epic Review

Epic. Never has a summer blockbuster been so ambitiously named. After one of the most exciting and visually astounding trailers of the year so far, anticipations are set high for the latest Blue Sky outing. With a voicing cast including the likes of Amanda Seyfried, Jason Sudeikis, Josh Hutcherson, Christoph Waltz and Beyonce Knowles, could the one hour, forty minute journey into the forest live up to the hype of a two minute trailer?

On the one day in a hundred years where Tara (Knowles), Queen of the forest, is set to select her heir an evil group known as the Boggans, led by Mandrake (Waltz) intend to kill her and destroy the forest in order to take complete control. The Leafmen are the group charged with the order of stopping the Boggans but in particular the soldiers that have to carry that weight belong to the incredibly uncharismatic Ronin (Colin Farrell) and rookie Nod (Hutcherson) with the help of a human girl, M.K (Seyfried) who gets shrunk down to two inches tall Alice in Wonderland style in order to save the forest.

No time at all is wasted in introducing the miniature world of the forest and the ongoing battle as three birds tussle in the sky with Nod and the little bird that he rides. Then the real life sized world comes into play with M.K arriving to live with her mad scientist father (Sudeikis) and you get the feeling that there is going to be a strong father-daughter relationship at the centre of this animated war film but when it ends there seems to be a great gaping hole where the human emotion of the film should have been.

It’s a film that lacks any intensity at all. For a film where the whole of the forest seems to be at stake you would expect that there is at least going to be a huge battle at the end but alas, this is not the case. The one time you think you will get to see a huge fight it is cruelly ripped away from you and you are forced to travel with the more boring companions on the quest.

There is a little humour provided in the form of a slug and a snail voiced by Aziz Ansari and the wonderful Chris O’Dowd respectively. And there’s a nice little musical number about halfway through the film in an attempt to lift the film more upbeat from its second act which is certainly lacking any determination at all.

The only thing that comes remotely close to being epic are the brief action sequences. The animation during the fight scenes does stand out as some of the best animation in recent years and the action scenes are full of potential and wouldn’t look out of place in Peter Jackson’s Lord of the Rings trilogy (although the fact that its animated might make it stick out a little).

There are some laughs, good fight scenes and another great (if underused) turn by Christoph Waltz. You cannot doubt that Epic will find an audience as it is enjoyable at times, but it does feel someone’s followed a dot-to-dot for making a children’s animated film and decided to miss out the dots that contain heart and emotion.

My Rating: 6/10

‘The Campaign’ Trailer and Why Comedies are so Hard to Market.

UK Release Date: 28th September 2012.

Stars: Jay Roach (director), Will Ferrell, Zach Galifianakis, Jason Sudeikis, Dylan McDermott, Brian Cox, John Lithgow, Dan Aykroyd.

Plot: In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Centre.

Will Ferrell is a pretty bankable name in comedy, everybody knows who he is thanks to his films like Anchorman, Step Brothers or Talladega Nights. Ferrell is seen as someone who has a real talent for acting in comedies and will, nine out of ten times, grant success to a film. Zach Galifianakis has pretty much guaranteed himself success by always playing an idiot (see The Hangover, Due Date) and here he seems to be doing the same thing once again.

Comedy films aren’t something that usually excite me and The Campaign does nothing to change my opinion of that. There are a few jokes in this trailer but this trailer serves mainly to introduce the audience to the main characters. What jokes are there, minus one or two, feel like they have been recycled so many times they are no longer funny and because of this they have to resort to toilet humour which is always guaranteed to pick up a laugh here and there, who doesn’t enjoy toilet humour?

With a pretty good cast it’s hard to see The Campaign failing and it will no doubt find an audience among teenage boys especially but there is a problem with marketing comedies that a lot of audience members have grown wise to now these days I think. Everybody knows that trailers are composed of the best bits of the movie, that’s the studio’s intention to bring in the crowds. However, I, and a lot of other people for sure, are sceptical more of comedy trailers than any other genre. This is because so many comedy films in recent years have put all the funny parts and good jokes into the trailer and when you go see the film you can’t help but be disappointed by the lack of jokes elsewhere in the film, but if the trailers aren’t full of funny moments why would you go and see the film in the first place? It’s a catch 22, a no-win situation and this does seem to happen in comedy films. I don’t think anyone who sees a trailer for an action film say “but what if all the fight scenes are in the trailer?” yet when the comedy trailer airs it’s always “they put all the funny parts in the trailer though”. Comedy is looked down upon in the genre hierarchy and this could be one of the reasons that makes them so hard to market but audiences will always go, even if they are disappointed it still looks good for the studio.

Horrible Bosses (2011) Review

***MAY CONTAIN SPOILERS***

When the trailer was first released for Horrible Bosses it seemed to promise so much but upon watching it seems that those promises could not be kept. Whilst not terrible, it wasn’t quite as good as it could have been.

Horrible Bosses revolves around three friends (played by Jason Bateman, Chris Day and Jason Sudeikis) who decide that their bosses are getting in the way of their happiness. They then decide that the only possible solution to their problem is to kill their bosses.

The three main actors, particularly Chris Day, each play their parts well providing some great character interaction and the friendship between the three is entirely believable. Colin Farrell, as Kurt’s (Sudeikis) cocaine addicted boss, is not in the film as much as I would have liked but when he is featured he plays his part and provides some laughs. Kevin Spacey particularly impressed in this and is completely believable as the villain of the piece; he doesn’t provide many laughs but he adds some much needed drama. Even Jennifer Aniston, who is completely over rated by every female on the planet, is tolerable in this and puts in her best performance post-Friends as a sex crazed dentist. Oh, and Jamie Foxx is completely rubbish in this.

The pacing, story, action and character interaction in the first two acts is really good. The first act is a great introduction to the three main characters, the dynamic of their friendship and the wholly unreasonable situations that their bosses put them in. It sets up the film with the story and a few laughs but by the end of the third act you feel like the film never really fulfilled it’s potential.

Some of the scenes seemed slightly too long and were filled out with a lot of dialogue that wasn’t really that humorous unfortunately. Although, this could be down the directing of the piece; there were a lot of long takes which made a few scenes seem to drag and I think that this comes down to inexperience. Horrible Bosses is Seth Gordon’s third feature length film as director; his most recent was Four Christmases and his debut was a film called Squirt which holds a 1.7 rating on IMDB so read what you like into that.

The end is really what lets the film down. Where the first and second acts do all they can to build the audience up for what should be a really good climax, the third act seems to go out of it’s way to ruin any hopes and expectations that the audience may have. It just seems a little too convenient, even for a comedy film where similar things can be forgiven. The ending I refer to is being given the all clear by the police thanks to Kurt’s car’s navigation system operator. The actual tying up of the film afterwards with each of the three main characters returning to work actually felt pretty nice.

I would watch this film again and who knows, maybe it will be better upon second viewing.

My Rating: 6.5/10