Bad Teacher (2011) Review

Believe it or not Cameron Diaz has been nominated for four Golden Globes during her career. However, it is less surprising to find out that these nominations came earlier in her career and her last one was actually in 2002 for Gangs of New York. Since then, she’s been more miss than hit with the likes of What Happens in Vegas, Knight and Day, The Green Hornet and The Box (called the worst movie ever upon release) all being panned by critics and shunned by audiences. When released in 2011, Bad Teacher made substantial profit grossing over $200million, but does the film warrant the commercial success?

The short answer is “no”. The longer answer is “no way!”. Cameron Diaz is the titular bad teacher Elizabeth Halsey who we meet leaving the school after just a year to get married to a really rich man so she never has to work again. However, when she returns home from school her fiance ditches her for that very reason and she is forced to return to her job as a teacher, the only thing she knows how to do (so how bad she is at everything else is anyone’s guess).

Elizabeth Halsey is arguably the worst ‘protagonist’ ever to grace the screen. She is a wholly unlikeable character and the combination of horrible writing and Diaz’s ‘sex sells’ performance make you beg for her comeuppance, which unfortunately never arrives (another flaw in the film after the lengths she goes through). But whoever thought that a gold-digging bimbo whose only ambition in life is to get a boob job and be lazy is a likeable character needs to be seriously punished.

When Halsey returns to the school we are introduced to Amy Squirrel (Lucy Punch) who seems to be an all round nicer character than Halsey and a moral compass in a world of wholly messed up characters (minus the gym teacher played by Jaseon Segel). However, about half way through Bad Teacher, the story changes and you end up disliking Amy Squirrel, meaning you are left with two horribly poor characters to watch in a tussle that you really could not care less about.

There are more laughs than expected but they fall well short of memorable. In fact, the only reason that they are funny could well be because they are placed against this canvas of nothingness. The children, or even Diaz’s interactions with the children, should be a source for much of the comedy but nothing is really ever made of this. There are references to other things that will be lost on many audiences.

Bad Teacher is a slightly entertaining joyride that seems to be cashing in on Cameron Diaz’s attempts to still look sexy. A few jokes hit the spot but the majority leave a horrible rotting taste in your mouth.

My Rating: 4/10.

Prisoners Trailer

UK Release Date: 4th October 2013

Stars: Denis Villeneuve (director), Hugh Jackman, Jake Gyllenhaal, Viola Davis, Terrence Howard, Maria Bello, Melissa Leo, Paul Dano.

Plot: A Boston man kidnaps the person he suspects is behind the disappearance of his young daughter and her best friend.

Even if you watch just the first seconds of the trailer without reading the synopsis, you can tell that Prisoners is not going to be a film that makes you cry with happiness. Watch it all and you’ll soon realise that what Prisoners is planning on doing is making you sit there pulling your hair out begging Hugh Jackman not to do everything that he does.

With coming up to seven films as Wolverine, it’s easy to forget that Jackman is an incredibly versatile actor. And with an October release date it looks as though Jackman has Oscar nominations in his sights again as Prisoners seems like a story that is going to resonate with a lot of people and the performances are going to have to be groundbreaking in order to convey such a threatening tale.

Paul Dano must feel a bit of an outcast being as though Jackman, Gyllenhaan, Davis, Howard, and Leo have all either been nominated or won an Oscar, while Bello has two Golden Globe nominations to go with that. However, he is a talented young actor who should hold his own.

Prisoners looks like a journey full of suspense. You get the feeling that there must be a twist to the story at some point. And whatever happens, it seems doubtful that Jackman’s character is going to have a happy ending.

Do the Golden Globes indicate Oscar Winners?

I’m pleased to see Affleck getting the recognition he deserves as a director.

The Golden Globes took place last night and Argo was the hit of the night winning Best Drama and won Ben Affleck Best Director. This would suggest that Argo is now the favourite to pick up the Best Picture Oscar (it was already many people’s favourites and this will just strengthen arguments) but will that be the case?

Argo will face tough competition at the 85th Academy Awards from Les Miserables in particular which picked up the Best Musical or Comedy Golden Globe last night. I’m not sure why the Golden Globes feels the need to separate films into drama and musical/comedy but that’s what they do and they infer that Argo will be going head to head with Les Miserables. The cynic in me still thinks that something like Lincoln or Zero Dark Thirty will get the win thanks to their very strong pro-American vibes. Last year, The Descendants and The Artist were the winners of Best Motion Picture Golden Globes and The Artist went on to stuff its face with more and more awards in the following weeks, I can’t see the same happening for Argo to the same extent but I wouldn’t say an Oscar is beyond doubt.

