The Original Summer Blockbuster has Died

Back in 1975 Jaws became the highest grossing film to date. It’s arguably one of the most famous films ever that has been parodied and referenced in countless numbers of films and has a theme tune that everyone can hum and recognise. The release and the popularity of Jaws marked the arrival of the summer blockbuster, which would become a staple in the cinema calendar; the summer blockbuster spots are reserved for the biggest studios to bring out the big guns and rake in the profits over summer. The whole idea of a ‘blockbuster film’ has gone through celebration and survived criticism but you can not deny that they are still apparent and, as we have seen this year, are the most bankable films of the year. But the originality has gone, and with that so has some of the fun.

Among the top ten highest grossing films of the year so far there are eight films that have been released in the summer. Only one of those is an original concept: Pacific Rim. When Jaws was released it marked a trend of ‘event’ films that major studios released to compete with Jaws and its sequels. Taking this into account Pacific Rim seems like a typical summer blockbuster remade for a modern audience. It seems like everything a summer audience want: mindless action, giant robots fighting gigantic aliens and what’s more the film had major clout behind it as it was directed by Guillermo Del Toro. Pacific Rim only just managed to double its budget worldwide despite all the hype surrounding it and Idris Elba booming “today we are cancelling the apocalypse” before every other summer film that you would go and see. Of course, one reason why Pacific Rim could have fallen short of expectations is because Michael Bay did such an awful job with the Transformers film that any film with robots in will now be tossed aside without thought.

 

But then a film with fighting robots also became the fifth highest grossing film of all time: Iron Man 3. So this seems to suggest that that was not the only reason for Pacific Rim‘s failure to make a huge impression on the audience. In a world with so many sequels it is becoming more important to see those sequels when they come out, especially with what Marvel are doing with each film becoming a huge stable of cinema in itself and an unmissable event. People want to see what they already know because the first films are so good and successful that it gives a sequel credibility before it is even released. The likes of Star Trek Into Darkness, Fast and Furious 6, Monsters University and even Despicable Me 2 cracked the top ten highest grossing films – all coming off the back of successful franchises or original films. World War Z and Man of Steel also join the list but they’re coming from hugely successful books and comic books. With World War Z it also seems to suggest that star power is also important for a summer blockbuster with Brad Pitt no doubt being responsible for some of the surprisingly huge audience the zombie action film found.

So what of Will Smith, Tom Cruise and Johnny Depp? Three of the biggest movie stars on the planet absolutely tanked at the box office in 2013. Smith’s After Earth and Cruise’s Oblivion both seemed pretty similar in their basic premise: Earth has been abandoned and now Will Smith/Tom Cruise come back to Earth and find out that it’s not as bare as they might have thought. It was assumed that one film would take the spoils because they were too similar but as it turned out, neither film did and both failed. Johnny Depp looked to bring a new franchise to the big screen and should have been more successful being as though The Lone Ranger is integrated in popular culture – everyone has heard “Hi-Yo, Silver!” at least once in their lives. But a difficult time in production seemed to put an end to any plans Disney had of making a sequel. And the less said about R.I.P.D the better.

 

Another one of the most anticipated films of the year was Neill Blomkamp’s Elysium. After Blomkamp’s debut feature District 9 was an Oscar nominated film people were expecting something exceptional from Elysium, starring Matt Damon and Jodie Foster. However, as of now it has only just managed to make back its budget and not set the world alight as people expected. Of course, a late summer release won’t have helped being as though it seems everyone had already spent their money on previously mentioned films. So why is it so hard to find a spot for originality in the summer months?

For me, I think it comes down to the cost of going to the cinema. Over summer the children are off school and people go to the cinema as a family. This means that you’re going to be spending around £25-£35 on tickets and then another £20ish on drinks and popcorn which makes it seem pretty expensive just to go and sit down for a couple of hours. Nobody wants to go and see a bad film at the cinema anyway but when it’s costing that much you want to know that you’re going to enjoy what you watch. Therefore, I believe people are more likely to go and see Iron Man 3 when Marvel have a spotless record and you’re guaranteed a great performance from Robert Downey Jr. rather than take a chance that something like R.I.P.D or Pacific Rim which you don’t know much about.

 

In the next couple of years we are going to see more Marvel films – Guardians of the Galaxy in 2014, The Avengers: Age of Ultron in 2015. The Man of Steel sequel featuring Batman is coming out too, the same as the seventh chapter of Star Wars and presumably a third in the new Star Trek trilogy: add to that another Fast & Furious film, a sequel to World War Z and X-Men: Days of Future Past. It seems like so many huge franchises are begging for people’s money that it seems impossible for anything new to turn heads. For the sake of cinema that has to change sooner rather than later.

News of the Week (22/08/12) – More Kick-Ass, Dark Tower and a new Serious Animation Studio?

Obviously the big news of the week is the tragic death of film director Tony Scott who directed such hits as Top Gun, Man on Fire and The Taking of Pelham 123. I wrote about this the other day and said what a loss I thought he was to the world of cinema and in particular action films. There have been conflicting reports about the health of Scott since his death but all we know for certain is that it is a very sad time for his friends and family and wish them all the best.

Last week I wrote how Donald Faison was approached for a part in Kick-Ass 2: Balls to the Wall as Dr. Gravity and now it seems as though the sequel to 2010’s hit film is moving on full steam ahead with their casting as there have been two very prominent rumours this week. Lindy Booth (Dawn of the Dead, Cry Wolf) is in talks to play another member of Kick-Ass’ superhero team Justice Forever – Night Bitch. The biggest rumour though is who is line to play The Colonel (or Colonel Stars in the comic book) and that is Jim Carrey! Carrey may seem like too much of a big name for a supporting role next to Aaron Johnson and Chloe Moretz but in recent years Carrey’s career has been stalling and faltering all over the place and this could be the big reboot that his career needs.

The Dark Tower is a series of books written by the world’s most famous author Stephen King. For a while now Ron Howard has been trying to push through a very ambitious and epic television and film collaboration to produce the books. This would mean that in between the films being released there would be a television series to sort of bridge the gap and provide fans with more of a knowledge of the story so you can see the difficulty of getting this done. And it seems as though big studios are shying away from pushing the project through. Universal Pictures has already turned it down and now so have Warner Bros. who were seen as the best studio to do this. With Russell Crowe attached to star it should have studios begging to produce it but the risk seems to outweigh the ambition at the minute. Media Rights Captial (who produced Ted) are now in serious discussions to produce The Dark Tower so maybe it could finally get to the big screen one day. I have only read the first book, The Gunslinger, but I did find it very very interesting and very different. I would love to see this project being greenlit and moving forward.

DreamWorks animation’s contract with Paramount is coming to an end at the turn of the year and is not being renewed. This would mean that DreamWorks have nobody to distribute their films, however they have now agreed a five year run with 20th Century Fox which will see them through until the end of 2017. The reason behind the contract at Paramount not being renewed is thus: Paramount are putting some serious effort into building up their own studio, possibly to rival that of DreamWorks (I imagine it will still be some way behind Pixar). You can see why Paramount would do this, last year they won the Best Animated Film Oscar for their Rango and that clearly has sparked an idea within Paramount to produce more animated features. As owners of Nickelodeon they already have plenty of animated characters to work with. I see the animation scope of films largely dominated by Pixar and DreamWorks (even though other studios do animated films) and I think Paramount will have a long road ahead of them to catch up with those two.