they want to see her on par with the likes of Batman and Superman. Why is this a problem? Well, how well did Elektra and Catwoman do in their individual movies? And what happened to the new Wonder Woman television show? That’s right, cancelled after just a pilot. Not promising at all.

The new Superman film Man of Steel comes out later this year and, so far, it is unclear whether this will hint at a future Justice League movie. If it doesn’t then surely we will have to endure yet ANOTHER Superman reboot which would be horrible for film fans (and me especially as I already think Superman is a pretty boring character). It would also be pretty disappointing if it did because DC’s most recent non-Batman film was of course the largely disappointing Green Lantern. Green Lantern didn’t hint at a Justice League film either and you’ve got to really hope they’re not going to rehash it again just to get a Justice League movie out. Also, there is a very vast difference between The Green Lantern and (what we expect from) Man of Steel in terms of how real and grounded in reality each film is.

The wonderful thing about Marvel is that they had The Avengers planned for years, it was a long time in planning. The Avengers was a five year project that began back in 2008 and even before that when the film was in production. Whilst each film was coming out, though, we could tell that each film was happening in the same universe and little hints were laid (Cap’s shield in Iron Man 2, Tony Stark turning up in The Incredible Hulk, Agent Coulson’s constant appearances) to remind us what each film was leading up to. With each main character introduced in their own solo film we were given the chance to get to know each character by themselves then watch them change, grow and adapt as part of a team in The Avengers. It was a wonderful journey and an incredible moment in cinema history that showed just what could be accomplished with the right planning.

The Justice League so far has not laid any trails for fans to latch on to. I highly doubt there will be a moment in Man of Steel where Superman suddenly refers to The Green Lantern or anything like that. Warner Bros. really needs to take their time and make sure that they get individual films for Wonder Woman, Flash and, a little more difficult, Aquaman and Martian Manhunter. Warner Bros. are going to need someone special at the helm just as Marvel had Joss Whedon and a bad sign already is that Christopher Nolan has said he will not be involved.

As fans of movies, comic books and superheroes we can only hope that Warner Bros. and DC just take their time, rather than trying to rush a cut and paste job onto the big screen in reply to Marvel.

Rumours are flooding the internet today surrounding the topic of the Snow White and the Huntsman sequel and whether Kristen Stewart or director Rupert Sanders will return for a second film. With the recent news coming out that Stewart and Sanders were having an affair it is clear this would cause more problems than its worth if these two worked again together, therefore it seems as though the sequel will not be happening with Kristen Stewart playing Snow White because Sanders looks set to return to direct. The attention instead will shift towards Chris Hemsworth’s Huntsman and create a sort of spin off from the first Snow White fantasy film. This was always the plan to do so in the third film but have two films about Snow White precede this. They could always hire Lily Collins to replace Stewart in the lead role, she made a fantastic Snow White in Mirror, Mirror and really looks the part, but if they’ve decided to tell a story based around the Huntsman then so be it; but it better be of a much higher quality than X-Men spin off, X-Men Origins: Wolverine.

There seems to not be a week go by at the minute when Marvel and its film properties aren’t in the news: be it Avengers, Iron Man, Thor, Guardians of the Galaxy or this week Daredevil. Work had apparently been moving forward on a reboot to the Daredevil film franchise at FOX and a director was even pretty much set to go for it; Joe Carnahan (director of The A-Team and The Grey) was tweeting about his excitement to adapt Daredevil in the world created by Frank Miller’s successful run on the comic books back in the late seventies/early eighties which had a darker film noir feel about them. Now it seems as though those ideas have gone up in smoke as FOX are clearly in no rush to get the project off the ground and are apparently willing to let the rights go back to Marvel come October. As soon as Marvel gets the rights back (even before probably) work will be done to get a film reboot going and it would be my guess that he would be set in the same universe as Marvel’s Avengers series probably. I hope that Ben Affleck comes in to direct the reboot, he loves the character and even though his starring role as Matt Murdock wasn’t very good he should be considered to direct, I think his Daredevil would be great and have a similar feel and tone to Gone Baby Gone.

And now here’s the latest casting news that has caught my eye this week: first of all, Aaron Paul of Breaking Bad fame has landed himself a lead role in Nick Hornby adaptation ‘Long Way Down‘ which follows four people who plan to commit suicide by jumping off a building on New Year’s Eve, but become friends with each other before the jump. Keira Knightley has gone and landed herself a part in her first franchise since Pirates of the Caribbean in Kenneth Branagh’s new Jack Ryan film in which Branagh also plays the villain to Chris Pine’s hero. It will be great to see Knightley swap her corsets and what not for a more modern attire in this film. And finally Scrubs‘ Donald Faison or ‘Turk’ has signed on to appear in comic book sequel Kick-Ass 2:Balls to the Wall as Dr. Gravity, a hero who is inspired by Kick-Ass and becomes an ally of his in his new team ‘Justice Forever’. This looks like a fun piece of casting and it is fantastic to finally see some real signs that the sequel is moving ahead!

