Tag Archive: magic

Now You See Me Review

A star studded cast embark on a game of cat and mouse as the FBI and Interpol attempt to catch four magicians who use the disguise of their magic show to conduct bank heists and give the stolen money to their audiences. This band of magicians are known as The Four Horsemen and are each solo artists brought together by a mysterious hooded figure and a series of tarot cards. When together the group pull off these bank heists as a way of being allowed entry to an exclusive group of magicians known as ‘The Eye’.

“The closer you think you are, the less you’ll actually see”

The film opens every bit as you might expect: introducing the four characters separately, allowing for the audience to quickly get to know them and acknowledge their traits before they are put into the group dynamic. Up first is street magician J. Daniel Atlas (Jesse Eisenberg) whose opening trick is cleverly conducted to work on the audience as well; then comes Merrit McKinney (Woody Harrelson), a mentalist who uses his ‘gift’ to find out dirty secrets about people and extort them of their money. The only female member of the group is Henley Reeves (Isla Fisher), an escapologist and former assistant to J. Daniel Atlas. These three are joined by the only one of the magicians whose actual tarot card links to the Four Horsemen of mythology: Jack Wilder (Dave Franco) who seems to be more like a con artist than magician. These opening scenes are every bit as exciting as you would hope and introduce our heroes as being likeable characters, so much so that it has you gripped form the very beginning.

Jump one year later. Now we’re in Las Vegas watching the Four Horsemen put on a show under the watchful eye of benefactor Arthur Tressler (Michael Caine) and magician defrauder Thaddeus Bradley (Morgan Freeman). Here it is that the magicians pull off the bank heist that gets them noticed by the FBI. However, what the audience will notice is just how long this scene drags out and unfortunately it isn’t the only one. As with the case with real life magic shows, the magicians tend to lengthen things out, giving long speeches and explaining what they’re going to do before they do something completely different. While this may be all fine and well at real magic shows, when you have less than two hours on a cinema screen some of the waffle has to be cut down.

“These guys, they’re tricky”

But then that’s why Jesse Eisenberg impresses the most. If it wasn’t for Eisenberg’s charisma then perhaps Now You See Me would run the risk of being slightly dull, but every time Eisenberg appears on screen he hastens up the pace (if not only for his fast talking) but he inhabits the character; it feels like Eisenberg is the only one who has done his research and knows about magicians… which isn’t really surprising considering he was the first name attached to the project.

The other horsemen each have their own moments of glory (although arguably Isla Fisher’s comes at the beginning and never really rears it’s head again) with Harrelson providing a few sporadic laughs throughout, while Dave Franco provides one of the most exciting sequences of the piece in a fight scene with FBI agent Mark Ruffalo where trick mirrors, slight of hand and playing cards all come into use. It really stands out as one of the best action scenes of the summer which is remarkable considering the strength and special effects of the other blockbusters such as Iron Man 3 or Star Trek Into Darkness.

“Want to know how they did it? Just say the magic word”

While each individual actor gets their moment in the limelight at one point or another, it is a slight downfall that the four central characters seem to have very little chemistry with one another. The conversations at times seem jarred and the jokes not as free flowing as you would expect. Perhaps the worst part of the film is the completely unbelievable relationship between Mark Ruffalo’s character and the Interpol agent played by Melanie Laurent. Even the two actors don’t seem invested in that storyline.

Throughout the film there are (almost too many) hints towards the fact that there is going to be a twist so part of the fun comes from guessing what that twist is going to be. There is a little foreshadowing throughout but the reveal should still come as a surprise. It’s a great idea, but arguably poorly executed which is where it is going to be let down. However, this is just a small problem compared to the plot holes scattered throughout the plot and the pointlessness of Michael Caine’s character.

“First rule of magic: always be the smartest guy in the room”

Had it been released at any other time of the year Now You See Me could have very easily run the risk of bombing in the box office. But this is summer and people expect certain things from a summer blockbuster: they want to laugh, be entertained, see great action sequences, wonderful set pieces and big budget effects. And that’s what Now You See Me can deliver. It has it’s flaws but all in all is a thoroughly enjoyable film that can be filed under ‘hit’ for director Louis Leterrier.

