TheMovieUniverse’s Best Films of 2012

I’m back from my Christmas hiatus and in the past couple of weeks critics and fans alike have been compiling their lists of the ten best films of 2012 or twenty best or whatever you like, but I have decided to take a different approach to compiling my list and I will be looking at, month by month, what were the best releases. I’ll be using the UK release dates for films and, in doing it month by month there will be some big omissions and some surprise inclusions.

Will any of these films feature on the list?

 

January – The Grey

To be honest, if you look at what was released in January it doesn’t really fill you with enthusiasm for the rest of the year as there weren’t really many films worth noting released this month. I think that people were still more bothered about seeing the previous year’s Christmas releases (The Girl with the Dragon Tattoo, Sherlock Holmes: A Game of Shadows, Mission Impossible: Ghost Protocol) however there were a few films that stood out. You might think that We Need to Talk About Kevin, Shame or War Horse might win this month but I decided to go for Liam Neeson’s The Grey. Neeson continued his rebirth as an action hero in 2012 and it was largely down to his enounter with wolves in the partially surprising hit: The Grey.

 

February – Chronicle

February brought a lot of very disappointing ventures to the cinema. Safe House was a blockbuster than lacked a punch, Man on a Ledge was a very boring ‘thriller’ and One For the Money is one of the most boring films I have ever seen! However, saying that I was really impressed by Woman in Black which seemed to reinstate Hammer Films at the forefront of the horror scene but for the best film of the month it fell short and I went for Chronicle. Chronicle was seen by many to be very refreshing to an overcrowded superhero genre. The characters that appear in this found footage film are not from the pages of comic books and, like The Grey, Chronicle was another surprise hit but worth of all it’s critical acclaim.

March – 21 Jump Street

If you think that 21 Jump Street is a strange and ridiculous choice to be on this list then I really do encourage you to look at films that were released in the UK in March this year. March saw releases from some very highly anticipated films that were subsequently big disappointments, none bigger than John Carter. Of course, March also brought us the beginning of a huge new franchise with the Jennifer Lawrence led The Hunger Games, however I enjoyed 21 Jump Street a lot more. I can’t remember the last time I laughed so much in the cinema, 21 Jump Street was a welcome injection of humour to an otherwise dull month.

 

April – Avengers Assemble

There was a clear winner for this month. Marvel’s Avengers Assemble became the third highest grossing film of all time, breaking no end of records on its way to this achievement. This was the event that film fans had been waiting for for 4 years and it did not disappoint, The Avengers (as it was known sensibly in other countries) provided big entertainment, big action, big characters and big laughs. The only real competition in this month came from another film with Joss Whedon’s name attached: Cabin in the Woods, which was seen to redefine the horror genre but really, nothing could top Avengers Assemble.

 

May – The Raid: Redemption

May saw a lack of big releases as the prospect of going up against Marvel’s box office Goliath seemed a little bit daunting for many studios. And of course there is a bit of a lull in the cinema calender before the big summer smashes get released. The Raid was something that we don’t see nearly enough on this side of the Atlantic, a foreign release… and a successful one at that! The Raid is a brilliant, action packed, adrenaline fueled Indonesian martial arts film and it should come as no surprise that there are plans in America to do an English language remake.

 

June – Killer Joe

Now, June saw the second big release of the year: Prometheus. And don’t get me started on how over rated that was and what a bore fest it unfortunately turned out to be. Rock of Ages was a very very dull adaptation of the successful stage musical and The Five Year Engagement was about five years too long. Killer Joe proved that Matthew McConaughey could really act and it turned out to be a very gritty, gothic crime drama that also featured Emile Hirsch who is quietly going about proving what a good actor he is too.

 

July – The Dark Knight Rises

At the beginning of July The Amazing Spider-Man was released and was a very good attempt at reshaping Spider-Man’s origins; then on the 20th of July Christopher Nolan turned up to show everyone how it was done. Nolan’s Batman trilogy ended with one of the greatest films of the year. Full stop. He brought an all star cast here and cranked up the tension, cranked up the stakes and people flocked to the cinema to see how the greatest superhero trilogy ever made would end. And it did not disappoint. Sure, it never quite reached the heights of The Dark Knight which preceded it but I thought that the ending of The Dark Knight Rises was one of the greatest and most satisfying endings I have ever seen.

 

August – Ted

Fans of controversial humour, outrageous humour and toilet humour were delivered an early Christmas present back in August when Seth MacFarlane made his feature film directorial debut in this story of a child’s teddy bear coming to life to become a sex-craved, pot smoking best friend (voiced by MacFarlane himself). I think Ted may suffer from a lack of rewatchability but all in all it was a very funny film with some great cameos and hilarious scenes. The “white trash girls names” scene is one of the best scenes of the year in itself!

