Sean Bean – King of Death Scenes

Sean Bean has been killed on screen over twenty times throughout his career. I don’t want to ruin anything for you but if you’re watching a Sean Bean film, chances are that his character won’t make it to the end. Despite a large amount of films to choose from, here are my three favourite Sean Bean death scenes. Obviously, spoilers follow this although the films have been out a fair few years so is this still classed as spoilers? Who knows. anyway, you’ve been warned nonetheless.

 

 

Equilibrium (2002)

Equilibrium is set in a dystopian future after a Third World War has devastated the Earth. All emotion and artistic expression has been banned and Grammaton Clerics are hired to burn any remains of poems, literature, art etc. and punish anybody seen taking advantage of the arts. Sean Bean plays one of these Grammaton Clerics who turns against the totalitarian state and, instead of burning a book of poems, decides to keep them. Because of this, his law abiding partner (played by a really good emotionless Christian Bale) track him down and executes him. It’s not the most action packed death scene but in terms of the defiance he represents and the change in Bale’s character that it triggers it is a poignant one.

Black Death (2010)

I only watched this yesterday and it was the film that inspired this post. Black Death is set in medieval England and follows the story of a young monk (played by the wonderful Eddie Redmayne) who accompanies a group of soldiers, led by Ulric (Sean Bean), to a remote marshland untouched by the bubonic plague to track down a necromancer. When they arrive at the necromancer’s village everything goes tits up basically and Ulric’s men land themselves in a lot of trouble and a couple of them die. Soon after, Ulric (already poisoned by the black death) is tied to two horses and literally pulled apart; it makes for pretty painful watching but someone with Bean’s experience at dying on screen portrays this excellently. Unfortunately, the death scene isn’t on the available in good quality so here’s the trailer, but I fully encourage you to check out the film when you can.

Lord of the Rings: Fellowship of the Ring (2001)

This is without a doubt, one of the greatest death scenes in movie history and for me, the best part of the entire Lord of the Rings trilogy. Throughout Fellowship the audience are asked to question Boromir and you never really know what side he is on and who’s interests he has at heart, especially since he tries to take the ring from Frodo. But at the end of the film Boromir has a true hero’s death and goes down fighting to protect Merry and Pippin. He is shot a couple of times by Lurtz but this doesn’t stop him and he continues to fight through the pain using every last breath he has in his body. This is what makes Boromir one of the best characters from the trilogy and this scene alone makes Sean Bean’s performance one of stand out shows in an ensemble cast.

Do You Hear the People Sing? – Les Misérables Review

The story of Les Misérables, originally written as a novel by Victor Hugo, is 150 years old. The first adaptation of Les Misérables as a musical came in 1980 and it has gone on to become one of the biggest and one of the best musicals on stage in the world. So how do you adapt the musical to film while keeping the operatic feel? How do you make a 150 year old story seem relevant to the 21st century audience? These are the questions that faced director Tom Hooper (The King’s Speech) when creating this giant production.

Les Misérables primary focus is Jean Valjean, a prisoner released on parole after spendingnineteen years in jail. Upon his release and his attempt to become a better man and live a better life he breaks his parole and ruthless policeman Javert dedicates his life to returning Valjean to prison. Along the way Valjean takes in the child of a dying prostitute. The plot spans seventeen years and is set against the backdrop of political turmoil and rebellion in France, culminating in the June Rebellion of France.

One of the key features of Les Misérables was the fact that the actors did not lip sync; their vocals were actually recorded while they sang on set, which is a very unique way of doing things when making a musical film. This means that the actors are forced to act, sing, move and sometimes fight all at the same time. It is a testament to how talented the whole case is that this never gets in the way of their vocals: this also helps to really keep a theatrical feel about the performance.

Hugh Jackman is Oscar nominated for his performance as prison Jean Valjean and his background in theatre clearly helped his performance in Les Misérables. Jackman’s transformation on screen as his character rises and falls in stature is fantastic and, with his performance, he brings so much emotion to the role it is hard not to feel for him. Hugh Jackman’s portrayal of Valjean is probably one of my favourite individual performances I have ever seen. This is also true of Anne Hathaway’s portrayal of prostitute Fantine, although for very different reasons. Fantine is forced to desperate measures in order to raise money to look after her child and the sequence which portrays this (accompanied with the song ‘Lovely Ladies‘) is so harrowing and you can really feel the despair and desperation of the character. I am slightly disappointed that Russell Crowe wasn’t nominated for an Oscar for his performance: even though he plays the villain I thought Crowe made Javert reluctantly likeable and I was really impressed by his singing too.

