Django Unchained Review – Quintessential Tarantino

Django Unchained is Quentin Tarantino’s latest adventure into history following the success of Inglourious Basterds. ‘Unchained‘ delves deeper into America’s past and examines, in a way that only Tarantino could do, the ugly side of American history that is often brushed over in the mainstream.

Jamie Foxx is Django, a slave freed by bounty hunter Dr. King Schultz. Schultz employs Django to help him bring three overseers of slave farms to their demise and the two grow a mutual respect between one another as they journey. Upon learning of Django’s wife being a slave at Candieland, owned by Calvin Candie, King Schultz decides to train and help Django embark on a revenge mission to free his wife.

It’s a fantastic story of revenge and as you would expect Django Unchained is wonderfully written. Tarantino is famous for his dialogue and while he seems to reign that in here there are still a few scenes where you get the back and forth, quick moving dialogue which is fun to see and listen to. One thing Tarantino doesn’t reign in, however, is his love of violence and gore; the blood flies everywhere at such ridiculous angles and guts come flying out of dead bodies in a way that is hilarious, but that is what makes Tarantino so enjoyable. As a person in interviews he is so over the top and you expect that from his films, it’s brilliant.

Jamie Foxx’s lead performance helps to make Django one of the coolest characters ever committed to film in my opinion. Django is just a complete character, he is so likeable and has so many different colours to his personality which makes him very interesting to watch, so credit to Tarantino for his creation but also Foxx for bringing him to life. There is one scene in particular that springs to mind involving Django and two of the Brittle brothers where Foxx really lets loose all of Django’s pent up anger and this makes this particular scene difficult to watch but so enjoyable at the same time because you’re on his side; there’s a wildness in his eyes.

The rest of the cast is almost flawless too. Christoph Waltz is nominated for an Oscar for his performance as Dr. King Schultz and rightly so, he’s such a likeable character and Waltz’s performance is the root of a lot of laughs due to his mannerisms. Leonardo DiCaprio is one of my favourite actors and it is great to see him playing a villain for the first time in his career and this gives him a chance to really let go of himself and bring a very intense and uncomfortable feel about his character; it’s so different to what he has done before but it is up there with his best performances. For me, there were only two let downs: I thought we would get to see a different side of Samuel L. Jackson after the early hype about him but he was just the same as always and largely disappointing for me; and all the way through I was hoping for a Tarantino cameo but when it finally came it was just underwhelming and restrained.

I’ve heard a lot of complaints about the running time and how Django Unchained sort of falls short because of this but I didn’t feel this to be the case. I did feel like it could have ended at earlier points and been drawn to a close quicker but then what followed those points I really enjoyed and was glad that they carried it on. On the whole, Django Unchained is just a really cool and incredibly stylish film. The beginning is good, the middle is better, and the end is fantastic. Not a realistic choice at the Oscars for Best Picture in my eyes but Tarantino could easily pick up Best Original Screenplay.

All in all, not Tarantino’s best, but far from his worst!

My Rating: 8/10.

Do the Golden Globes indicate Oscar Winners?

I’m pleased to see Affleck getting the recognition he deserves as a director.

The Golden Globes took place last night and Argo was the hit of the night winning Best Drama and won Ben Affleck Best Director. This would suggest that Argo is now the favourite to pick up the Best Picture Oscar (it was already many people’s favourites and this will just strengthen arguments) but will that be the case?

Argo will face tough competition at the 85th Academy Awards from Les Miserables in particular which picked up the Best Musical or Comedy Golden Globe last night. I’m not sure why the Golden Globes feels the need to separate films into drama and musical/comedy but that’s what they do and they infer that Argo will be going head to head with Les Miserables. The cynic in me still thinks that something like Lincoln or Zero Dark Thirty will get the win thanks to their very strong pro-American vibes. Last year, The Descendants and The Artist were the winners of Best Motion Picture Golden Globes and The Artist went on to stuff its face with more and more awards in the following weeks, I can’t see the same happening for Argo to the same extent but I wouldn’t say an Oscar is beyond doubt.

However, Ben Affleck is not even nominated for Best Director at the Oscars! I think the Best Director Oscar is well up for grabs and any of the five nominees (Steven Spielberg, Ang Lee, Michael Haneke, David O. Russell, Benh Zeitlin) could easily win it. But surely it says something that the winner of the Golden Globe for direction is not even nominated for the Academy Award? Personally, I though Affleck’s direction was one of the best features of Argo!

Lawrence is one of the youngest actresses to be nominated for an Academy Award and the Golden Globes suggest this could be her year.