 

September – Looper

There were some very popular films released in September: Anna Karenina, Dredd, The Sweeney and House at the End of the Street to name a few. Lawless, featuring wonderful performances from Tom Hardy, Shia LaBeouf and Guy Pearce among others was an incredible film and gives Looper a run for its money but when I saw Looper I knew I was watching something special. Looper is one of the best films that I have ever seen and has fast become one of my favourites. The time travel plot device that has long been a staple in the science fiction genre and Looper gave an alternate look while skirting around the edges of Rian Johnson’s own laws of time travel. Looper was incredible! My best film of the year.

 

October – Skyfall

2012 saw the return of James Bond to the big screen in Skyfall, directed by Sam Mendes. After a disappointing Quantum of Solace Bond returned in a flood of critical acclaim and commercial success worldwide in the critically lauded Skyfall. Skyfall delivered a more personal look at the characters in Bond’s world, including a small trip into Bond’s background, a more in-depth look at M and revealed a few dark secrets of MI6. Skyfall also brought back some famous characters in a new style, Q and Moneypenny. Skyfall was simply fantastic and should be an outside bet for a couple of Oscar nominations.

 

November – Argo

My heart longs to say that Rise of the Guardians was the best film released in November but my head says otherwise. November saw End of Watch and Silver Linings Playbook released as well but I think that Argo was a really really incredible achievement for Ben Affleck. Argo was crammed full of suspense and tension and had audiences chewing on their nails whilst sitting on the edge of their seats. A true story of a rescue attempt using the undercover story of being a film crew for a science fiction film seems almost unbelievable but Argo brings it to the screen with such perfect realism.

 

December – Life of Pi

Life of Pi was very hotly anticipated as soon as it was announced. Being a best-selling book Life of Pi already had a huge audience waiting to see how the adaptation would turn out. The story is of 16 year old Pi who suffers a ship wreck which kills his family and leaves Pi stranded with just a Bengal tiger named Richard Parker. It is a truly touching and emotional story and is already reaping the rewards of their hard work with Golden Globe nominations for Best Score, Best Drama and Best Director.

Savages Looks Nothing Short of Brilliance.

UK Release Date: 28th September 2012.

From acclaimed director Oliver Stone comes Savages, the story of two young marijuana growers Ben and Chon who face off against a Mexican cartel who have kidnapped their shared girlfriend.

The cast is a stellar one indeed featuring star after star. Taylor Kitsch headlines the film and despite his recent flops this one could buck the trend. Before, with John Carter and Battleship you could tell that they were never going to do that well, there was just something about them, whereas I think Savages looks a lot better than the both of them. Aaron Johnson looks almost unrecognisable as Ben, a marijuana growing graduate of the University of California. The rest of the cast has more stars in it than a pack of Milky Way Magic Stars: John Travolta, Uma Thurman, Salma Hayek, Benecio Del Toro, Blake Lively and Emile Hirsch, a fine cast indeed.

Savages is a crime thriller and audiences never get bored of the crime genre and everyone loves an exciting thriller and it looks as though Oliver Stone has captured the essence of the genres brilliant, although just a sneak peak the trailer provides great excitement and gives fans something to really look forward to.

The trailer itself introduces us to the three main characters and their unusual relationship in which the two men share Blake Lively’s character as she is the girlfriend to both of them. It is her narration that informs us who the characters are and tell us that even though she is narrating, it doesn’t mean she makes it out of the story alive (a good bit of dialogue delivered badly in the trailer, if it’s in the movie it better be more dramatic) but this provides an interesting story either way and Savages could be Stone’s next big hit!

Why Can’t Taylor Kitsch Catch a Break?

Taylor Kitsch is not having a year to remember by any stretch of the imagination. So far in 2012 he has headlined two huge box office flops; John Carter and Battleship. With Savages coming out later this year this could be his last chance to crack Hollywood as a leading man. It could have all been so different for Taylor Kitsch.

Kitsch’s first major role was in television show Friday Night Lights and, despite not having a high viewership it went down very well with critics and, the odd episodes I saw, I really enjoyed it; Kitsch himself was praised for his performance as the hard drinking and womanising running back Tim Riggins. It was his performance on the show that got him his big chances in Hollywood in the first place, so he must have some quality as an actor.

X-Men Origins: Wolverine was Kitsch’s introduction to mainstream cinema audiences in the role of fan favourite X-men character, Gambit. This was only a smaller part in an ensemble cast and although the film was heavily criticised (especially by comic book fans) I thought Kitsch portrayed Gambit well and it’s a shame he won’t be reprising the role for The Wolverine.

John Carter of Mars was Taylor Kitsch’s big chance. It was hugely budgeted by Disney and prolifically marketed yet for one reason or another it just didn’t have enough pull to draw in audiences and cost Disney huge losses (which thankfully are now being recovered by The Avengers). Battleship was a chance for Kitsch to win back fans and critics with another starring role in a big budget film and yet this film failed again, largely because of the success of The Avengers. I think anything released at the same time as The Avengers was never going to do as well as it could have done another month.

