Which Woman Will Get Marvel’s First Female Superhero Film?

There have been rumblings through the Marvel Cinematic Universe (MCU) that there may be a female superhero leading their on film in the near future. Just a couple of weeks ago Katee Sackhoff of Battlestar Galactica fame claimed that her representatives had been meeting with Marvel sparking rumours of a Ms/Captain Marvel casting; now Natalie Portman has come out and claimed that she has heard there is a superheroine film ‘on the way’ (although how much we can trust Natalie Portman with Marvel information seems questionable being as though she made it known she wasn’t too keen on returning for Thor: The Dark World). Also, there seems to be a Peggy Carter television series in the pipeline after the success of short film Agent Carter, while Gamora (played by Zoe Saldana in Guardians of the Galaxy) will be getting a large role in the cinematic universe if they follow her comic book story. Marvel are clearly doing work to balance out the numbers between the male and females on The Avengers team so it seems likely that one of the untitled Marvel films (scheduled for a 2016 and 2017 release) could be lead a female. So who is most likely to fill that spot?

Katee Sackhoff seems like a good choice for the Ms Marvel role.

 

Natasha Romanoff/Black Widow

Marvel are taking a huge risk if they go for a female led superhero film after the likes of Elektra and Catwoman went down like a lead balloon with critics and fans alike. And a Wonder Woman pilot as recent as last years got turned down by the studios. What seems like less of a risk is spinning off from the only female member of The Avengers, Black Widow. Scarlett Johansson is a star and has the ability to pull in a male and female audience. Joss Whedon has said that he loves the character of Black Widow and he is known for writing strong female characters. If Black Widow was to receive a solo film then it seems plausible that Jeremy Renner’s Hawkeye could also be involved which he would seem to be up for after complaining about the tiny part he played in the first team-up film. A Black Widow film seems like it could work as a sort of female James Bond film which I don’t think anyone would complain about.

 

Carol Danvers/Ms Marvel

This is the big one. Ms Marvel seems to be the only real competition Marvel has to rival DC with Wonder Woman (although it is probably a fair comment that in terms of revolution and iconic standing nobody can rival Wonder Woman) but she is without a doubt one of my favourite characters from the Marvel comics. She would probably need to have her skill set trimmed down a little so she doesn’t seem like she’s all over the place but with super strength, durability and the ability to fly she could more than hold her own among the likes of Captain America and Iron Man. Ms Marvel’s original creation saw her on a quest to find out her identity and a sort of sole-searching hero is always popular with film audiences so it could work a treat if handled correctly.

 

Tandy Bowen and Ty Johnson/Cloak and Dagger

Now this is a bit of a long shot, but if Marvel are worried about a box office bomb with a female led film then why not make her part of a duo. Bringing Cloak and Dagger to the big screen would give Marvel a new female character and a new black character, although if this was the only reason to make this film then they should leave it alone; there is a lot more to these characters that makes their story a compelling one. Tandy and Ty are runaways from two completely different worlds (metaphorical, not literal) but gradually built up one of the best friendships in Marvel’s comic books. They gained their powers from drug trials (later retconned so they were born as mutants but Fox’s X-men rights prevents the word ‘mutant’ being used in the MCU). Cloak and Dagger are, believe it or not, more grounded and ‘realistic’ heroes and it seems like Marvel are going in a different angle with their cosmic phase three.

 

The other competitors…

Marvel have a large affinity of characters, male and female. Spider-Woman has long been a favourite of mine and although there is no connection between her and Peter Parker it seems unlikely that she would get a film while Sony were still making The Amazing Spider-Man. She-Hulk seems a logical choice because of the popularity of Mark Ruffalo’s Hulk and an introduction to her in a solo Hulk film would make more sense than giving her a solo film. Making Pepper Potts into Rescue (as seen briefly in Iron Man 3) would be an interesting gamble on keeping the Iron Man franchise continuing, although Don Cheadle’s War Machine would probably get to take on the mantle if that was the case.

All the signs point to Ms Marvel being the best and most obvious choice but since when have Marvel been obvious? The Guardians of the Galaxy announcement certainly came as a shock to everyone.