The Best Actor Oscar looks set to be between Hugh Jackman and Daniel Day-Lewis and these are the two people I would have been backing before last night. I do hope that Daniel Day-Lewis wins the Oscar as he is clearly one of the best actors that his generation has seen, and I would go so far as to say he will go down as one of the greatest of all time. Jennifer Lawrence and Jessica Chastain will compete for the Best Actress award and Lawrence is nailed on favourite so it’s hard to look past her for this one.

The rest of the Golden Globes correctly predict the winners for me: Christopher Waltz for Best Supporting Actor, Anne Hathaway for Best Supporting Actress, Adele to win for Best Original Song for Skyfall and Quentin Tarantino to win Best Screenplay.

In terms of the acting awards last year the Golden Globes were a certain prediction of the Oscar Awards but only time will tell if this year will follow suit.

What to Watch – January 2013

January sees the big Oscar contenders come to the UK. Many of these films have already been released over in the states to critical acclaim as you might expect.

 

The Impossible – 1st January

Based solely on the trailer, The Impossible is THE film to see this January. It is the first film to be released that uses the 2004 Indian Ocean tsunami at the heart of it’s story, telling the tale of one family caught up with thousands of strangers in a horrible natural disaster. Featuring the brilliant Ewan McGregor and the incredible Naomi Watts.

 

Gangster Squad – 10th January

Finally, the all-star long awaited gangster flick will be arriving on UK screens. Delayed after the tragic shootings in Aurora, Gangster Squad is a film that many people have been looking forward to seeing and now you get your chance. Featuring a cast of Josh Brolin, Sean Penn, Ryan Gosling and Emma Stone among others.

 

Les Miserables – 11th January

A new interpretation of the hit musical comes to the screen this year and if you’ve managed to avoid the adverts featuring Anne Hathaway singing then well done. I think Les Mis is bound to do well thanks to all it’s Oscar buzz and having already been nominated for 4 Golden Globes but it’s not that high on my list thanks to all of it’s competition.

 

Django Unchained – 18th January

And if Les Miserables thinks having 4 Golden Globe nominations is something to shout about then step aside for Django Unchained‘s 5. This is Quentin Tarantino’s first attempt at a full on Western and it certainly will not disappoint! It has been nominated for Best Drama, Best Director, Best Screenplay and Leonardo DiCaprio and Christoph Waltz both have nominations for Best Supporting Actor; Oscars are sure to follow.

 

Lincoln – 25th January

Now cynics may think that Lincoln has been made with the intention of winning awards rather than pleasing audiences… that is what I believe as well. This looks like Oscar-baiting in all it’s glory: a film about one of America’s most celebrated Presidents telling the story of a pivotal time in America history. If this isn’t Steven Spielberg shouting “GIVE ME OSCARS” I don’t know what is. It seems to be working though.

 

Zero Dark Thirty – 25th January

Back in 2010, The Hurt Locker surprised everyone to become one of the lowest grossing winners of the Best Picture Oscar ever. Zero Dark Thirty is director Kathryn Bigelow’s follow up film and tackles the events of the manhunt for Osama Bin Laden and his following death. I don’t think this one will do as well as The Hurt Locker but it should make for some interesting viewing at least.

The Best New Directors in Hollywood?

Not many directors ever get THAT famous among mainstream cinema fans. It really, I believe, takes someone special and a great storyteller, someone who is good enough to make sure that every single one of their films stands up on the big screen to both critics and fans alike; the likes of Quentin Tarantino, Christopher Nolan, Martin Scorsese and Danny Boyle have been able to do this and are a few of the most famous directors around but are there any new directors around who could one day join the ranks of the best directors EVER? For my choices I have limited the candidates to have directed, at most, 3 feature length films or have shown enough in two or just the one feature film that they have great potential as a director. In no particular order, let’s have a look.

 

Rian Johnson

Rian Johnson has to be the first person I mention because it was him that influenced me to write this blog. I recently saw Johnson’s latest film Looper and along with his previous two feature films (Brick and The Brothers Bloom) Looper was both written and directed Johnson and also starred Joseph Gordon-Levitt (although JGL’s appearance in The Brothers Bloom was a cameo). Looper has really announced Johnson on the scene as one of the best story tellers around. I won’t go into too much detail but if you read my review of the film here, you will get an idea of just how good Johnson is. He has managed to revolutionise the science fiction genre and the whole theories surrounding time travel. I think Looper will inspire a new generation of film makers and if Johnson continues to direct at this high standard he will be regarded as one of the best ever.