However, Ben Affleck is not even nominated for Best Director at the Oscars! I think the Best Director Oscar is well up for grabs and any of the five nominees (Steven Spielberg, Ang Lee, Michael Haneke, David O. Russell, Benh Zeitlin) could easily win it. But surely it says something that the winner of the Golden Globe for direction is not even nominated for the Academy Award? Personally, I though Affleck’s direction was one of the best features of Argo!

Lawrence is one of the youngest actresses to be nominated for an Academy Award and the Golden Globes suggest this could be her year.

The Best Actor Oscar looks set to be between Hugh Jackman and Daniel Day-Lewis and these are the two people I would have been backing before last night. I do hope that Daniel Day-Lewis wins the Oscar as he is clearly one of the best actors that his generation has seen, and I would go so far as to say he will go down as one of the greatest of all time. Jennifer Lawrence and Jessica Chastain will compete for the Best Actress award and Lawrence is nailed on favourite so it’s hard to look past her for this one.

The rest of the Golden Globes correctly predict the winners for me: Christopher Waltz for Best Supporting Actor, Anne Hathaway for Best Supporting Actress, Adele to win for Best Original Song for Skyfall and Quentin Tarantino to win Best Screenplay.

In terms of the acting awards last year the Golden Globes were a certain prediction of the Oscar Awards but only time will tell if this year will follow suit.

What to Watch – January 2013

January sees the big Oscar contenders come to the UK. Many of these films have already been released over in the states to critical acclaim as you might expect.

 

The Impossible – 1st January

Based solely on the trailer, The Impossible is THE film to see this January. It is the first film to be released that uses the 2004 Indian Ocean tsunami at the heart of it’s story, telling the tale of one family caught up with thousands of strangers in a horrible natural disaster. Featuring the brilliant Ewan McGregor and the incredible Naomi Watts.

 

Gangster Squad – 10th January

Finally, the all-star long awaited gangster flick will be arriving on UK screens. Delayed after the tragic shootings in Aurora, Gangster Squad is a film that many people have been looking forward to seeing and now you get your chance. Featuring a cast of Josh Brolin, Sean Penn, Ryan Gosling and Emma Stone among others.

 

Les Miserables – 11th January

A new interpretation of the hit musical comes to the screen this year and if you’ve managed to avoid the adverts featuring Anne Hathaway singing then well done. I think Les Mis is bound to do well thanks to all it’s Oscar buzz and having already been nominated for 4 Golden Globes but it’s not that high on my list thanks to all of it’s competition.

 

Django Unchained – 18th January

And if Les Miserables thinks having 4 Golden Globe nominations is something to shout about then step aside for Django Unchained‘s 5. This is Quentin Tarantino’s first attempt at a full on Western and it certainly will not disappoint! It has been nominated for Best Drama, Best Director, Best Screenplay and Leonardo DiCaprio and Christoph Waltz both have nominations for Best Supporting Actor; Oscars are sure to follow.

 

Lincoln – 25th January

Now cynics may think that Lincoln has been made with the intention of winning awards rather than pleasing audiences… that is what I believe as well. This looks like Oscar-baiting in all it’s glory: a film about one of America’s most celebrated Presidents telling the story of a pivotal time in America history. If this isn’t Steven Spielberg shouting “GIVE ME OSCARS” I don’t know what is. It seems to be working though.

 

Zero Dark Thirty – 25th January

Back in 2010, The Hurt Locker surprised everyone to become one of the lowest grossing winners of the Best Picture Oscar ever. Zero Dark Thirty is director Kathryn Bigelow’s follow up film and tackles the events of the manhunt for Osama Bin Laden and his following death. I don’t think this one will do as well as The Hurt Locker but it should make for some interesting viewing at least.

TheMovieUniverse’s Best Films of 2012

I’m back from my Christmas hiatus and in the past couple of weeks critics and fans alike have been compiling their lists of the ten best films of 2012 or twenty best or whatever you like, but I have decided to take a different approach to compiling my list and I will be looking at, month by month, what were the best releases. I’ll be using the UK release dates for films and, in doing it month by month there will be some big omissions and some surprise inclusions.

Will any of these films feature on the list?