The Original Summer Blockbuster has Died

Back in 1975 Jaws became the highest grossing film to date. It’s arguably one of the most famous films ever that has been parodied and referenced in countless numbers of films and has a theme tune that everyone can hum and recognise. The release and the popularity of Jaws marked the arrival of the summer blockbuster, which would become a staple in the cinema calendar; the summer blockbuster spots are reserved for the biggest studios to bring out the big guns and rake in the profits over summer. The whole idea of a ‘blockbuster film’ has gone through celebration and survived criticism but you can not deny that they are still apparent and, as we have seen this year, are the most bankable films of the year. But the originality has gone, and with that so has some of the fun.

Among the top ten highest grossing films of the year so far there are eight films that have been released in the summer. Only one of those is an original concept: Pacific Rim. When Jaws was released it marked a trend of ‘event’ films that major studios released to compete with Jaws and its sequels. Taking this into account Pacific Rim seems like a typical summer blockbuster remade for a modern audience. It seems like everything a summer audience want: mindless action, giant robots fighting gigantic aliens and what’s more the film had major clout behind it as it was directed by Guillermo Del Toro. Pacific Rim only just managed to double its budget worldwide despite all the hype surrounding it and Idris Elba booming “today we are cancelling the apocalypse” before every other summer film that you would go and see. Of course, one reason why Pacific Rim could have fallen short of expectations is because Michael Bay did such an awful job with the Transformers film that any film with robots in will now be tossed aside without thought.

 

But then a film with fighting robots also became the fifth highest grossing film of all time: Iron Man 3. So this seems to suggest that that was not the only reason for Pacific Rim‘s failure to make a huge impression on the audience. In a world with so many sequels it is becoming more important to see those sequels when they come out, especially with what Marvel are doing with each film becoming a huge stable of cinema in itself and an unmissable event. People want to see what they already know because the first films are so good and successful that it gives a sequel credibility before it is even released. The likes of Star Trek Into Darkness, Fast and Furious 6, Monsters University and even Despicable Me 2 cracked the top ten highest grossing films – all coming off the back of successful franchises or original films. World War Z and Man of Steel also join the list but they’re coming from hugely successful books and comic books. With World War Z it also seems to suggest that star power is also important for a summer blockbuster with Brad Pitt no doubt being responsible for some of the surprisingly huge audience the zombie action film found.

So what of Will Smith, Tom Cruise and Johnny Depp? Three of the biggest movie stars on the planet absolutely tanked at the box office in 2013. Smith’s After Earth and Cruise’s Oblivion both seemed pretty similar in their basic premise: Earth has been abandoned and now Will Smith/Tom Cruise come back to Earth and find out that it’s not as bare as they might have thought. It was assumed that one film would take the spoils because they were too similar but as it turned out, neither film did and both failed. Johnny Depp looked to bring a new franchise to the big screen and should have been more successful being as though The Lone Ranger is integrated in popular culture – everyone has heard “Hi-Yo, Silver!” at least once in their lives. But a difficult time in production seemed to put an end to any plans Disney had of making a sequel. And the less said about R.I.P.D the better.

 

Another one of the most anticipated films of the year was Neill Blomkamp’s Elysium. After Blomkamp’s debut feature District 9 was an Oscar nominated film people were expecting something exceptional from Elysium, starring Matt Damon and Jodie Foster. However, as of now it has only just managed to make back its budget and not set the world alight as people expected. Of course, a late summer release won’t have helped being as though it seems everyone had already spent their money on previously mentioned films. So why is it so hard to find a spot for originality in the summer months?

For me, I think it comes down to the cost of going to the cinema. Over summer the children are off school and people go to the cinema as a family. This means that you’re going to be spending around £25-£35 on tickets and then another £20ish on drinks and popcorn which makes it seem pretty expensive just to go and sit down for a couple of hours. Nobody wants to go and see a bad film at the cinema anyway but when it’s costing that much you want to know that you’re going to enjoy what you watch. Therefore, I believe people are more likely to go and see Iron Man 3 when Marvel have a spotless record and you’re guaranteed a great performance from Robert Downey Jr. rather than take a chance that something like R.I.P.D or Pacific Rim which you don’t know much about.

