Stars: Martin Scorsese (director), Leonardo DiCaprio, Matthew McConaughey, Jonah Hill, Jon Favreau, Spike Jonze, Jean Dujardin
Plot: A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration.
The partnership of Martin Scorsese and Leonardo DiCaprio have been responsible for some of the greatest films of recent years: Gangs of New York, The Aviator, The Departed, Shutter Island. They never bring a dud to the floor and this is why The Wolf of Wall Street is a must see already! It’s been three years since the pair worked together and now they’re working with a script from one of modern television’s great writers, Terrence Winter (The Sopranos, Boardwalk Empire).
Recently, Leonardo DiCaprio has been performing out of his skin with his performances in Django Unchained and The Great Gatsby earning him bucket loads of critical acclaim. The wonderful thing about his performance in the former is that he was allowed to just let loose and run with it: it looks as though he’ll be allowed to do the same here and it looks to be one of his more comedic roles…but just as brilliant.
A few years ago, Matthew McConaughey could only have dreamed of being in a film like this. Now, with resurgence complete, he seems an obvious candidate. Joining an all star cast in this biographical crime drama about the life of Jordan Belfort. Expect Oscar buzz, but whether nominations or wins will arrive remains to be seen.
While it seems pretty difficult to write about Iron Man Three without giving away some huge spoilers I will do my best.
Iron Man Three sees Shane Black take on directing and writing (along with Drew Pearce) duties for Robert Downey Jr’s third solo outing as Iron Man. We pick up with Tony suffering from post traumatic stress after the events of New York. He has retreated into himself, he can’t sleep, and as such has taken to working more and more on his machines, evidenced by the fact that the one he wears so much in this movie is Mark XLII. However, Stark is thrust back into the limelight and back into action when new threat The Mandarin becomes a serious terrorist threat along with the return of a few people from Stark’s past; Aldrich Killian and Maya Hansen who have some secrets of their own. Without his team of super-powered friends, how will Tony Stark fare?
So let’s start with the obvious. Robert Downey Jr is every bit as wonderful as you would expect in the hands on a Shane Black script. The man IS Tony Stark. But Iron Man Three takes stark to a new level, a more personal level. One that’s actually scared for the people he cares about most, one that is suffering internally and doesn’t know how to deal with it. I thought this aspect of Stark’s life made for very interesting viewing and it was good to see that The Avengers didn’t just stop and let Tony go back to normal. It’s great to see that the film makers at Marvel are really nurturing their characters. Stark’s relationships with Don Cheadle’s James Rhodes and Ty Simpkins’ Harley especially provide really great moments of comedy that Downey delivers perfectly.
Rhodey is re-branded as Iron Patriot – a name that Stark less than approves of
There are some incredible set pieces in the film as there have been in the previous two Iron Man films: the cave break-out in Iron Man and the race track fight in Iron Man 2, but Iron Man Three takes things to new heights. The action scenes are just as big, if not bigger, as those in The Avengers. The mansion being blown apart like we’ve seen in the trailers is just an extraordinary scene that really comes from nowhere. There’s a scene where Stark is being held captive and has to break out which provides more great action and the final battle, with so many suits fighting against The Mandarin’s henchmen is really great. It’s refreshing to see Stark take someone on who is not just another man in a suit but poses just as great a threat. This time Stark not only has to use the strength and the powers that his suit gives him but he has to use his intelligence and strategy which is something that has been pushed to the back burner in past films.
Iron Man Three brings lots of surprises to the forefront. There are a lot of moments that seem to just come out of nowhere which makes the effects more dramatic. Pepper Potts has a more vital role in this installment and wasn’t even as annoying or useless as she has been in the past. Guy Pearce excels himself in his role. Seriously, Pearce is absolutely incredible. Him and Ben Kingsley steal every scene in which they are in, it’s just a shame that the two don’t have more on screen time with one another.
It is great to see Iron Man Three tell a story about Tony Stark more than of Iron Man but still keep plenty of suits in sight to keep everyone happy. Marvel’s films are known for having great action as well as big laughs and that’s never been better placed than here in Iron Man Three. There was one tiny little bit I didn’t like but I can’t say because that would ruin a pretty big part of the film.
Tony Stark will be back. Will Robert Downey Jr? We’ve got to hope so!