My Rating: 6/10


What to Watch – July 2013

With most of the biggest summer films come and gone already, it is down to Pixar, giant robots and the least anticipated superhero film of the year to vie for audience attention.



Now You See Me – 3rd July

A star studded cast embark on a world wide game of cat and mouse to catch a group of ‘Robin Hood like’ magicians turned bank robbers in Now You See Me, which is by far the most exciting film on this list for me.



The Bling Ring – 5th July

From Sofia Ford Coppola comes The Bling Ring, starring Emma Watson (albeit sounding like an American brat). Inspired by true events, a group of teenagers begin stealing from the rich and famous Hollywood socialites… the whole story is in the trailer pretty much.



Pacific Rim – 12th July

After what many critics have called ‘the best trailer of the summer’ Guillermo Del Toro’s homage to Japanese monster films has a lot to live up to. And there don’t seem to be many people that think it will fail.



Monsters University – 12th July

This will be the film that either reassures everyone that Pixar’s last couple of years were just a blip, or confirm what many people fear: Pixar are declining. Hopefully, as Monsters Inc. is probably my favourite Pixar film, the former will be proved correct.



The World’s End – 19th July

Simon Pegg looks like he’s in the form of his life with the final installment in the Cornetto trilogy. Joined by a rich supporting cast it looks as though Wright, Pegg and Frost will be bowing out in a no less than exceptional manner.



The Wolverine – 25th July

In a film that not many people want and fewer are excited about (other than me who is quite looking forward to it) Wolverine is taken on his most human and darkest screen voyage to date. However, the main problem here is: if you make Wolverine mortal, surely he dies straight away due to his body being filled with adamantium? But after the massacre to the X-Men film universe that was Origins, I suppose that doesn’t really matter?

‘Now You See Me’ Trailer

UK Release Date: 21st June 2013

Stars: Louis Leterrier (director), Jesse Eisenberg, Mark Ruffalo, Michael Caine, Morgan Freeman, Woody Harrelson, Dave Franco, Isla Fisher

Plot: FBI agents track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.

It’s a heist movie where the bank robbers are magicians and the detective is played by the Hulk, what more could you want? Now You See Me is obviously going to be compared to The Prestige upon its release and already is being compared on the internet which makes sense, The Prestige was also about magicians and is easily one of my favourite films of all time.

You can’t deny that Now You See Me has a very ‘prestigy’ feel to it; what with the teleporting device, the magicians, the woman trapped in a tank of water and the appearance of Michael Caine but there is enough here to justify that it is a very different type of film. It looks, to me, that Now You See Me is a lot lighter than The Prestige, as it would have to be to gain the box office it must be expecting with a summer release date and a cast full of stars.

I’m already looking forward to it. I enjoyed the trailer very much and Now You See Me looks like a fun film, that fun best summed up by Dave Franco’s half a second of trailer time in which he manages to fit in the trademark Franco smile. Eisenberg’s scene in which he escapes the handcuffs and gets them on to Ruffalo’s character is quick but incredible and it’s good to see they made the EVER so sensible choice of having Morgan Freeman do the voice over for the trailer. Bring on summer 2013!

Christopher Nolan is an absolute genius. I love him as a director and a storyteller; every single one of his films, be it Memento, Inception or The Dark Knight trilogy are wonderful masterpieces of cinema and The Prestige is no different. Released in 2006, The Prestige is based on the 1995 novel of the same name written by Christopher Priest, the novel was adapted into a screenplay by Christopher and Jonathan Nolan.

