Anna Karenina Review

For a film set in Russia, it is pretty strange that all the characters have British accents. It becomes clear early on that authenticity and realism may not be high on director Joe Wright’s priorities. With Wright’s experience in the period drama genre being unquestionable after he has directed Pride & Prejudice and Atonement he was obviously a good choice to direct this piece and the visuals are very well done as you would come to expect from Wright.

Anna Karenina was originally a novel written by the famous Russian writer Leo Tolstoy. The story revolves around the title character as she begins to question her life, her happiness, her marriage and love itself. And these feelings start to cause some problems after Anna meets the determined Count Vronsky. At the time the novel was written the story itself contained strong political themes but in the modern world as a film this is something that we have seen before; most period dramas are just women in high societal positions having an affair and having to deal with it and more often than not Keira Knightley is involved in some way or another (here she plays the title character).

Knightley seems to be an expert of good performances that aren’t anything special and unfortunately her performance here is good at best, at times falling into the realms of averageness. Aaron Taylor-Johnson (as he is credited on the bill since his marriage to Nowhere Boy director Sam Taylor-Wood) has a great screen presence here and seems to light up the screen and drive the story forward every time he appears. It is great to see him playing a more established and older man than his roles in Kick-Ass and Nowhere Boy. Otherwise, the rest of the cast is pretty lacklustre in performance: Kelly Macdonald is pointless at best, Jude Law is good but I couldn’t help but feel like he was miscast, but Matthew MacFayden brings some comedy highlights to the film which is nice.

The first twenty or thirty minutes of Anna Karenina would lead you to believe that you were about to watch an actual masterpiece. The way that Anna Karenina is directed is as if it is a theatrical performance with scenes and sets being moved and people seeming to walk from one scene just straight into another. This was a very novel and creative way of doing things but it seemed as though everyone got bored with it and they decided against doing this half way through the film and that was largely disappointing. The characters aren’t well rounded really, there are hints at back story that we never really get to know and the lack of background that we are given makes it almost impossible for us to get to know or get to care about any of the characters. Eventually, I became so fed up and disheartened with the characters that I wondered if it was too much to ask for the writers to just include a nuclear bomb that would end the film there and then. I must state that this isn’t the actors fault, I think they managed to do a pretty decent job with what they were given. Just what they were given wasn’t all that good.

Interestingly though I found that the sub plot was a lot more interesting and I found the story to be more compelling than the main one, which is probably a bad thing. The sub plot revolved around Domhnall Gleeson’s and Alicia Vikander’s characters. It seemed to me as though these two characters had a better love story and a more believable connection to one another than the main relationship at the centre of this film. They only pop up every now and again and the sub plot has little to no effect on the main storyline so it does seem pointless and takes up time in a film that suffers because of it’s running time.

Anna Karenina is good in places but unfortunately very bad in others.

My Rating: 5/10.

Pixar’s Brave Trailer

UK Release Date: 13th August 2012

Brave (originally named The Bear and the Bow) is Pixar’s first original feature length film since Up in 2009. It is Pixar’s first fairytale, however it will be a lot different from Disney’s fairytales where the Princess is just a very poor or stereotypical representation of women. Brave also features Pixar’s first female lead character, Merida.

Brave is set in Scotland during a mythical time and focusses on Merida, an aspiring archer and impetuous daughter of royalty. Merida makes a reckless choice that unleashes unintended peril in the kingdom and forces her to spring into action to set things right.

There is hype around this film as there is for any Pixar production and whilst nearly all of Pixar’s films have garnered huge critical acclaim and they are seen as a studio that always achieves high standards, their most recent offering, Cars 2, failed to impress as much as previous films. Hopefully, Brave takes Pixar back to their best. It will feature the voice talents of Kelly Macdonald, Emma Thompson, Kevin McKidd, Robbie Coltrane and Billy Connolly: not a bad cast at all.

From the trailer I have my doubts whether Brave will really be that good. The animation, as always, is second to none and will be visually pleasing at least, if nothing else. But the trailer really does nothing to hint that any of the audience’s expectations might be met; it all just seems a little lacklustre and below par. Like it or not, every Pixar offering is always going to be compared to Toy Story, and this is far from Toy Story by the looks of things, in terms of character and story but of course, this is only judging from a trailer. By the time summer comes and I have seen this film, I may be inclined to disagree with these comments.