 

In the next couple of years we are going to see more Marvel films – Guardians of the Galaxy in 2014, The Avengers: Age of Ultron in 2015. The Man of Steel sequel featuring Batman is coming out too, the same as the seventh chapter of Star Wars and presumably a third in the new Star Trek trilogy: add to that another Fast & Furious film, a sequel to World War Z and X-Men: Days of Future Past. It seems like so many huge franchises are begging for people’s money that it seems impossible for anything new to turn heads. For the sake of cinema that has to change sooner rather than later.

Now You See Me Review

A star studded cast embark on a game of cat and mouse as the FBI and Interpol attempt to catch four magicians who use the disguise of their magic show to conduct bank heists and give the stolen money to their audiences. This band of magicians are known as The Four Horsemen and are each solo artists brought together by a mysterious hooded figure and a series of tarot cards. When together the group pull off these bank heists as a way of being allowed entry to an exclusive group of magicians known as ‘The Eye’.

“The closer you think you are, the less you’ll actually see”

The film opens every bit as you might expect: introducing the four characters separately, allowing for the audience to quickly get to know them and acknowledge their traits before they are put into the group dynamic. Up first is street magician J. Daniel Atlas (Jesse Eisenberg) whose opening trick is cleverly conducted to work on the audience as well; then comes Merrit McKinney (Woody Harrelson), a mentalist who uses his ‘gift’ to find out dirty secrets about people and extort them of their money. The only female member of the group is Henley Reeves (Isla Fisher), an escapologist and former assistant to J. Daniel Atlas. These three are joined by the only one of the magicians whose actual tarot card links to the Four Horsemen of mythology: Jack Wilder (Dave Franco) who seems to be more like a con artist than magician. These opening scenes are every bit as exciting as you would hope and introduce our heroes as being likeable characters, so much so that it has you gripped form the very beginning.

Jump one year later. Now we’re in Las Vegas watching the Four Horsemen put on a show under the watchful eye of benefactor Arthur Tressler (Michael Caine) and magician defrauder Thaddeus Bradley (Morgan Freeman). Here it is that the magicians pull off the bank heist that gets them noticed by the FBI. However, what the audience will notice is just how long this scene drags out and unfortunately it isn’t the only one. As with the case with real life magic shows, the magicians tend to lengthen things out, giving long speeches and explaining what they’re going to do before they do something completely different. While this may be all fine and well at real magic shows, when you have less than two hours on a cinema screen some of the waffle has to be cut down.

“These guys, they’re tricky”

But then that’s why Jesse Eisenberg impresses the most. If it wasn’t for Eisenberg’s charisma then perhaps Now You See Me would run the risk of being slightly dull, but every time Eisenberg appears on screen he hastens up the pace (if not only for his fast talking) but he inhabits the character; it feels like Eisenberg is the only one who has done his research and knows about magicians… which isn’t really surprising considering he was the first name attached to the project.

The other horsemen each have their own moments of glory (although arguably Isla Fisher’s comes at the beginning and never really rears it’s head again) with Harrelson providing a few sporadic laughs throughout, while Dave Franco provides one of the most exciting sequences of the piece in a fight scene with FBI agent Mark Ruffalo where trick mirrors, slight of hand and playing cards all come into use. It really stands out as one of the best action scenes of the summer which is remarkable considering the strength and special effects of the other blockbusters such as Iron Man 3 or Star Trek Into Darkness.

“Want to know how they did it? Just say the magic word”

While each individual actor gets their moment in the limelight at one point or another, it is a slight downfall that the four central characters seem to have very little chemistry with one another. The conversations at times seem jarred and the jokes not as free flowing as you would expect. Perhaps the worst part of the film is the completely unbelievable relationship between Mark Ruffalo’s character and the Interpol agent played by Melanie Laurent. Even the two actors don’t seem invested in that storyline.

Throughout the film there are (almost too many) hints towards the fact that there is going to be a twist so part of the fun comes from guessing what that twist is going to be. There is a little foreshadowing throughout but the reveal should still come as a surprise. It’s a great idea, but arguably poorly executed which is where it is going to be let down. However, this is just a small problem compared to the plot holes scattered throughout the plot and the pointlessness of Michael Caine’s character.