 

January – The Grey

To be honest, if you look at what was released in January it doesn’t really fill you with enthusiasm for the rest of the year as there weren’t really many films worth noting released this month. I think that people were still more bothered about seeing the previous year’s Christmas releases (The Girl with the Dragon Tattoo, Sherlock Holmes: A Game of Shadows, Mission Impossible: Ghost Protocol) however there were a few films that stood out. You might think that We Need to Talk About Kevin, Shame or War Horse might win this month but I decided to go for Liam Neeson’s The Grey. Neeson continued his rebirth as an action hero in 2012 and it was largely down to his enounter with wolves in the partially surprising hit: The Grey.

 

February – Chronicle

February brought a lot of very disappointing ventures to the cinema. Safe House was a blockbuster than lacked a punch, Man on a Ledge was a very boring ‘thriller’ and One For the Money is one of the most boring films I have ever seen! However, saying that I was really impressed by Woman in Black which seemed to reinstate Hammer Films at the forefront of the horror scene but for the best film of the month it fell short and I went for Chronicle. Chronicle was seen by many to be very refreshing to an overcrowded superhero genre. The characters that appear in this found footage film are not from the pages of comic books and, like The Grey, Chronicle was another surprise hit but worth of all it’s critical acclaim.

March – 21 Jump Street

If you think that 21 Jump Street is a strange and ridiculous choice to be on this list then I really do encourage you to look at films that were released in the UK in March this year. March saw releases from some very highly anticipated films that were subsequently big disappointments, none bigger than John Carter. Of course, March also brought us the beginning of a huge new franchise with the Jennifer Lawrence led The Hunger Games, however I enjoyed 21 Jump Street a lot more. I can’t remember the last time I laughed so much in the cinema, 21 Jump Street was a welcome injection of humour to an otherwise dull month.

 

April – Avengers Assemble

There was a clear winner for this month. Marvel’s Avengers Assemble became the third highest grossing film of all time, breaking no end of records on its way to this achievement. This was the event that film fans had been waiting for for 4 years and it did not disappoint, The Avengers (as it was known sensibly in other countries) provided big entertainment, big action, big characters and big laughs. The only real competition in this month came from another film with Joss Whedon’s name attached: Cabin in the Woods, which was seen to redefine the horror genre but really, nothing could top Avengers Assemble.

 

May – The Raid: Redemption

May saw a lack of big releases as the prospect of going up against Marvel’s box office Goliath seemed a little bit daunting for many studios. And of course there is a bit of a lull in the cinema calender before the big summer smashes get released. The Raid was something that we don’t see nearly enough on this side of the Atlantic, a foreign release… and a successful one at that! The Raid is a brilliant, action packed, adrenaline fueled Indonesian martial arts film and it should come as no surprise that there are plans in America to do an English language remake.

 

June – Killer Joe

Now, June saw the second big release of the year: Prometheus. And don’t get me started on how over rated that was and what a bore fest it unfortunately turned out to be. Rock of Ages was a very very dull adaptation of the successful stage musical and The Five Year Engagement was about five years too long. Killer Joe proved that Matthew McConaughey could really act and it turned out to be a very gritty, gothic crime drama that also featured Emile Hirsch who is quietly going about proving what a good actor he is too.

 

July – The Dark Knight Rises

At the beginning of July The Amazing Spider-Man was released and was a very good attempt at reshaping Spider-Man’s origins; then on the 20th of July Christopher Nolan turned up to show everyone how it was done. Nolan’s Batman trilogy ended with one of the greatest films of the year. Full stop. He brought an all star cast here and cranked up the tension, cranked up the stakes and people flocked to the cinema to see how the greatest superhero trilogy ever made would end. And it did not disappoint. Sure, it never quite reached the heights of The Dark Knight which preceded it but I thought that the ending of The Dark Knight Rises was one of the greatest and most satisfying endings I have ever seen.

 

August – Ted

Fans of controversial humour, outrageous humour and toilet humour were delivered an early Christmas present back in August when Seth MacFarlane made his feature film directorial debut in this story of a child’s teddy bear coming to life to become a sex-craved, pot smoking best friend (voiced by MacFarlane himself). I think Ted may suffer from a lack of rewatchability but all in all it was a very funny film with some great cameos and hilarious scenes. The “white trash girls names” scene is one of the best scenes of the year in itself!

