Why Can’t Taylor Kitsch Catch a Break?

Taylor Kitsch is not having a year to remember by any stretch of the imagination. So far in 2012 he has headlined two huge box office flops; John Carter and Battleship. With Savages coming out later this year this could be his last chance to crack Hollywood as a leading man. It could have all been so different for Taylor Kitsch.

Kitsch’s first major role was in television show Friday Night Lights and, despite not having a high viewership it went down very well with critics and, the odd episodes I saw, I really enjoyed it; Kitsch himself was praised for his performance as the hard drinking and womanising running back Tim Riggins. It was his performance on the show that got him his big chances in Hollywood in the first place, so he must have some quality as an actor.

X-Men Origins: Wolverine was Kitsch’s introduction to mainstream cinema audiences in the role of fan favourite X-men character, Gambit. This was only a smaller part in an ensemble cast and although the film was heavily criticised (especially by comic book fans) I thought Kitsch portrayed Gambit well and it’s a shame he won’t be reprising the role for The Wolverine.

John Carter of Mars was Taylor Kitsch’s big chance. It was hugely budgeted by Disney and prolifically marketed yet for one reason or another it just didn’t have enough pull to draw in audiences and cost Disney huge losses (which thankfully are now being recovered by The Avengers). Battleship was a chance for Kitsch to win back fans and critics with another starring role in a big budget film and yet this film failed again, largely because of the success of The Avengers. I think anything released at the same time as The Avengers was never going to do as well as it could have done another month.

Later on this year Taylor Kitsch is playing the lead role in Oliver Stone’s Savages. Stone is a well acclaimed director and the rest of the cast includes Aaron Johnson, Benicio del Toro, John Travolta and Uma Thurman so these factors could make Savages a success and bring Kitsch to public prominence which I think he deserves. Before casting Taylor Kitsch in the lead role Stone asked to see 30 minutes of footage from Battleship to get an idea of how Kitsch could handle being a leading man and something obviously impressed Stone enough to cast him.

I think that Taylor Kitsch is a good actor and deserves a proper chance. Perhaps it was a bit unfair throwing him in at the deep end in films with huge budgets because huge budgets tend to take away from actors performances and so people will see Kitsch as a failure because of the loss of money rather than his performances. If he started with movies that were more low budget then he would have had a better chance at making it as a leading man; it would have been helpful to build up an audience first before throwing him in as a lead action hero. However, I don’t think this is his fault, it is that of the studios.

Savages could be Kitsch’s last chance at being a leading man without having to start again because with potentially three huge flops with his name on it in the space of a year will not look good on his CV.

Why is it so Difficult to Make a Good Sequel?

Arrested for making such a horrible sequel.

When audiences enjoy a film, sometimes they want more, they feel like the character’s journey is not complete. They want to see their favourite characters on the big screen more than once and fall in love with them all over again. Yet when they get their wishes there is always a section of the fans who lambast the producers and film makers for daring to make a sequel and, in some cases, for ruining the first movie as well. So why is it difficult to make a sequel work? Below are some of the reasons I have picked out.

Attempts to be too clever: Ocean’s Twelve is the epitome of awful sequels. The first, Ocean’s Eleven, was brilliant; it brought charm, wit, humour, style and smooth to the screen. It was everything Ocean’s Twelve wasn’t. Twelve tried to run a clever storyline with a twist at the end and it didn’t work at all. It just ended up being a horrible, boring film and the less said about it, the better.

Iron Man 2 tried to run too many storylines with too many new characters.

Trying to do too much: A lot of sequels fall into this category. The first film sets up the characters and completes a story and then, in order to make the sequel better, writers, producers and directors try to cram too much into the next film and it takes away the experience because the storyline runs too thin. This is the case with sequels such as Iron Man 2, in which a lot of work is needed to be done in order to tie in to The Avengers appropriately and so that storyline is thinned out as well as the other storyline involving Whiplash and audiences are left with a boring, lacklustre sequel to a film that promised so much.

No returning cast members: Sometimes, the big wigs at production companies decide that they can make a sequel work even without the stars of the first film. The classic case of this is Grease 2. Grease had charm, loveable characters and great humour and the two leads were perfect: John Travolta and Olivia Newton-John. But the two decided they would not return for a sequel and it was made without them. In a sequel audiences want to see their favourite characters return to the screen, not be introduced to more random people.

Cashing in: It doesn’t take a genius to realise that a lot of sequels, if not all of them, are made to cash in on the commercial success of the original film. This leads to film makers taking good parts of the original film and making it more important in the sequel. An example of this is Pirates of the Caribbean: At World’s End; everyone loves Captain Jack Sparrow in the first film, but he plays in support to the main story of Will Turner and Elizabeth Swann and his appearances make the film comical.  In At World’s End, we are given too much Jack Sparrow to the point of huge annoyance.

The best of Bourne was saved for the third instalment.

The above are just a selection of some of the various reasons sequels do not work and a few examples of bad sequels. This is not to say that all sequels are bad. When done right they can add character development, build up great storylines and become some of the best films ever made. The Bourne Ultimatum, Spider-man 2, The Dark Knight and X2: X-men United are all examples of sequels getting it right.