“First rule of magic: always be the smartest guy in the room”

Had it been released at any other time of the year Now You See Me could have very easily run the risk of bombing in the box office. But this is summer and people expect certain things from a summer blockbuster: they want to laugh, be entertained, see great action sequences, wonderful set pieces and big budget effects. And that’s what Now You See Me can deliver. It has it’s flaws but all in all is a thoroughly enjoyable film that can be filed under ‘hit’ for director Louis Leterrier.

My Rating: 6/10

Star Trek Into Darkness Review

With J.J. Abrams set to direct the new Star Wars film it is as yet unknown whether he will return for the inevitable conclusion to his finely crafted trilogy that has successfully reinstated Star Trek as one of the most important science fiction franchises in the world. Has he left behind a good legacy with Into Darkness?

Star Trek Into Darkness picks up with Captain James Kirk (Chris Pine) and his new crew, at least new in this franchise, already on a mission on the pre-civilisation planet of Nibiru; it is clear right from the off that the crew of the USS Enterprise are not going to be without danger as Spock’s life is immediately put on the line. Luckily, he survives and manages to carry on with the rest of the film. Where eventually they run into John Harrison (Benedict Cumberbatch), who just so happens to be Star Trek’s arguably most famous villain, Kahn. Kahn is carrying out terrorist acts that turn this film into an emotional chess game between Kirk and Kahn as the two battle it out in a test of will, strength and heroics as they battle to save their respective crews: only one side can win.

“Let’s go get this sonofabitch”

The first thing you notice about Into Darkness (and one of the most significant things) is that it does not feel like a sequel: the film immediately places you at the heart of the action with little knowledge of the previous film (or even Star Trek in general) required to enjoy the film. The whole of the Enterprise crew is back including Kirk, Spock (Zachary Quinto), Sulu (John Cho), Scotty (Simon Pegg) and Captain Pike (Bruce Greenwood) and none of the characters come off badly with each one, even Chekov (Anton Yelchin) having their moment in the spotlight; it would have been nice to have seen Uhura (Zoe Saldana) do more, however as her character does feel less like an equal crew member and more like a pawn to try and evoke some emotion in Spock, something she doesn’t really do that well.

The old faces are joined by new additions such as the incredible Benedict Cumberbatch and the almost pointless Alice Eve. Cumberbatch’s portrayal of Kahn is really spectacular; this is the greatest villain that will hit the screens this summer and is the most memorable in modern blockbusters, as far as my memory serves me anyhow. He poses a serious threat to Kirk and his crew on a mental and physical scale. Right from the off he gives you the creeps and it is clear his plan is very well thought out.

“You should have let me sleep”

The action takes place at a quick pace, occasionally slowing down to give the audience some breathing space and for the characters, mainly Kirk and Spock, to talk their problems through which does sometimes border on the line of good or bad writing; but that can be forgiven as you can guarantee whenever something feels stale Into Darkness shakes things up (quite literally), the amount of times they get attacked off guard id pretty suspicious for a craft of such high technology. But the action scenes are spectacular, right off the bat from Nibiru, to the home of the Klingons on Kronos, right up to the final fight scene between Spock and Kahn.

With such a lot hanging in the balance for Kirk, Spock etc. it seems imperative that there is humour injected into the story and that comes in the, predictable, forms of Bones (Karl Urban) and Scotty. This story centres on Kirk and Kahn but the majority of my attention was on Bones, coming out with quality one liners and throwing around metaphors like they were going out of fashion: he’s a treat every time he comes on screen.

“Damn it man! I’m a doctor not a torpedo technician!”

Into Darkness closes with the USS Enterprise about to embark on a five year mission. Is this five years a hint at how long it will be until we see the third chapter of this Star Trek revival? If so, maybe Abrams will be back on board. Part of me doesn’t want to wait so long but part of me longs for the return of Abrams to finish what he started!

In my Iron Man 3 review I claimed that Iron Man 3 could be the best blockbuster of the summer. Well all that’s changed now: Star Trek Into Darkness will not be topped.

My Rating: 9/10.

‘The Iceman’ Trailer

UK Release Date: 7th June 2013.

Stars: Ariel Vroman (director), Michael Shannon, Winona Ryder, Chris Evans, Ray Liotta, David Schwimmer, James Franco, Stephen Dorff

Plot: The true story of Richard Kuklinski, the notorious contract killer and family man. When finally arrested in 1986, neither his wife nor daughters have any clue about his real profession.

