Wild Bill (2011) Review

“What did he want?”

“Shooting.”

The best line of the film in my opinion.

The main reason I decided to sit down and watch Wild Bill is because it is the directorial debut of Dexter Fletcher. Fletcher has always provided good performances in front of the camera (Lock, Stock and Two Smoking Barrels, Band of Brothers, Kick-Ass) so I was interested to see how he would get on behind the camera. And any expectations I had before watching were completely blown out of the water within minutes.

Charlie Creed-Miles is “Wild” Bill Hayward, just released from prison on parole after serving eight years for numerous crimes. Bill returns home to find his two sons Dean (15) and Jimmy (11), who he hasn’t seen since he got sent down, have been abandoned by their mother who has fled to Spain. A bond between Bill and Jimmy quickly develops, and Dean gradually comes around to the idea of having his father around. However, their domestic life is short-lived, when Jimmy starts drug-dealing for some local villains.

The story is set against the backdrop of the London Olympic stadium construction site as this is where Dean has been working in order to look after his younger brother. This setting immediately allows the audience to be sucked in to the world of the film and it brings a great sense of realism to Wild Bill.  The grittiness and realism of a working class family in recession hit London really helps the film stand out, especially as it is very easy to recognise several problems that the film brings up including poverty, family breakdown and the fall of society; something we, in the UK especially, can all recognise. Credit has to go to Fletcher and Danny King, the writers of the film, to bringing up these problems for all to see.

From left to right: Fletcher, Poulter, Creed Miles, Flemyng.

As Wild Bill Charlie Creed-Miles is brilliant. The character development is there for all to see and Creed-Miles portrays two very different sides to his character; the thug/prisoner/chav that doesn’t care about anything, and then the caring father trying to make an effort with his children, even if he does get it very wrong at times. But the real star of the show is Will Poulter who plays Dean. Poulter carries a great air of maturity and it is very easy to feel for his character thanks to the emotion that he brings to the role. There are appearances from other British actors that different audiences will recognise: Liz White (Life on Mars), Iwan Rheon (Misfits) Andy Serkis (Lord of the Rings), Marc Warren (Hustle) and even a small appearance from Fletcher’s good friend and colleague Jason Flemyng.

Wild Bill is wonderfully acted and is a true example of brilliant character development. Their are strong themes, a strong storyline and even stronger performances. I would argue that Wild Bill is quite possibly the best British film I have ever seen.

My Rating: 10/10.

I Know That Face! It’s Jason Flemyng!

He's so happy!

There are some actors who work incredibly hard but never reap the rewards that Brad Pitt or George Clooney do; there are some actors who appear in a lot of films but not many people would know who they were. If you enjoy films, especially those directed by Guy Ritchie or Matthew Vaughn, then you will know the face of Jason Flemyng.

Flemyng boasts a wide variety of films in his back catalogue: gangster flicks, comic book movies, big budget blockbusters, small budget indies but interestingly, Flemyng continues to return to his television roots despite, by many people’s opinion, making it as a film star.

Lock, Stock: Flemyng's big break.

In 1994, Flemyng made his first film appearance after dropping in on a number of television series. This film was a version of The Jungle Book, but it was four years later that he got his big break in Lock Stock and Two Smoking Barrels, directed by Guy Ritchie and produced by Matthew Vaughn. Ritchie then went on to direct Flemyng again in Snatch.

In the early 2000s Flemyng made a transition to big budget Hollywood films. The two notable films of this time are From Hell, alongside Johnny Depp, and unfortunately the heavily criticised League of Extraordinary Gentlemen where he starred with Sean Connery.

The fun that Jason Flemyng had with Lock Stock and Two Smoking Barrels‘ co-star Jason Statham led to Flemyng being cast in action sequel Transporter 2. The relationships that Flemyng has forged in the movie industry are clearly important to him as he continued to work with Ritchie, Statham and Vaughn on more than one occasion.

Helping to reboot the X-men franchise

Matthew Vaughn has described Flemyng as his ‘lucky charm’ and this is why Flemyng features in most of Vaughn’s films, whether Vaughn is producing or directing. The partnership formed on Lock Stock has seen Flemyng given roles, however big or small, in Snatch, Mean Machine, Layer Cake, Stardust, Kick-Ass and a brilliant role in X-men: First Class as teleporting mutant Azazel. This is a role Flemyng will more than likely return for, especially as Vaughn is once again signed on to direct.

Jason Flemyng’s work has not gone ignored by others in the industry and he has appeared in several other films such as Soloman Kane, Clash of the Titans, Ironclad, the critically acclaimed The Curious Case of Benjamin Button and even an uncredited appearance in The Social Network.

With such a wide range of films to his name it is almost impossible to avoid Flemyng’s work. He is a really really good British star who doesn’t get half the recognition that he deserves. No matter what role he plays, big or small, Jason Flemyng gives it his all.