 

September – Looper

There were some very popular films released in September: Anna Karenina, Dredd, The Sweeney and House at the End of the Street to name a few. Lawless, featuring wonderful performances from Tom Hardy, Shia LaBeouf and Guy Pearce among others was an incredible film and gives Looper a run for its money but when I saw Looper I knew I was watching something special. Looper is one of the best films that I have ever seen and has fast become one of my favourites. The time travel plot device that has long been a staple in the science fiction genre and Looper gave an alternate look while skirting around the edges of Rian Johnson’s own laws of time travel. Looper was incredible! My best film of the year.

 

October – Skyfall

2012 saw the return of James Bond to the big screen in Skyfall, directed by Sam Mendes. After a disappointing Quantum of Solace Bond returned in a flood of critical acclaim and commercial success worldwide in the critically lauded Skyfall. Skyfall delivered a more personal look at the characters in Bond’s world, including a small trip into Bond’s background, a more in-depth look at M and revealed a few dark secrets of MI6. Skyfall also brought back some famous characters in a new style, Q and Moneypenny. Skyfall was simply fantastic and should be an outside bet for a couple of Oscar nominations.

 

November – Argo

My heart longs to say that Rise of the Guardians was the best film released in November but my head says otherwise. November saw End of Watch and Silver Linings Playbook released as well but I think that Argo was a really really incredible achievement for Ben Affleck. Argo was crammed full of suspense and tension and had audiences chewing on their nails whilst sitting on the edge of their seats. A true story of a rescue attempt using the undercover story of being a film crew for a science fiction film seems almost unbelievable but Argo brings it to the screen with such perfect realism.

 

December – Life of Pi

Life of Pi was very hotly anticipated as soon as it was announced. Being a best-selling book Life of Pi already had a huge audience waiting to see how the adaptation would turn out. The story is of 16 year old Pi who suffers a ship wreck which kills his family and leaves Pi stranded with just a Bengal tiger named Richard Parker. It is a truly touching and emotional story and is already reaping the rewards of their hard work with Golden Globe nominations for Best Score, Best Drama and Best Director.

50/50 (2011) Review.

***WARNING: CONTAINS SPOILERS***

Released to critical acclaim and receiving two Golden Globe nominations, 50/50 became a success upon release. But why is it so good?

50/50 treads a dangerous line by making a comedy about one of the most sensitive issues in the modern world: cancer. Adam is a twenty seven year old clean living guy who is diagnosed with the disease. 50/50 follows Adam as he struggles to cope with the diagnosis and fights to beat the cancer with the help of his best friend Kyle, his overbearing mother and a trainee therapist.

Seth Rogen and 50/50 screenwriter, Will Reiser.

Joseph Gordon-Levitt is absolutely fantastic as the main character as he always is. He allows the audience to really get to know Adam and become emotionally connected to him, almost as if we are going through the battle with him. Seth Rogen comes under a lot of criticism for always playing the same character: himself. But no such criticism should be labelled at him here because Seth Rogen was actually part of the story that inspired this script. Will Reiser, who wrote the film, was diagnosed with cancer and loosely based 50/50 on his experiences and who was the best friend that helped Reiser through his battle with cancer? Seth Rogen, so it is only right that he play that same part here. And what a brilliant job he does, not only at providing some fantastic lines and comic relief but at making the audience really believe how much Kyle cares for Adam, more so as the film goes on. The chemistry and friendship between the two actors is fantastic.

A lot of the credit of making 50/50 feel as real as it is has to go to the director, Jonathan Levine. Levine has been quietly getting noticed with films such as All The Boys Love Mandy Lane and The Wackness but it is here in 50/50 where Levine excels himself. The way in which the film is shot allows the audience to become a part of the world and helps the film to come across as incredibly real, almost as if this was just people in the street going about their lives and not actually a movie at all.

The comedy is well spread out throughout the film and does not take anything away from the dramatic or dark story theme. In particular, one scene just after Kyle finds out that Adam’s girlfriend is cheating on him is particularly hilarious and if you have seen the film then you will know straight away what scene it is. The laughs will not last long though because you will be brought back down to Earth as Adam continues his struggle and one of his friends in chemotherapy passes away leading to Adam almost accepting death to be his fate as well. And as Adam is wheeled away for his operation I think there is a real sense of not knowing which turn the film will take; will Adam survive or won’t he?

50/50 is an incredible roller coaster ride. It can make you laugh and it can make you cry. But more importantly the film and the characters will stay with you for a long time. It is not a film that you will be in a hurry to forget, that’s for sure.

My Rating: 9/10.