Fortunately, this isn’t an X-Men spin off in the same vein as Wolverine but about the useless Bobby Drake; it’s very different and much better than that. In a summer that’s going to be packed full of blockbusters like Iron Man 3, Fast & Furious 6, Man of Steel, Star Trek Into Darkness and Pacific Rim, The Iceman is going to be a film that sneaks under the radar.

The Iceman is a thriller that has been well received at film festivals and features a pretty good cast. Other than the fact that Chris Evans looks like the creepiest ice-cream man ever to walk the planet, everything looks great!

Despite being a contract killer, you are clearly going to care about Richard Kuklinski; just from the trailer you can tell this is going to be a great character. I can’t wait to see this one.

The Best Actors Over the age of 65

The entertainment industry is an incredibly fickle one; one bad movie can see you go from the top of your game to the discard pile as quick as a flash. So it takes incredible determination, talent and motivation to continue on acting for so many years. 65 is usually the age of retirement over here in Britain but here are a few actors who show no signs of slowing down as they get older, just continuing to get better with age.

Robert De Niro – Born: August 17, 1943 – 69 years old.

This man really does need very little introduction. He’s been acting since the 1960’s but really made his name in the 70s with performances in The Godfather trilogy and of course his iconic performance as Travis Bickle in Taxi Driver. He’s become associated largely with gangster films but in the last decade or two he’s been slightly less picky with his roles and has taken fun roles rather than the intense ones he used to, as witnessed in Stardust and Meet the Parents. Five releases are slated for this year with more coming in 2014.

Sir Ben Kingsley – Born: 31st December, 1943 – 69 years old.

It’s actually unbelievable that Sir Ben Kingsley was once in English soap opera Coronation Street. Kingsley is often forgotten by mainstream audiences but he is clearly one of the best actors that England have ever produced. He won an Oscar for his role in Ghandi and continues to show his versatility with recent roles in Hugo, Shutter Island and Sexy Beast. Kingsley can now be seen playing Mandarin in Iron Man 3.

Sir Ian McKellen – Born: 25th May, 1939 – 73 years old.

McKellen is a true thespian. It took until the late 80s/early 90s really until McKellen became a certified film star and his career continues to thrive; really, since the turn of the century McKellen has become an actor that all different types of audiences want to see. He has shown off his talents in two iconic roles in particular, Magneto in X-Men and Gandalf in Lord of the Rings (a role he has reprised for The Hobbit trilogy), while at the same time continuing to do short films and television work as well.

Jack Nicholson – Born: 22nd April, 1937 – 75 years old.

What is there left to say about Jack Nicholson that hasn’t been said before? He is undoubtedly one of the best actors that has ever worked. That’s just a simple fact of life. He’s been acting since the 1950s and although he is taking longer breaks between work at the minute that doesn’t mean he is getting any worse. Over the years Nicholson has won three (THREE!) Oscars for his work and turned out great performances in the likes of The Shining, One Flew Over the Cuckoo’s Nest, Batman and The Departed. That’s a career well spent.

Morgan Freeman – Born: 1st June, 1937 – 75 years old.

He’s probably the only man in the world that people could just listen to every single day and never get bored. Has Morgan Freeman really ever been young? A lot of Freeman’s work up until the 90s was largely television work but what a decade the 90s became for him: Unforgiven, The Shawshank Redemption and Se7en saw Freeman in quite an incredible rise to fame. One that continues thanks to his role in Christopher Nolan’s The Dark Knight trilogy.

Robert Redford – Born: 18th August, 1936 – 76 years old.

Redford has slowed down in recent years but he is not only an acclaimed actor but also has been nominated for Oscars for his directing as well (and won). This is a man who starred in some of the most famous films of all time: The Sting, Butch Cassidy and the Sundance Kid. He’s made something of a return to acting in the last couple of years with The Company You Keep (2012), All is Lost (2013) and he is set to appear in Captain America: The Winter Soldier (2014).

Sir Michael Caine – Born: 14th March, 1933 – 80 years old.

This year, the great actor turned eighty years old. Unbelievable considering the energy and the emotion that he still brings to all of his characters. Michael Caine has a filmography to rival anybody, he really has reached the top of his game and been there for decades as well now! The Italian Job, Zulu, Alfie, Get Carter, Hannah and Her Sisters and of course more recently he has become a regular collaborator with Christopher Nolan: The Dark Knight trilogy, The Prestige and Inception. A true legend of the acting world.

