Keira Knightley: A British Star

Keira Knightley seems to have been around for a lot longer than she actually has. In fact, the English actress is still just twenty seven years old and along with Carey Mulligan and Gemma Arterton, she spearheads the representation of young, talented British actresses working in Hollywood.

Before becoming the big film star that she is today, Keira Knightley cut her teeth in television. As a child she had small roles in several episodes of television shows, including British institution The Bill. It is not common knowledge, but at just 14 years old Knightley appeared in the heavily criticised Star Wars: The Phantom Menace. Despite the commercial success, it would take another couple of years for Keira to land the role that would launch her career.

After appearing in television series Oliver Twist, she made a couple more films specifically for television before showing up in the psychological thriller The Hole alongside Thora Birch. 2002 was the year that really kick started Knightley’s career. She picked up a role in a film centring around a young female Sikh’s rebellion against her parents as she joins a women’s football (or soccer) team; the film, of course, is the brilliant Bend It Like Beckham. This was a brilliant performance by the young Keira Knightley and really raised her profile within the film industry.

Keira Knightley is a brilliant English actress. Orlando Bloom is just English.

In 2003 Keira Knightley became the new Hollywood ‘It’ girl with the lead female role in smash hit Pirate of the Caribbean: Curse of the Black Pearl (the best of the Pirates films) as Elizabeth Swann. Knightley put in a great performance in Curse of the Black Pearl and you can tell how good it is by the fact that she actually manages to make Orlando Bloom look like a half decent actor too. The Pirates franchise made Knightley well known to Hollywood audiences and she went on to star in the next two films in the series as well.

After breaking Hollywood Knightley appeared in British romantic comedy Love Actually alongside a whole host of British stars including Emma Thomspon and Hugh Grant. Unfortunately, her career seemed to stall after this (aside from the Pirates films) as she starred in King Arthur, Domino and The Jacket; all of which were flops with critics and audiences.

After failing to impress as an ‘action chick’ Keira Knightley moved into a genre that most audiences now would associate her with: the period drama. In 2005, Knightley portrayed Elizabeth Bennet in Pride & Prejudice for which she was awarded her only Oscar nomination to date. Knightley continued to impress in this area with Silk, Atonement, The Edge of Love and The Duchess. Atonement saw Knightley nominated for a Golden Globe and a Bafta for her performance and left many critics puzzled as to why she had not been nominated for an Oscar as well.

Knightley gives one of her best performances in The Duchess.

In 2010, Keira Knightley appeared alongside other bright British talents Carey Mulligan and Andrew Garfield for Never Let Me Go. She then went on to appear in Last Night and then London Boulevard which teamed her up with one of the most hot and cold actors of our time, Colin Farrell. She was most recently seen on cinema screens in A Dangerous Method with Viggo Mortensen and the brilliant Michael Fassbender which details the birth of psychoanalysis from Sigmund Freud and Carl Jung’s friendship.

I think that Keira Knightley is one of the best young actresses that England has produced over recent years. And despite the fact she gets acclaim for a large majority of her performances it seems like she is forgotten when she doesn’t have a film out and so is very hard done by. She is certainly a talented actress and I think it’s great that she continues to make British films and resisting the lure of big budget Hollywood blockbusters.

Why is it so Difficult to Make a Good Sequel?

Arrested for making such a horrible sequel.

When audiences enjoy a film, sometimes they want more, they feel like the character’s journey is not complete. They want to see their favourite characters on the big screen more than once and fall in love with them all over again. Yet when they get their wishes there is always a section of the fans who lambast the producers and film makers for daring to make a sequel and, in some cases, for ruining the first movie as well. So why is it difficult to make a sequel work? Below are some of the reasons I have picked out.

Attempts to be too clever: Ocean’s Twelve is the epitome of awful sequels. The first, Ocean’s Eleven, was brilliant; it brought charm, wit, humour, style and smooth to the screen. It was everything Ocean’s Twelve wasn’t. Twelve tried to run a clever storyline with a twist at the end and it didn’t work at all. It just ended up being a horrible, boring film and the less said about it, the better.

Iron Man 2 tried to run too many storylines with too many new characters.

Trying to do too much: A lot of sequels fall into this category. The first film sets up the characters and completes a story and then, in order to make the sequel better, writers, producers and directors try to cram too much into the next film and it takes away the experience because the storyline runs too thin. This is the case with sequels such as Iron Man 2, in which a lot of work is needed to be done in order to tie in to The Avengers appropriately and so that storyline is thinned out as well as the other storyline involving Whiplash and audiences are left with a boring, lacklustre sequel to a film that promised so much.

No returning cast members: Sometimes, the big wigs at production companies decide that they can make a sequel work even without the stars of the first film. The classic case of this is Grease 2. Grease had charm, loveable characters and great humour and the two leads were perfect: John Travolta and Olivia Newton-John. But the two decided they would not return for a sequel and it was made without them. In a sequel audiences want to see their favourite characters return to the screen, not be introduced to more random people.

Cashing in: It doesn’t take a genius to realise that a lot of sequels, if not all of them, are made to cash in on the commercial success of the original film. This leads to film makers taking good parts of the original film and making it more important in the sequel. An example of this is Pirates of the Caribbean: At World’s End; everyone loves Captain Jack Sparrow in the first film, but he plays in support to the main story of Will Turner and Elizabeth Swann and his appearances make the film comical.  In At World’s End, we are given too much Jack Sparrow to the point of huge annoyance.

The best of Bourne was saved for the third instalment.

The above are just a selection of some of the various reasons sequels do not work and a few examples of bad sequels. This is not to say that all sequels are bad. When done right they can add character development, build up great storylines and become some of the best films ever made. The Bourne Ultimatum, Spider-man 2, The Dark Knight and X2: X-men United are all examples of sequels getting it right.