The Prestige is a very complicated telling of a very complex professional and personal rivalry of two magicians. As young aspiring magicians Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) were friends and colleagues until a trick went wrong and Angier’s wife was killed. Angier blamed Borden for this as he suspects Borden tied an unbreakable knot around his wife’s wrists before a drowning trick. This leads to a rivalry that becomes an obsession for the both of them; each man obsesses with what the other man is doing and how he is doing it, both men sabotaging each other’s tricks in attempts to discredit or even murder their opponents. It is a deadly rivalry revolving around the greatest trick of all time: Borden’s Transported Man.

Jackman and Bale lead the cast brilliantly. Bale is somewhat of an enigma to me where his acting skills are concerned, despite always putting in a solid performance I often feel as if he has more to give and that he is holding something back but as we move forward through The Prestige it becomes clear that Bale is giving his best. Scarlett Johansson is the lead female playing the beautiful assistant to Angier, then Borden, Olivia Wenscombe who becomes both a pawn and a player within their games. I think that Olivia is an example of Nolan not really knowing entirely what to do with female characters as she seems to lack the motivation the two male leads are given and she often comes across as just a lovesick blonde. The remaining supporting cast consists of Michael Caine, Andy Serkis and David Bowie who perform very well as you would expect (maybe not of Bowie but he proves he has a talent for this).

Alfred Borden and Robert Angier are wonderful characters. They are both completely believable and Nolan does a great job of blurring the lines of morality between the two; neither are wholly good or wholly bad and I believe that the audience can choose which side to take (perhaps only after sitting through multiple viewings though). The Prestige is told in a non-linear fashion and shoots back and forth between the present day and the past as the characters attempt to discover each other’s secrets through reading their diaries. The plots then come together and once they do the film really draws to a perfect finale. The final act, or ‘the prestige’, of Nolan’s phenomenal film has more twists than a bag of pretzels, each one being more significant than the last.

The rewatchability factor of The Prestige is right up there. Watching over and over again you see more and more clues that give away the ending which you don’t see the first time round because “you’re not really looking. You don’t really want to work it out. You want to be fooled”. The whole film is layered in foreshadowing, clue after clue to what the ending is working towards but if you don’t know then you won’t see it coming, you won’t work it out no matter how much you let your mind run wild yet it is so simple.

The Prestige may get forgotten about among Nolan’s works next to the originality of Memento and Inception and the hype around The Dark Knight but seriously, this is a perfect example of a story being told to the best it can be. Nolan proves himself to be a true magician behind the camera with this film carved into his very own magic trick: the Pledge, the Turn and finally, the hardest part of all, the Prestige.

My Rating: 10/10

UK Release Date: 8th March 2013.

Stars: Sam Raimi (director), James Franco, Mila Kunis, Michelle Williams, Rachel Weisz, Zach Braff.

Plot: Oscar Diggs, small time circus magician, gets hurled into the wonderful world of Oz where he meets three witches who are not convinced that he is the great wizard they have been expecting. Oscar is drawn into the epic problems facing Oz and must find out who is good and who is evil before it is too late and transform himself into the great and powerful Wizard of Oz.

Oz: The Great and the Powerful (or just Oz for short) is the prequel that nobody needed and nobody wanted but here it is anyway.

The trailer is actually rather clever in my opinion. The film itself is obviously a prequel to the wonderful classic film Wizard of Oz and the trailer acknowledges it’s ancestory (something which will hopefully be true of the film as well) by starting in black and white for the ‘real world’ and then making the transition to bright and vibrant colourful scenes upon landing in Oz. There is even a hint that the Wicked Witch may appear at the end of the trailer so keep watching for that.

James Franco is always a good performer despite his choice of films being sometimes questionable but it seems as though he is just a guy who wants to have fun with his career so he always puts in his best which is great and I think that he is a fantastic choice for the role of the Wizard. Mila Kunis seems to be the big female lead of this vehicle and seems to be very prominent in Hollywood these days although whether that’s down to her acting abilities or the fact she has been named ‘sexiest woman in the world’ still remains to be seen in the long run.

I’m not quite sure who the audience for Oz is; it looks too mature for kids but too ‘teenagery’ for adults… are today’s generation even interested in The Wizard of Oz? I guess, come next year, we will find out.