Tag Archive: colin farrell


epic Review

Epic. Never has a summer blockbuster been so ambitiously named. After one of the most exciting and visually astounding trailers of the year so far, anticipations are set high for the latest Blue Sky outing. With a voicing cast including the likes of Amanda Seyfried, Jason Sudeikis, Josh Hutcherson, Christoph Waltz and Beyonce Knowles, could the one hour, forty minute journey into the forest live up to the hype of a two minute trailer?

On the one day in a hundred years where Tara (Knowles), Queen of the forest, is set to select her heir an evil group known as the Boggans, led by Mandrake (Waltz) intend to kill her and destroy the forest in order to take complete control. The Leafmen are the group charged with the order of stopping the Boggans but in particular the soldiers that have to carry that weight belong to the incredibly uncharismatic Ronin (Colin Farrell) and rookie Nod (Hutcherson) with the help of a human girl, M.K (Seyfried) who gets shrunk down to two inches tall Alice in Wonderland style in order to save the forest.

No time at all is wasted in introducing the miniature world of the forest and the ongoing battle as three birds tussle in the sky with Nod and the little bird that he rides. Then the real life sized world comes into play with M.K arriving to live with her mad scientist father (Sudeikis) and you get the feeling that there is going to be a strong father-daughter relationship at the centre of this animated war film but when it ends there seems to be a great gaping hole where the human emotion of the film should have been.

It’s a film that lacks any intensity at all. For a film where the whole of the forest seems to be at stake you would expect that there is at least going to be a huge battle at the end but alas, this is not the case. The one time you think you will get to see a huge fight it is cruelly ripped away from you and you are forced to travel with the more boring companions on the quest.

There is a little humour provided in the form of a slug and a snail voiced by Aziz Ansari and the wonderful Chris O’Dowd respectively. And there’s a nice little musical number about halfway through the film in an attempt to lift the film more upbeat from its second act which is certainly lacking any determination at all.

The only thing that comes remotely close to being epic are the brief action sequences. The animation during the fight scenes does stand out as some of the best animation in recent years and the action scenes are full of potential and wouldn’t look out of place in Peter Jackson’s Lord of the Rings trilogy (although the fact that its animated might make it stick out a little).

There are some laughs, good fight scenes and another great (if underused) turn by Christoph Waltz. You cannot doubt that Epic will find an audience as it is enjoyable at times, but it does feel someone’s followed a dot-to-dot for making a children’s animated film and decided to miss out the dots that contain heart and emotion.

My Rating: 6/10

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UK Release Date: 7th December 2012.

Stars: Martin McDonagh (director), Colin Farrell, Sam Rockwell, Christopher Walken, Woody Harrelson, Tom Waits, Olga Kurylenko, Abbie Cornish

Plot: A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster’s beloved Shih Tzu.

Seven Psychopaths is a film I have had my eyes on for what seems like an eternity, I had been awaiting a trailer for months and then had to wait even longer for a release date for the United Kingdom to be announced before I uploaded this, but it is definitely worth the wait. This film sees McDonagh and Farrell team up once more after the successful In Bruges.

Farrell is pretty hit and miss but he stars in one of my favourite films (Pride & Glory) and I really like him and here he is alongside a very good cast given a brilliant offbeat story. Sam Rockwell is terrific, Christopher Walken is a proven great, Woody Harrelson never fails to put in a memorable performance and given a storyline that involves kidnapping dogs in order to make money from the rewards and then getting mixed up with gangsters after kidnapping the wrong dog can only lead to plenty of laughs!

And the trailer certainly looks promising. It seems as though Rockwell and Walken are going to get the majority of the comedy lines while Farrell is just along for the ride (despite being the main character). The trailer reminds me a little bit of Sideways in terms of how the comedy looks; it feels different, fresh, new and not too forced which has already made Seven Psychopaths a hit at preview screenings.

The only bad thing is that it is being released in December which is primarily Oscar time when all the big films come out (however in America Seven Psychopaths comes out in October). However, early talk is saying that Seven Psychopaths could be in the frame for a Best Original Screenplay nomination.

Cillian Murphy strikes me as being a very interesting performer; I have seen quite a few of his films and always find his performances enthralling and I consider him to be a fantastic actor. For a time, though, it seemed as though acting would not be Murphy’s destination in life as his first real passion for entertaining was music. When in his teens and early twenties he formed a band with his brother, most of their (small scale) successes came while they performed under the name of The Sons of Mr. Greengenes. In 1996 the band were offered a five album record deal by Acid Jazz Records which the Murphy brothers had to turn down because Cillian’s brother Paidi was still in school. Murphy went on to attend University College Cork where he studied law and failed his first year exams; the reason being he had ‘no ambition to do it’ and later admitted that within days of starting the course he knew law wasn’t going to be it for him. So he came to be an actor.