Benjamin Geza Affleck-Boldt is a name that you may not be familiar with, although when shortened to Ben Affleck it is very difficult to avoid. Ben Affleck is arguably one of the biggest celebrities in the world and has been for some years, both for his work in the film industry and his relationships with a string of big name Hollywood ladies including Gwyneth Paltrow, Jennifer Lopez and his current wife Jennifer Garner. But what I know him for is his acting, writing, producing and directing of some brilliant and some not-so-brilliant, slightly below average films.

One of the most famous friendships in Hollywood: Affleck and Damon.

After appearing in small extra roles in a number of films including Field of Dreams and Buffy the Vampire Slayer Affleck really became known for his turns in Kevin Smith films Mallrats and Chasing Amy, however it was Good Will Hunting in 1997 that made him a household name. Good Will Hunting was nominated for nine Oscars including a Best Original Screenplay win for Ben Affleck and Matt Damon who shared the writing credit and both starred in the film too. This success then allowed Affleck to move into bigger roles and he pretty much became a huge success with all of his films becoming massive hits at the box office; Armageddon, Pearl Harbor and The Sum of All Fears. Affleck was acting among some big names and becoming one of them too whilst still doing smaller films including Shakespeare In Love, Dogma and Boiler Room.

A year after The Sum of All Fearswas released something bad happened to Ben Affleck’s acting career that he has never really recovered from. Ben Affleck states that his favourite comic book when he was growing up was Daredevil so when the chance arose to play the Marvel hero naturally Affleck jumped at the chance. Unfortunately, despite being praised for his casting and his role in the film it is not a very good film at all to be honest (although the director’s cut is actually meant to be a huge increase in quality) and since appearing in Daredevil Affleck has not really tastes any of the huge success he once had as an actor. Instead, he has appeared in a number of critical and commercial flops including Gigli, Surviving Christmas and Smokin’ Aces. He has however had smaller success with Hollywoodland in which Affleck received huge praise for his role as George Reeves in the biographical docudrama.

In order to get his career back on track Affleck decided to get behind the camera and begin directing films. His first feature was an adaptation of the Dennis LeHane novel Gone Baby Gone in which he cast his brother Casey Affleck¬† (a better actor than himself) in the lead role. The end product worked out brilliantly, the film was praised and Affleck directed it very very well; it is one of my favourite films. Whilst he does still act it is in the directors chair where Affleck is getting a lot of praise, more praise than he ever got as an actor. In 2010, Affleck directed The Town and starred in the lead role as well (ego?) but nonetheless the direction received huge praise again and Jeremy Renner got a surprise nod for the Best Supporting Actor Oscar for his performance under Affleck’s direction.

Affleck’s latest feature film as director is Argo and is due out later this year and there is a lot of expectation of the film as it is based on real life events and incorporates a lot of different themes so it will be interesting to see how Affleck brings them all together and whether he is successful or not. Also, and this is just a rumour for now, everyone knows that DC comics and Warner Bros. are trying to put out a Justice League movie after the success of Marvel’s team up in The Avengers but it is being reported that Ben Affleck is being lined up to direct. This would be a master stroke.

There is no doubt that Ben Affleck is a film star, but he should definitely star behind the camera from now on and continue his success in the director’s chair.

UK Release Date: 12th October 2012.

Argo is Ben Affleck’s latest directorial feature and despite the fact that he might be better off heading down the directorial path, he is also the star of the film.

Argo is a political thriller about the rescue of six US diplomats being held captive from Tehran, Iran in 1979 during the Iran hostage crisis. The US government and the Canadian government team up to rescue the six prisoners, but how? They convince the Iranians that the six US diplomats are actually a film crew shooting for a new science fiction film called Argo. The hostages then have to escape with their fake identities.

Watching the trailer, when it becomes apparent what the plan is to rescue the hostages you might laugh and think its a little bit of a ridiculous idea, but you might change your mind when you find out that this actually happened. With stars such as Ben Affleck, Bryan Cranston and John Goodman lining up in the cast then Argo does have the potential to be a great film.

Affleck’s previous outings as director have provided two great films; the critically praised The Town and the absolutely magnificent drama Gone Baby Gone. I think Affleck does have the ability to capture great drama on film and hopefully he will be able to do the same here and with a couple of seasoned pros in the cast, he shouldn’t have to work too hard.

Commercial success may escape Argo but critical acclaim may not be too much of a stretch for Ben Affleck once more.