Killer Joe (2011) Review

McConaisance: when an actor famous for being the butt of many a jokes due to the nature of his films decides, for some unbeknownst reason, to season his career with incredibly serious roles…and actually does it well. Back in 2011, this is exactly what Matthew McConaughey did: along with The Lincoln Lawyer, Killer Joe helped transform McConaughey’s career in a matter of months and left audiences completely bewildered at the ‘new’ actor.

“If you insult me again, I will cut your face off and wear it over my own. Do you understand?”

When Chris (Emile Hirsch) has his stash of drugs stolen by his own mother, he concocts a plan with his father, Ansel (Thomas Haden church) and inconsequently his younger sister, Dottie (Juno Temple) to kill his own mother and cash in on her $50,000 life insurance. To do so, Chris gets in contact with ‘Killer’ Joe Cooper (McConaughey), a detective who moonlights as a contract killer. The agreement turns complicated when unexpected events occur and Joe takes a shine to Chris’ younger sister as collateral.

Right from the off, Killer Joe sets itself apart from any other film, introducing quite possibly the most dysfunctional family in the world as Chris is kicked out of his mother’s house and forced to stop with his father and step-mother (Gina Gershon) after, we suspect, beating up his mum. The rain batters down on the ground and sets the mood for the rest of the film. We are quickly rushed into a strip club for a conversation that should probably be happening not in a public place, but this is the second clue that Killer Joe is going to be exciting, different and anything but what you expect.

“This is going to get done, one way or another.”

McConaughey is soon introduced and as soon as he appears he steals the show completely. Long gone is the man who made his career by taking his top off (although he does have a couple of scenes with his torso on show) and making dodgy romantic comedies. He carries the film with so much intensity; no longer a joke but now someone who can genuinely scare you. The character of Joe Cooper is an interesting and complex one and McConaughey brings him to life perfectly, you won’t want to take your eyes off him for a second, even if you don’t agree with everything that he does.

McConaughey is supported by a really fantastic cast who all more than hold their own. Emile Hirsch as a kid with a lot of front but no real guts is great, Thomas Haden Church does a really understated job but Juno Temple is the other star of Killer Joe. As the annoyingly cute and naive Dottie, you really warm to her character as she seems like the innocent victim here when Joe decides that until he gets paid he’s going to be keeping Dottie’s bed warm.

“Why don’t you do us all a big favor and just go kill yourself?”

There are real horrific moments in Killer Joe: it’s an incredibly brutal, morally questionable story but handled so well by director William Friedkin. Some of the scenes are particularly hard to watch from a moral standpoint but the film does a wonderful job of pulling you in that you are willing to be shocked and willing to be, at times, disgusted. At the same time there are jokes planted throughout the script that bring a darkly comic feel to the tone and make you feel guilty for even considering laughing due to the nature of the film.

Killer Joe is adapted from a play and that comes across. There’s a small cast which is often confined to houses and shacks to really constrain the story. All of this is handled with so much intensity, every thing that happens will have your heart pounding. The dialogue is delivered (once again by McConaughey in particular) in a manner that is just so addictive, characters are so interesting that you have no choice once you start watching but to get to the end. And the end is one hell of an ending that will leave you thinking for hours to come.

“Your eyes hurt.”

One of the best films I have ever seen.

My Rating: 10/10.

*Spoiler Free* The Dark Knight Rises Review

It is one of the most anticipated films of all time and how well it is received will determine how Christopher Nolan’s Batman trilogy is seen by future generations; whether it really is one of the greatest film trilogies of all time or whether it burns out over two films and disappears without a trace after a poor final chapter. After watching Batman Begins and The Dark Knight yesterday, I was ready for whatever Christopher Nolan had to throw at me with The Dark Knight Rises…or at least I thought I was.

The previous two films opened wonderfully: Batman Begins brought us Bruce Wayne’s origin as a child (or at least part of it) and his place in the real world at present day, The Dark Knight brought us one of the best opening sequences of all time with the Jokers bank robbery. ‘Rises‘ introduces the audience to a new world, eight years after the last confirmed sighting of Batman, Harvey Dent is still celebrated as a hero and Gotham’s streets are free of crime thanks to a police department headed up by Commissioner Gordon (the role reprised once more by the brilliant Gary Oldman). We are introduced early on to new characters in the franchise; Bane, John Blake, Miranda Tate and Selina Kyle aka. Catwoman.

Of these newcomers it was Blake who I looked forward to seeing the most because the stature of his character struck my curiosity and he is played by Joseph Gordon-Levitt who is one of my favourite actors. However, it was Anne Hathaway as Catwoman that really stole the show for me. Nolan has proved doubters wrong by writing a strong conflicted female character who is more than a match for Bruce Wayne himself. In Batman Begins and The Dark Knight I felt that the only places the films really lost points was in the fight scenes; I never found Batman’s fight scenes as exciting or thrilling as I should have because it always felt a little too staged, too jarred but when Catwoman kicks ass in The Dark Knight Rises she really goes for it and the choreography is excellent, the fights are seamless and exciting, they are really incredible sequences. The eventual final climatic fight between Batman and Bane (played by another brilliant English actor Tom Hardy) is better than any fight scenes of the previous two instalments as well.

The plot can be condensed into a simple sentence: Batman has to stop the city of Gotham being blown up by Bane. Replace the two character names and the name of the city and that plot could fit any generic action movie. But to do this, to try and explain the plot of The Dark Knight Rises in one sentence is to do yourself and the film a massive injustice. There are enough twists and turns, revelations and red herrings to keep the audience interested and invested in the story and it moves at the perfect pace; you can tell it’s a long film but everything, every tiny piece of detail and dialogue is needed and it is well worth sitting through!

The Dark Knight Rises is a brilliantly written film, it is directed beautifully and every single member of the cast, young and old, performs excellently to make this wonderful masterpiece. With a cast that boasts so many big names (Christian Bale, Michael Caine, Morgan Freeman, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Marion Cotillard, Juno Temple, Cillian Murphy, Gary Oldman, Liam Neeson and Matthew Modine) it would have been just as easy to let them run riot and it still would have been brilliant to watch but with Christopher Nolan at the helm this pool of talent brought their very best to the table to make one of the best films of all time and bring the final curtain on a trilogy that will define the superhero genre but the whole face of cinema for years to come.

My Rating: 10/10