Murphy started off his acting career on the stage where he quickly got noticed and then started making several short films and independent films in his home land of Ireland, including On the Edge and How Harry Became a Tree. It was a role in the film version of Disco Pigs (a role that was Murphy’s debut on the stage too) that he has to thank for the way his career has panned out afterwards as it was his performance here that brought him to the attention of Danny Boyle. Boyle was looking for someone to cast in the lead role of his film 28 Days Later and Murphy seemed to fit the bill. 28 Days Later subsequently became a hit all over the world and put Murphy in front of the huge crowds he could only ever have imagined. His performance earned rave reviews and Boyle was hailed for finding such a talented unknown actor.

Murphy starred alongside Colin Farrell in Intermission which became the highest grossing Irish film at the Irish box office ever (the record was broken in 2006 but Intermission held it for a while nonetheless) and Murphy also bagged himself supporting roles in his first Hollywood features: Cold Mountain and The Girl With the Pearl Earring. Even with his new found fame and success Murphy still returned to the stage and toured Ireland in theatre roles proving that he still had great affection for his beginnings. Then he got a call that would change anyone’s career…

Cillian Murphy was asked to come and audition for the role of Bruce Wayne/Batman in 2005’s Batman Begins. Murphy himself suggested that he knew he wouldn’t get the part because he didn’t have the physique to play a superhero yet he went and auditioned anyway. Director Christopher Nolan was so impressed with his performance that he cast Cillian Murphy in the role of Dr. Jonathan Crane, Scarecrow, the villain. He also appeared as the villain in Red Eye, a thriller in which he was the antagonist to Rachel McAdams’ protagonist. Murphy received huge acclaim for his villainous roles and got himself a handful of nominations at several awards shows.

Making it big in Hollywood didn’t change Murphy though and he once again returned to his roots to make Irish film Breakfast on Pluto, in which he played a transgender Irish foundling in search of her mother. Murphy had actually auditioned for the role back in 2001 but director Neil Jordan was hesitant to make the film so soon after his earlier works; Murphy continually tried to get Jordan to make the film before Murphy was too old to play the part and Breakfast on Pluto was eventually made. I think that this shows Murphy has a serious passion for his career and is desperate to take on roles that will not only challenge him as an actor but also challenge that audience’s perception of Murphy.

In 2007 Cillian Murphy reteamed with Danny Boyle to make science fiction film Sunshine, in which Murphy had the lead role. This is the first film that I remember seeing Murphy in and actually knowing who he was and it was this performance that led me to search for some of his earlier works because I thought the film was fantastic and Murphy himself was brilliant to watch. Another director who clearly found Murphy a great actor to work with is Christopher Nolan as he not only cast him in his masterpiece Inception but also allowed Murphy to reprise his roles in his Batman sequels: The Dark Knight and The Dark Knight Rises.

And even appearing in one of the biggest, most loved and most successful trilogies of all time still can’t keep Cillian Murphy away from Ireland as he continues to ply his trade in independent cinema with turns in Perrier’s Bounty and Broken. Cillian Murphy is an actor who clearly loves his work and he has a very clear idea of how he wants his career to go as he aims to work with Michel Gondry, Johnny Depp and Meryl Streep. Yet it is amazing that he still remains down to earth, very genuine, humble and homely; despite being friends with fellow Irish actors Colin Farrell and Liam Neeson Murphy’s closest friends remain those he had before he became successful, he keeps his private life just that which is why not many people may know him as they should. Best of all, I think, Murphy could have his pick of Hollywood films if he wanted but he won’t have because he refuses to move to Los Angeles full time because he doesn’t wish to distance himself from his family. What a nice guy!

Keira Knightley: A British Star

Keira Knightley seems to have been around for a lot longer than she actually has. In fact, the English actress is still just twenty seven years old and along with Carey Mulligan and Gemma Arterton, she spearheads the representation of young, talented British actresses working in Hollywood.

Before becoming the big film star that she is today, Keira Knightley cut her teeth in television. As a child she had small roles in several episodes of television shows, including British institution The Bill. It is not common knowledge, but at just 14 years old Knightley appeared in the heavily criticised Star Wars: The Phantom Menace. Despite the commercial success, it would take another couple of years for Keira to land the role that would launch her career.

After appearing in television series Oliver Twist, she made a couple more films specifically for television before showing up in the psychological thriller The Hole alongside Thora Birch. 2002 was the year that really kick started Knightley’s career. She picked up a role in a film centring around a young female Sikh’s rebellion against her parents as she joins a women’s football (or soccer) team; the film, of course, is the brilliant Bend It Like Beckham. This was a brilliant performance by the young Keira Knightley and really raised her profile within the film industry.