Christopher Plummer – Born: 13th December, 1929 – 83 years old.

Remember The Sound of Music? One of the most iconic films of all time? Released in 1965? Well Christopher Plummer was in that. And his career is one that seems to have really got better with age and has, in fact, flourished since the beginning of the 21st century. He has recently had roles in A Beautiful Mind, Nicholas Nickleby, National Treasure, Syriana, Up, The Imaginarium of Doctor Parnassus and finally won an Oscar in 2012 for his role in Beginners.

These actors are true legends of their profession.

What to Watch – April 2013

April sees the biggest film release of the year so far, as well as the latest Ryan Gosling feature.
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Dark Skies – 3rd April

From the director of the not too successful Priest and Legion comes Dark Skies. It adds nothing new to the horror genre but should be a good ride for any fans of recent horrors like Insidious.
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Spring Breakers – 5th April

This has been getting a lot of attention because all of its publicity relies on seeing four girls in their bikinis, two of them being former Disney stars Vanessa Hudgens and Selena Gomez. The actual film itself doesn’t look that interesting at all, but I’m sure some people will like it.
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Oblivion – 12th April

I wouldn’t be surprised if Mr Cruise had a little flop on his hands here. I’m just not sure there’s much room for these films at the minute, and with Will Smith’s After Earth out later this year people may rather just wait for that. They seem to be pretty much the same film anyway.
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The Place Beyond the Pines – 12th April

It should come as no surprise that both Ryan Gosling and Bradley Cooper have both been earning great reviews already for their performances here. Just see for yourself, this will be brilliant. Guaranteed.
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Iron Man 3 – 26th April

The film, the story, the actor, the character. This is a movie that needs no introduction. The big blockbusters begin here. Iron Man 3.

Second World War Z Trailer – An Improvement?

UK Release Date: 21st June 2013.

Stars: Marc Forster (director), Brad Pitt, Mireille Enos, David Morse, James Badge Dale, Eric West, Matthew Fox.

Plot: United Nations employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments, and threatening to decimate humanity itself.

I don’t normally post new trailers for films that I have already looked at unless I am desperately excited to see a certain film. That’s not the case with World War Z. The reason I have decided to look at this trailer after examining the first here, is that the originally trailer was met with a lot of skepticism surrounding its faith to the original novel and the bad CGI. So is this new trailer any better?

Well the way the trailer is set up it seems to be the same before. A peaceful little section of Pitt’s nice, loving family is then broken up by lots of scenes of panic and the mountain of zombies. What I can deduce from this trailer is that it seems like the CGI on the zombies won’t be TOO important because there will be so many jump cuts flying around you’ll barely see them, especially behind the explosions.

The books is a best seller and people love it because it’s not just a brainless zombie epic, which unfortunately it looks as though the film will be. But studio execs need to put bums on chairs (and maybe Brad Pitt’s name alone isn’t enough to do that anymore?).

World War Z comes complete with mid-air plane siege as seen in The Dark Knight Rises and Iron Man 3.

Tony Stark’s Best Moments so far…

Last week saw the release of the latest (brilliant) trailer for Iron Man 3. It looks as though this is going to be Marvel’s best stand alone film to date and will no doubt be packed full of brilliant moments featuring Tony Stark. With that in mind I decided to look over Stark’s four previous film appearances and pick out his best parts.

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10. Court Scene – Iron Man 2

I think that this is a scene that really plays to Tony Stark’s character. Despite being in a formal setting where he is pretty much being attacked by the American government, Stark fails to take the situation seriously and instead decides to crack a few one liners and plays up for an audience reaction.

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9. Tony ‘suits-up’ whilst falling – The Avengers

During the events of The Avengers, after an exchange that also features on this list, Tony is thrown from a window by Loki. It is during this fall that we find out Tony’s technology has come a long way since Iron Man Mark I as his suit flies out of the building and latches onto him moments before he hits a crowded area of pavement that would surely kill him.