Pacific Rim is the upcoming film being directed by Guillermo del Toro and pays homage to the Japanese giant monster films, known around the world as Kaiju. Pacific Rim tells the story of giant creatures rising from somewhere in the depths of the ocean and waging war on mankind; in order to combat the legions of monsters humankind builds robots (Jaegers) just as big to be piloted by humans in an attempt to “stop the apocalypse”. On the verge of defeat mankind must turn to two unlikely heroes – a washed up former pilot and an untrained rookie – to pilot a legendary but seemingly obsolete Jaeger from the past.
The trailer debuted today, here it is:
Now you can’t deny the grand scale of epic-ness contained within those two minutes?!
I first heard about Pacific Rim a couple of months ago and at first I did think that it sounds just like your typical disaster-turned-action-movie but then my mind was soon put to ease. Guillermo del Toro is a director that doesn’t do things by half; he is one hell of a credible name in the world of movies and has previously brought us the critically acclaimed Hellboy and Hellboy 2: The Golden Army as well as the incredible Pan’s Labyrinth. All of these three films really show that del Toro can do special effects like no other director out there and that when he uses them he makes sure that everything looks perfect and that they do not distract from the film. The brief glimpses in the trailer of the giant see monsters (which look magnificent) and the Jaegers (equally so) have a real sense of brilliance about them: everything just looks so epic, so huge that watching the trailer on my laptop screen just does not do it justice, it really looks like something made specifically for the big screen!
Now you can tell Pacific Rim is going to be requiring a huge budget so who are the two leads on whom the pressure lies? Well, that would be Charlie Hunnam and Rinko Kikuchi… you don’t recognise them names? Both of these have been successful in their careers so far yet stayed away from big blockbusters like this. Hunnam has appeared in Green Street, Children of Men and more recently the critically acclaimed television series Sons of Anarchy whilst Kikuchi is wonderful in Babel. They are supported by Ron Perlman (Hellboy obviously), Burn Gorman (my favourite character from Torchwood so nice to see him here), Charlie Day (Horrible Bosses) and arguably the biggest name among the cast these days, but still not a huge name, Idris Elba. These actors may not all be well known but from what I’ve seen of them I do really like them and Idris Elba is fast becoming one of my favourite actors to watch, I have a lot of faith in this cast. The script comes from Travis Beacham who’s last film was Clash of the Titans and yeah, it wasn’t that good but I don’t think the writing was much to blame for that.
Pacific Rim, quite clearly, is going to eclipse any other blockbuster you have seen recently and that is very clear just from the trailer. The vast scale that it is operating on is so huge it completely puts to shame other blockbusters like The Avengers and The Dark Knight Rises who have their fight scenes battling to save New York or Gotham City whereas here you’ve got real threat, real awe, real horror and just sheer amazement at what Pacific Rim has achieved. I can’t wait to see an all out battle between the Jaegers and the sea monsters and I do believe this could be one of the greatest blockbusters ever made!
Pacific Rim is set to be released in the UK on the 12th July 2013.
2013 will see the release of the sixth film in the highly commercially successful and highly critically criticised Fast & Furious franchise. Last week Vin Diesel uploaded some pictures to his Facebook account of him on set and these photos were met with largely negative response to people on the internet with people saying things like “oh look, Vin Diesel in a car, they’re really pushing the boat out for this one” or just simply “shit” etc etc etc. But really, what did people expect from the Fast & Furious franchise? And with every film pulling in great box offices so far and the latest instalment Fast Five being the highest praised and highest box office is there any need for all the negativity and is there any need for the series to be clamped?
It all began back in 2001 when producers decided to make a film about street racing clubs that use Japanese cars to race in New York City. And the first instalment, The Fast and the Furious, set the tone for what every other film that follows was set to be about; illegal street racing. And while these are just typical popcorn, mindless action films (up until Fast Five) is there really anything wrong with that? Actors, especially back in the 80s, have made names for themselves in making mindless action movies and what we have here is just an hour and a half – two hours of real escapist fun. The films aren’t made for the critics, they’re made for the fans and as long as the fans are out there the films will get made.
The fourth instalment reunited the original cast… if only for a brief time.