The songs and the music are the centre piece of Les Misérables and, as you would expect being as though it is a musical, the songs are wonderful. With such beautiful music and compelling lyrics the choice of songs (and addition of new song ‘Suddenly‘) really help to create a wonderful narrative which is vital here as there are very few spoken lines within the two and a half hour running time. Hathaway singing ‘I Dreamed a Dream‘ was a real highlight of the film, ‘Do You Hear the People Sing?‘ was a wonderful team production, ‘Empty Chairs at Empty Tables‘ was another personal highlight along with my favourite song of them all ‘Stars‘.

At the beginning of this review I called the making of Les Misérables a giant production and the huge scale on which this film is made is evident from the very first shot. Right from the get go it is a real team effort and everybody pulls their weight equally. The sets are incredible, the set pieces are fantastic, character development is wonderful. Lots of characters are introduced at different times throughout the film but they never clog up the storyline.

Les Misérables is a terrific story on so many levels and, even at two and a half hours long, I could have happily sat through it again as soon as it finished!

My Rating: 10/10.

News of the Week (21/11/12) – Star Wars, Spider-Man…. Pinocchio?!

Blah blah.. Disney… blah blah… Star Wars. Exactly. With Michael Arndt currently writing Episode VII it has now been announced who will write Episodes VIII and IX, clearly Disney is expecting big things from their newest franchise. Lawrence Kasdan and Simon Kinberg are the two people chosen to write the next sequels but it is unclear who will write which one as of yet. These are very good choices as Kasdan has previous with the Star Wars series (so why wasn’t he chosen to write Episode VII?) as he wrote The Empire Strikes Back and Return of the Jedi. simon Kinberg also has experience with blockbusters, he has written Sherlock Holmes and is currently writing Days of Future Past, the sequel to X-Men: First Class. However, Kinberg has previously had writing credits on Mr & Mrs Smith, Jumper and X-Men: The Last Stand, not such a good choice after all?

The Amazing Spider-Man 2 is picking up the pace now. We know that Jamie Foxx is in the running to play the villain and probably will do so but now we know that Harry Osborn will feature in the film and several actors are being auditioned. Those in the running include Dane DeHaan (Chronicle), Sam Claflin (Snow White and the Huntsman), Eddie Redmayne (My Week With Marilyn) and Boyd Holbrook (Milk). If it was up to me I would be snapping up Sam Claflin to play the past as soon as I could. Claflin is a British actor that I have seen a lot of (Pillars of the Earth, United, Snow White and the Huntsman) and has also landed himself roles in other big blockbusters such as Pirates of the Caribbean: On Stranger Tides and The Hunger Games: Catching Fire. It is clear he is going to have a great career and I really would love to see him emulate James Franco in this role.

Claflin gets the thumbs up from me to play Harry Osborn.

Scoot McNairy is getting around a lot in Hollywood at the minute. As soon as I first saw him in Monsters I was a fan, he is a very good actor and deserves all the success that comes his way. This year he has starred in Killing Them Softly with Brad Pitt and Argo with Ben Affleck. This week, McNairy has been cast in two more films. These are The Rover, an “existential western” set in the “near future” starring Robert Pattinson and Guy Pearce; the other is Frank alongside Michael Fassbender. Scoot McNairy is fast becoming one of my favourite actors! (expect a blog all about him in the next week or so).

Finally, Pinocchio. The classic tale of a carpenter who makes a puppet that turns into a real boy. The story has been done several times, most famously by Disney and probably most recently on television show Once Upon A Time. For months and months this project has been in the works with two names attached to team up to make it happen and they are, arguably, ideal for the job. the two in question are director Tim Burton and (no, not Johnny Depp or Helena Bonham Carter) the brilliant Robert Downey Jr, who would play Geppetto! The film has been on and off more than Ross and Rachel in Friends (can you believe its 10 years since that finished? I can’t!) but now a writer has been hired to produce a script. And that writer is Jane Goldman, the woman behind such hits as Stardust, Kick-Ass, X-Men: First Class and The Woman in Black. Good times!