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8. “What if I told you we were putting a team together?” – The Incredible Hulk

It’s the scene that first shows Marvel’s multi-strand franchise. A great entrance from Tony Stark and showing that he is willing to work as part of a team, despite his huge ego!

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7. Iron Man’s First Flight – Iron Man

Every superhero scene has that moment where the protagonist masters their ability. Here we have Stark testing out his new suit and pushing it to the extremes as well as getting the hang of flying. With additional comedy landing.

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6. “We have a Hulk” – The Avengers

This is one of the best moments of The Avengers in my opinion. You have the most cunning person in the universe (Loki) in an exchange of words with master wordsmith and one-liner expert, Tony Stark. Full of charm and wit as always.

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5. The Suit Case – Iron Man 2

Before Tony could call his suit to him while he was falling out of buildings he was able to carry it around in a suitcase. Easily one of the coolest gadgets to ever grace the big screen!

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4. Break-Out Cave – Iron Man

This is the Iron Man Mark I armour. Now we really see how smart Stark is at his ability to construct this incredible suit while trapped in a cave. The first time we see Stark using his new weapon and generally just busting out using nothing but brute force.

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3. “Genius, billionaire, playboy, philanthropist” – The Avengers

It’s the line that has become the most quoted line from a Marvel film ever (probably). It’s how Stark’s fans have come to affectionately know him by and you can’t help but smile at Stark’s overindulging ego.

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2. Saving the world – The Avengers

It doesn’t come much bigger than saving the world. Tony has come such a long way since the first Iron Man film and is now willing to sacrifice himself to save the rest of New York’s population. Stark genuinely believes that he is going to die and this just shows how developed a character he has become over the journey of his existence on screen.

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1. “I am Iron Man” – Iron Man

Not a lot really tops saving the world but I think that this does. In arguably the most satisfying scene of Iron Man Tony Stark admits his alter ego. This is not something that usually happens in superhero films but it completely fits in with Stark’s ego-fuelling attitude and is completely in character. It’s a beautiful ending to a fantastic film!

News of the Week (05/03/2013) – Cinders, Frankenstein and Transcendence

Two years ago the Harry Potter saga came to an end and now it looks as though two of it’s lead stars, Daniel Radcliffe and Emma Watson, have found themselves a new franchise each. Daniel Radcliffe is in final negotiations to play the role of Igor, Frankenstein’s assistant, who the story is set to be based around (despite the fact that this character does not appear in the original novel). Emma Watson is set to become Disney’s next princess as she is in final negotiations to play Cinderella in the new adaptation (a basic retelling of the original story) directed by Kenneth Branagh. Cate Blanchett will be playing Cinders’ wicked stepmother.

In general casting news, two of my most anticipated sequels in the coming years have added new (and old) cast members. X-Men: Days of Future Past has now confirmed that Halle Berry will return as Storm along with several other former characters. As well as this Omar Sy has been cast and speculation is rife that he will be portraying the time traveling mutant Bishop (although it might be more likely he will be cast as an evil human leader). And in Dawn of the Planet of the Apes news: the brilliant, incredible actor Gary Oldman has joined as a human revolutionist, meaning it’s safe to assume that the troubled sequel is in safe hands after all.

Good news for comedy fans as FOX has give the go ahead to Let’s Be Cops, a story of two friends looking for more out life and so they pretend to be cops; but when they get involved with a real lief gangster the game gets real. Let’s Be Cops will be directed by Luke Greenfield (The Girl Next Door) and will star Damon Wayans Jr. (Happy Endings) and Jake Johnson (New Girl).

If they cast Max Greenfield too they’re onto a winner!

And finally… this week has seen Transcendence really get a shift on with their casting as it seems to be one of Warner Bros. top priorities at the minute. For anyone who doesn’t know Transcendence will be the directorial debut of Oscar winning cinematographer Wally Pfister. The plot is pretty complicated but it centres on a scientist whose brain is uploaded into his creation, a supercomputer with the potential to think for itself, after he is assassinated by anti-technology terrorists. Johnny Depp has been cast in the lead role and this could see the resurgence of his career at long last! Also added to the cast this week is Paul Bettany (A Knight’s Tale) and Rebecca Hall (Iron Man 3). Transcendence is one of the most exciting science fiction films in production at the minute and is set to start shooting in April with a 2014 release date on the cards.