Whilst the series continues with 2 Fast 2 Furious and The Fast and the Furious: Tokyo Drift, when the rightful sequel arrived in 2009 with the original cast members all back together the franchise seemed to be reborn. Fast & Furious reunited Vin Diesel, Paul Walker, Jordana Brewster and Michelle Rodriguez as well as adding new characters that would seem to become main players in the franchise from her on out: Gal Gadot and Sung Kang (the latter also appearing in Tokyo Drift). With Fast Five some more talent was added and Dwayne Johnson received high critical praise for his performance (and is it any wonder? He was brilliant!) and the series continues to add fresh acting talent with The Fast and the Furious 6 adding Luke Evans, Gina Carano and Joe Taslim. It was rumoured that Rihanna (excuse me while I throw up) was reported to be in the next instalment but thanks to scheduling conflicts (Hallelujah!) we are not being subjected to that torture and she is rumoured to be replaced by British pop sensation Rita Ora… interesting.
Various shots of The Fast and the Furious 6 in production
Anyway, it was Fast Five that was the real game changer. It seems that now Fast & Furious has finally reached it’s full potential. With Fast Five, the writers, cast, crew, directors, producers, whoever! had got a grasp on what was going on in the series and Fast Five showed that it was more than just mindless action. They allowed for real character development; it was great to see how much Dom Turetto had changed since his first outing in 2001 as well as Paul Walker’s former cop turned criminal’s relationship with Jordana Brewster’s character. The really disheartening thing is that, because people think the first few films are rubbish, the majority of people will not watch Fast Five and they are missing out on a real treat and one of the greatest action films of all time!
Yes, the acting isn’t always brilliant and the stories aren’t always gripping but Fast & Furious has never set out to be a contender for big awards in film making. For this series it’s all about having fun; fast cars, hot women, tough men, big action scenes and explosions. And when you watch Fast & Furious you can’t help but have fun. So people should stop moaning about the quality of previous films, sit down and watch Fast & Furious (2009) followed by Fast Five and prepare to be swamped in fun, explosions and at times surprisingly touching friendships. Embrace it.
How can you not want to at least watch Fast Five after that?
Stars: Allen Hughes (director), Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones.
Plot: An ex-cop trailing the wife of New York City’s mayor finds himself immersed in a larger scandal.
Here is Russell Crowe taking on a very different look and perhaps overdoing the tan to play his character in Broken City whilst Mark Wahlberg just looks the same as he always does. I think these two actors have something in common with one another: they have both made some fantastic movies (The Departed, Gladiator) but both have also made movies that tread the line between bad and mediocre (Contraband, Robin Hood).
It feels like with the Broken City trailer we are being told lots of things but we are actually being told very little. The conspiracy or the ‘larger scandal’ are kept secret which is obviously a good marketing ploy to attract viewers but is the very boring story of ‘find out who my wife is sleeping with then i’ll kill her’ really an interesting in? I don’t think so.
I’m a fan of Russell Crowe and I do really like Mark Wahlberg (the same can’t be said for my feelings on the incredibly annoying Catherine Zeta-Jones and when she finally gets out of movies I will be very happy) so I hope that Broken City is a good film, but I can’t see it escaping the pool of mediocre films and it will surely slip into obscurity.
Here we go; I hold the controversial opinion that Martin Scorsese’s Taxi Driver is ridiculously over rated and really quite a boring film. Taxi Driver is commonly thought of as one of the greatest films of all time but its not something I agree with. I recently got round to watching Drive starring Ryan Gosling and I couldn’t help but notice a few similarities between the two.
Both films centre on a man who’s job revolves around driving: Taxi Driver‘s Travis Bickle is a former marine who served in Vietnam but comes back to New York and takes up a job as a taxi driver, hence the name of the film; Drive‘s Driver, portrayed by Gosling, is a movie stunt double who moonlights as a driver in the criminal underworld. While both characters come from different backgrounds and are of different mental stabilities they are both loners at heart and form a relationship with a woman in the film.
For a large majority of both films not a lot actually happens. The first half of Taxi Driver and Drive both try to build character with not much action. When I was watching Taxi Driver I thought that it was at its best when it was doing this, we were following Travis around on his various journeys getting to know the man behind the wheel before the much anticipated shoot out at the end. Drive introduces us to the Driver’s world straight away and for the first half an hour there is very little dialogue but the audience still get a sense of character. Because of the lack of action at the beginning of both films they rely on the character and the actors’ portrayal of their characters and fortunately this works well for both films; Ryan Gosling had a great year in 2011 and Drive is a fantastic performance of his, while Robert De Niro is flawless as Travis Bickle.
