Back in 1975 Jaws became the highest grossing film to date. It’s arguably one of the most famous films ever that has been parodied and referenced in countless numbers of films and has a theme tune that everyone can hum and recognise. The release and the popularity of Jaws marked the arrival of the summer blockbuster, which would become a staple in the cinema calendar; the summer blockbuster spots are reserved for the biggest studios to bring out the big guns and rake in the profits over summer. The whole idea of a ‘blockbuster film’ has gone through celebration and survived criticism but you can not deny that they are still apparent and, as we have seen this year, are the most bankable films of the year. But the originality has gone, and with that so has some of the fun.
Among the top ten highest grossing films of the year so far there are eight films that have been released in the summer. Only one of those is an original concept: Pacific Rim. When Jaws was released it marked a trend of ‘event’ films that major studios released to compete with Jaws and its sequels. Taking this into account Pacific Rim seems like a typical summer blockbuster remade for a modern audience. It seems like everything a summer audience want: mindless action, giant robots fighting gigantic aliens and what’s more the film had major clout behind it as it was directed by Guillermo Del Toro. Pacific Rim only just managed to double its budget worldwide despite all the hype surrounding it and Idris Elba booming “today we are cancelling the apocalypse” before every other summer film that you would go and see. Of course, one reason why Pacific Rim could have fallen short of expectations is because Michael Bay did such an awful job with the Transformers film that any film with robots in will now be tossed aside without thought.
But then a film with fighting robots also became the fifth highest grossing film of all time: Iron Man 3. So this seems to suggest that that was not the only reason for Pacific Rim‘s failure to make a huge impression on the audience. In a world with so many sequels it is becoming more important to see those sequels when they come out, especially with what Marvel are doing with each film becoming a huge stable of cinema in itself and an unmissable event. People want to see what they already know because the first films are so good and successful that it gives a sequel credibility before it is even released. The likes of Star Trek Into Darkness, Fast and Furious 6, Monsters University and even Despicable Me 2 cracked the top ten highest grossing films – all coming off the back of successful franchises or original films. World War Z and Man of Steel also join the list but they’re coming from hugely successful books and comic books. With World War Z it also seems to suggest that star power is also important for a summer blockbuster with Brad Pitt no doubt being responsible for some of the surprisingly huge audience the zombie action film found.
So what of Will Smith, Tom Cruise and Johnny Depp? Three of the biggest movie stars on the planet absolutely tanked at the box office in 2013. Smith’s After Earth and Cruise’s Oblivion both seemed pretty similar in their basic premise: Earth has been abandoned and now Will Smith/Tom Cruise come back to Earth and find out that it’s not as bare as they might have thought. It was assumed that one film would take the spoils because they were too similar but as it turned out, neither film did and both failed. Johnny Depp looked to bring a new franchise to the big screen and should have been more successful being as though The Lone Ranger is integrated in popular culture – everyone has heard “Hi-Yo, Silver!” at least once in their lives. But a difficult time in production seemed to put an end to any plans Disney had of making a sequel. And the less said about R.I.P.D the better.
Another one of the most anticipated films of the year was Neill Blomkamp’s Elysium. After Blomkamp’s debut feature District 9 was an Oscar nominated film people were expecting something exceptional from Elysium, starring Matt Damon and Jodie Foster. However, as of now it has only just managed to make back its budget and not set the world alight as people expected. Of course, a late summer release won’t have helped being as though it seems everyone had already spent their money on previously mentioned films. So why is it so hard to find a spot for originality in the summer months?
For me, I think it comes down to the cost of going to the cinema. Over summer the children are off school and people go to the cinema as a family. This means that you’re going to be spending around £25-£35 on tickets and then another £20ish on drinks and popcorn which makes it seem pretty expensive just to go and sit down for a couple of hours. Nobody wants to go and see a bad film at the cinema anyway but when it’s costing that much you want to know that you’re going to enjoy what you watch. Therefore, I believe people are more likely to go and see Iron Man 3 when Marvel have a spotless record and you’re guaranteed a great performance from Robert Downey Jr. rather than take a chance that something like R.I.P.D or Pacific Rim which you don’t know much about.
In the next couple of years we are going to see more Marvel films – Guardians of the Galaxy in 2014, The Avengers: Age of Ultron in 2015. The Man of Steel sequel featuring Batman is coming out too, the same as the seventh chapter of Star Wars and presumably a third in the new Star Trek trilogy: add to that another Fast & Furious film, a sequel to World War Z and X-Men: Days of Future Past. It seems like so many huge franchises are begging for people’s money that it seems impossible for anything new to turn heads. For the sake of cinema that has to change sooner rather than later.
Sharlto Copley is a man who clearly loves film. When he was growing up he wanted to become an actor and now that dream has been realised. But before that, Copley started up his own production company Vasbyt Films LLC and became South Africa’s youngest television producer at the age of 25. At age 22 Copley first met a 16 year old Neill Blomkamp (a name you’ll be hearing a lot in the coming paragraphs and years) and Blomkamp began working at Copley’s production company in return for the use of the computers at the company for Blomkamp to furthur his passion of 3D animation and design.
For a large majority of both films not a lot actually happens. The first half of Taxi Driver and Drive both try to build character with not much action. When I was watching Taxi Driver I thought that it was at its best when it was doing this, we were following Travis around on his various journeys getting to know the man behind the wheel before the much anticipated shoot out at the end. Drive introduces us to the Driver’s world straight away and for the first half an hour there is very little dialogue but the audience still get a sense of character. Because of the lack of action at the beginning of both films they rely on the character and the actors’ portrayal of their characters and fortunately this works well for both films; Ryan Gosling had a great year in 2011 and Drive is a fantastic performance of his, while Robert De Niro is flawless as Travis Bickle.
Drive steps it up a gear as it enters its final act; the action feels real, the Driver’s motivation feels real. The whole film makes sense in terms of its narrative. In the beginning Drive sets off on its travels and, at the end, reaches its destination, the same can’t be said for Taxi Driver. Gosling’s Driver’s motivations are obvious and relatable, his journey is a complete arc and his actions are emotionally fuelled. Drive is a blood pumping film; the action is well spaced throughout the film and at times catches the audience off guard, tricking the audience into thinking they will see one thing but they see another.
The Movie Universe 