Keira Knightley is a brilliant English actress. Orlando Bloom is just English.

In 2003 Keira Knightley became the new Hollywood ‘It’ girl with the lead female role in smash hit Pirate of the Caribbean: Curse of the Black Pearl (the best of the Pirates films) as Elizabeth Swann. Knightley put in a great performance in Curse of the Black Pearl and you can tell how good it is by the fact that she actually manages to make Orlando Bloom look like a half decent actor too. The Pirates franchise made Knightley well known to Hollywood audiences and she went on to star in the next two films in the series as well.

After breaking Hollywood Knightley appeared in British romantic comedy Love Actually alongside a whole host of British stars including Emma Thomspon and Hugh Grant. Unfortunately, her career seemed to stall after this (aside from the Pirates films) as she starred in King Arthur, Domino and The Jacket; all of which were flops with critics and audiences.

After failing to impress as an ‘action chick’ Keira Knightley moved into a genre that most audiences now would associate her with: the period drama. In 2005, Knightley portrayed Elizabeth Bennet in Pride & Prejudice for which she was awarded her only Oscar nomination to date. Knightley continued to impress in this area with Silk, Atonement, The Edge of Love and The Duchess. Atonement saw Knightley nominated for a Golden Globe and a Bafta for her performance and left many critics puzzled as to why she had not been nominated for an Oscar as well.

Knightley gives one of her best performances in The Duchess.

In 2010, Keira Knightley appeared alongside other bright British talents Carey Mulligan and Andrew Garfield for Never Let Me Go. She then went on to appear in Last Night and then London Boulevard which teamed her up with one of the most hot and cold actors of our time, Colin Farrell. She was most recently seen on cinema screens in A Dangerous Method with Viggo Mortensen and the brilliant Michael Fassbender which details the birth of psychoanalysis from Sigmund Freud and Carl Jung’s friendship.

I think that Keira Knightley is one of the best young actresses that England has produced over recent years. And despite the fact she gets acclaim for a large majority of her performances it seems like she is forgotten when she doesn’t have a film out and so is very hard done by. She is certainly a talented actress and I think it’s great that she continues to make British films and resisting the lure of big budget Hollywood blockbusters.

***MAY CONTAIN SPOILERS***

When the trailer was first released for Horrible Bosses it seemed to promise so much but upon watching it seems that those promises could not be kept. Whilst not terrible, it wasn’t quite as good as it could have been.

Horrible Bosses revolves around three friends (played by Jason Bateman, Chris Day and Jason Sudeikis) who decide that their bosses are getting in the way of their happiness. They then decide that the only possible solution to their problem is to kill their bosses.

The three main actors, particularly Chris Day, each play their parts well providing some great character interaction and the friendship between the three is entirely believable. Colin Farrell, as Kurt’s (Sudeikis) cocaine addicted boss, is not in the film as much as I would have liked but when he is featured he plays his part and provides some laughs. Kevin Spacey particularly impressed in this and is completely believable as the villain of the piece; he doesn’t provide many laughs but he adds some much needed drama. Even Jennifer Aniston, who is completely over rated by every female on the planet, is tolerable in this and puts in her best performance post-Friends as a sex crazed dentist. Oh, and Jamie Foxx is completely rubbish in this.

The pacing, story, action and character interaction in the first two acts is really good. The first act is a great introduction to the three main characters, the dynamic of their friendship and the wholly unreasonable situations that their bosses put them in. It sets up the film with the story and a few laughs but by the end of the third act you feel like the film never really fulfilled it’s potential.

Some of the scenes seemed slightly too long and were filled out with a lot of dialogue that wasn’t really that humorous unfortunately. Although, this could be down the directing of the piece; there were a lot of long takes which made a few scenes seem to drag and I think that this comes down to inexperience. Horrible Bosses is Seth Gordon’s third feature length film as director; his most recent was Four Christmases and his debut was a film called Squirt which holds a 1.7 rating on IMDB so read what you like into that.

The end is really what lets the film down. Where the first and second acts do all they can to build the audience up for what should be a really good climax, the third act seems to go out of it’s way to ruin any hopes and expectations that the audience may have. It just seems a little too convenient, even for a comedy film where similar things can be forgiven. The ending I refer to is being given the all clear by the police thanks to Kurt’s car’s navigation system operator. The actual tying up of the film afterwards with each of the three main characters returning to work actually felt pretty nice.

I would watch this film again and who knows, maybe it will be better upon second viewing.

My Rating: 6.5/10