So up to the halfway point both films are very similar and then something happens which, for me, makes Drive a much better film than Taxi Driver. About halfway through Taxi Driver (maybe later but I haven’t seen it for a while so I forget) loses all sense of direction and seems to have no idea where it is going. Suddenly, Travis Bickle outrightly becomes the psychopath he is remembered for but I feel as though this comes from nowhere. Taxi Driver forgets its narrative arc and throws its plot out of the window in my opinion.
Drive steps it up a gear as it enters its final act; the action feels real, the Driver’s motivation feels real. The whole film makes sense in terms of its narrative. In the beginning Drive sets off on its travels and, at the end, reaches its destination, the same can’t be said for Taxi Driver. Gosling’s Driver’s motivations are obvious and relatable, his journey is a complete arc and his actions are emotionally fuelled. Drive is a blood pumping film; the action is well spaced throughout the film and at times catches the audience off guard, tricking the audience into thinking they will see one thing but they see another.
In my opinion, Drive and Taxi Driver are similar films and anyone that has seen both of them can notice why similarities may be drawn. I do believe that Drive is a much better film to watch and be entertained by. Where Taxi Driver offers a depiction of breakdown of society or mental state, Drive sticks to filmic conventions and offers up an enjoyable treat which does not become boring by any stretch of the imagination.
Given the choice, I’d be watching Drive every time.
In a blatant marketing ploy, Sony is advertising this Spider-Man reboot as the most anticipated movie of the summer. However, this is clearly not true with the arrival of The Avengers, The Dark Knight Rises and Prometheus all released this summer as well. The Amazing Spider-Man is like that kid in school that everybody knows who they are, but nobody really wants to hang out with them; this may change as we approach its release date of July 3rd but right now, lets have a look at why we should be anticipating the new Peter Parker’s arrival.
Sony recently released the above preview; four minutes of footage from The Amazing Spider-Man and, although some scenes we had seen already, we were offered a new look at Spidey saving a child on a bridge which looks just as amazing as the title of the film suggests. It is possible to tell from what we have seen already and what we know that Marc Webb’s reboot of the character is really trying to distance itself from its predecessors.
Andrew Garfield unmasked as Spidey.
Andrew Garfield looks perfect as Peter Parker and he seems to be bringing some much needed wit and humour to New York’s friendliest web slinger, something that lacked with Tobey Maguire’s incarnation of the character. Being a fan of the comic book hero himself Garfield brings great enthusiasm to the role and his performance as Spider-Man is something to look forward to in itself. It will be interesting to see how the story plays out because we have seen more than one image of Spider-Man without the mask so will people know the secret identity of our hero? How will that work?
Ooh la la… Spidey’s love interest is blonde this time around.
One person who does know Peter Parker’s identity is love interest Gwen Stacy, played by the talented and wonderful actress Emma Stone. Gwen Stacy was Peter’s first love interest in the comic books and was largely unmentioned until she made an appearance in the final instalment of the previous trilogy played by Bryce Dallas Howard. In the comic books Gwen was unaware of Spider-Man’s true identity and her father knew Peter Parker was Spidey but in the film these roles have been reversed and it will be interesting to see how the fact that Gwen knows about Peter plays out and how their relationship develops with that knowledge.
Spider-Man’s foe in this reboot is Dr. Curt Connors or The Lizard as he may be better known to fans. The Lizard is a very popular nemesis of Spider-Man among fans and was to be featured in Sam Raimi’s next film if he continued his own franchise. Other differences from the original trilogy include mechanical web slingers rather than the controversial biological ones Peter inherited before and also the back story of Peter Parker. With his family’s past being a key plot detail in The Amazing Spider-Man it has been hinted that it won’t just be the spider bite that gives Peter his powers, but maybe something to do with his parents tampering with his biological structure. How this move will go down with fans remains to be seen yet.
With Marc Webb directing I think that a great importance will be paid to the relationships between characters as this is something that Webb brought out superbly in (500) Days of Summer. He has claimed that this reboot will hint at future villains and storylines and has even said that he will be working on the sequel, therefore he and Sony must feel that they have a hit on their hands here.
A brief look at Spider-Man taking on The Lizard featured in one of the trailers.
The Amazing Spider-Man has been largely pushed to the side do far this year and maybe rightly so; The Avengers was something everyone was waiting for to see their favourite heroes on screen together while The Dark Knight Rises concludes Christopher Nolan’s near perfect Batman trilogy but hopefully the film won’t suffer because of the other comic book movies out this year. The trailers show promise, as do Garfield and Stone and I for one, am hotly anticipating Spider-Man’s next arrival.