Later on this year Taylor Kitsch is playing the lead role in Oliver Stone’s Savages. Stone is a well acclaimed director and the rest of the cast includes Aaron Johnson, Benicio del Toro, John Travolta and Uma Thurman so these factors could make Savages a success and bring Kitsch to public prominence which I think he deserves. Before casting Taylor Kitsch in the lead role Stone asked to see 30 minutes of footage from Battleship to get an idea of how Kitsch could handle being a leading man and something obviously impressed Stone enough to cast him.

I think that Taylor Kitsch is a good actor and deserves a proper chance. Perhaps it was a bit unfair throwing him in at the deep end in films with huge budgets because huge budgets tend to take away from actors performances and so people will see Kitsch as a failure because of the loss of money rather than his performances. If he started with movies that were more low budget then he would have had a better chance at making it as a leading man; it would have been helpful to build up an audience first before throwing him in as a lead action hero. However, I don’t think this is his fault, it is that of the studios.

Savages could be Kitsch’s last chance at being a leading man without having to start again because with potentially three huge flops with his name on it in the space of a year will not look good on his CV.

Why Did ‘John Carter’ flop?

John Carter of Mars (as it was named originally before becoming simply ‘John Carter‘) was meant to be the next huge franchise. At least, that was what Disney had hoped for anyway. Disney have had great success with the average Pirates of the Caribbean franchise but have failed to replicate this in recent years with The Sorcerer’s Apprentice, Tron: Legacy and Prince of Persia: The Sands of Time. John Carter, the budget suggests, was thought to be a sure fire hit.

Unfortunately, Disney has recently announced in a statement to shareholders that John Carter has made substantial losses. £126 million to be exact. So why did the film fail? Here are a few possible reasons.

Taylor Kitsch had a lot of expectations thrust upon him.

 

The Cast: The films boasts some recognisable names: Thomas Haden Church, Dominic West, Mark Strong, Willem Dafoe and Bryan Cranston and usually this bodes well, but as good as they are none of them are that familiar with huge blockbusters (minus Dafoe in the first Spider-man film) or have a lot of mainstream cinema fans. The big risk was putting a relatively unknown actor in the lead role; Taylor Kitsch had a small part in X-men Origins: Wolverine but is best known for his role in television series Friday Night Lights. My point is, he is not a leading man, he is barely even a supporting man. He is not someone that Disney should have rested such huge expectations on.

 

The Marketing: This movie was given a lot of promotion, there have been trailers all over the television and internet for weeks, maybe even months. But none of the trailers really showed the audience what the film was about, there was nothing that could appeal to the audience or pull them in, nothing to hook viewers. Also, the name change from ‘John Carter of Mars‘ to just ‘John Carter‘ was a mistake in my opinion. At least with the reference to Mars in the title there is something different, it might interest science fiction fans more than just a person’s name would. The film could be about anyone!

Andrew Stanton: One of Pixar's finest but a risky choice?

The Director: This is not an insult to Andrew Stanton at all, more of an acknowledgement of the risk that was taken in his appointment. Stanton co-directed A Bug’s Life and directed himself Finding Nemo and Wall-E; all three are terrific films and he did a good job on them. But there is a difference between directing an animated film and directing a huge scale, big budget blockbuster. It was a risk taken by Disney, but if you’re not going to have an accomplished leading man then surely an accomplished live-action director is a must.

It’s All Been Done Before: The books on which John Carter is based were written over 70 years ago. They have influenced much of modern science fiction and therefore offers nothing new to the film scene anymore. Avatar, for example, used a similar storyline but did it on a much bigger scale. The characters were stronger, the inhabitants of another planet looked better and all in all the special effects were like nothing anyone had ever seen before. Newer science fiction, whilst based on John Carter, has left the source material behind leaving nothing fresh for that audience to see here.

Obviously there are more reasons that John Carter has flopped and these are just a few of my theories behind the huge losses. Disney may be slightly worried by the losses at the minute but with Pixar’s Brave coming up and Marvel’s The Avengers also arriving in cinemas over the next couple of months they can be in no doubt that they will make that money back easily.

John Carter of Mars

UK Release Date: 9th March 2012.

There has been a lot of hype about this film within the comic-book community, despite it being based on a novel. The story follows John Carter (Taylor Kitsch), a civil war veteran who is transported to Mars, or Barsoom as it is known. Here, he becomes involved in the conflict between the various nations of the planet. Carter then takes it upon himself to save the people of Barsoom.

It is clear that Disney is attempting to find another franchise that will make them as much money as the Pirates of the Caribbean series has so far (despite now owning Marvel and milking the merchandise as much as possible) and where they failed in 2010 with the Prince of Persia film, John Carter may just succeed. The visuals look great and the special effects used on the creatures that we see in the trailer look terrific.

The cast is not full of stars but it does carry some recognisable names: Willem Dafoe, Mark Strong, Thomas Haden Church and Lynn Collins among others, whilst Taylor Kitsch gives his audition to become a Hollywood leading man after his small part in the dreadful X-Men Origins: Wolverine. Andrew Stanton is directing and has co-wrote the screenplay and he has a very successful career behind him so hopefully this will be another great film that he can add to his list.