 

Joss Whedon

If you don’t know who Joss Whedon is by now where have you been all year? Whedon has a vast amount of experience in television and film working as a screenwriter for many years and having created hit shows such as Firefly, Buffy the Vampire Slayer and Dollhouse. Yet this year Whedon was welcomed with open arms to the masses as he directed this year’s highest grossing film Marvel’s The Avengers. Whedon’s only previous feature film was Serenity (a continuation of the Firefly universe) and, of course, flopped at the box office. However, I thought Serenity was great and there is no doubting Whedon’s talent for writing believable characters and dialogue. With him signed on to oversee Marvel’s phase 2 and direct The Avengers 2, the world is his oyster.

 

Marc Webb

Marc Webb is the only director on this list who I would not class as a science fiction director (despite the fact that The Amazing Spider-Man could be described as science fiction but I think that the superhero genre is now a genre in itself rather than a subsidiary of sci-fi but that’s a whole other argument). Webb arrived on the scene with the incredible, hilarious and touching story in (500) Days of Summer and then, like I mentioned, went on to have another summer hit this year with the reboot The Amazing Spider-Man which was more than capable of holding its own against The Avengers and The Dark Knight Rises. Webb seems to specialise in relationships and he has this amazing ability to capture moments in relationships and develop them over time that I haven’t seen in a long time. I hope he continues to work in other genres but keeps his focus on character.

 

Neill Blomkamp

These last two are a little more unknown than the previous candidates but that doesn’t mean they are not as good. Blomkamp has, at the time of writing, only directed one feature length film with Disctrict 9. However, the praise that District 9 gathered and all the rave reviews about it really reshaping the genre of science-fiction and the sequel to his debut smash is highly anticipated, despite his next film being something completely unrelated to that. His next film is another trip into sci-fi and stars Matt Damon and is entitled Elysium. If this does as well as District 9 then stardom really does beckon for this man.

 

Duncan Jones

And finally we have Duncan Jones. Jones’ first film Moon is one of the greatest directorial debuts I have ever seen. Moon is a true masterpiece and Sam Rockwell’s performance along with the directorial skill of Jones is enough to grab the audience without having a mass of characters. His follow up Source Code was purely his directing and this time he had no part in the writing of the film yet still managed to pull off a great action film and again, a magnificent piece of directing because seeing the same 15-20 minutes over and over again can become tiresome for the audience but Jones manages to sustain interest. His next project is a biopic of Ian Fleming and Duncan Jones could well have another hit on his hands.

Best British Director? Danny Boyle.

For years and years Danny Boyle has been my favourite director. With so many great and bigger names in the directing world at the minute (Quentin Tarantino, Christopher Nolan, Zack Snyder, Martin Scorsese etc. etc…) Boyle does seem to fly under the radar because of his low profile and because of the fact that, despite being critically acclaimed and having won numerous awards, he continues to work and remain in his homeland of British film. For the past few months Boyle has been kept busy with his latest project; this time it is not a film though. In just under two weeks the whole world will be watching as the Olympic games kick off in London and the opening ceremony has been put together and directed by Danny Boyle himself, no pressure. It’s been a long but very worthwhile journey for the lad from Lancashire.

Before getting into the film world Boyle began directing theatre projects; he directed plays for both the Royal Court Theatre and the Royal Shakespeare Company so right from the very beginning he was clearly ready to take on big projects. After that Boyle got into television and directed a few episodes of various television series such as Inspector Morse and Mr. Wroe’s Virgins. Then he finally got his big break in the world of movies with Shallow Grave, a crime thriller starring Christopher Eccleston and Ewan McGregor.

In 1996 Danny Boyle was responsible for directing one of the greatest films ever without a shadow of a doubt; Trainspotting. Again he teamed up with Ewan McGregor who this time took on the lead role and helped to make Trainspotting what it is, often voted the best British film of all time. Trainspotting received one Oscar nomination for it’s scriptwriting and Boyle was unjustly left out of the Best Director nominations. It was always going to be difficult to carry on the wave of success that Trainspotting brought him and his next couple of films were pretty far from that standard; first was A Life Less Ordinary (again starring Ewan McGregor) and The Beach. Originally Ewan McGregor was cast in the lead role for The Beach but rumour has it that Hollywood executives wanted to push through Leonardo DiCaprio as he was the current Hollywood pretty boy and hot property so DiCaprio got the role and, to this day, Ewan McGregor still hasn’t worked with Boyle since that dispute.

Anyway, Boyle returned to his best with horror film 28 Days Later… and followed that up with Millions. Since these two projects Boyle has continued to direct to the very highest standard. It took three years after Millions for another Danny Boyle film to be released but it was well worth the wait. Sunshine is a sci-fi film about a team of astronauts who are trying to reignite a dying sun to save the planet and it is absolutely brilliant! It was also named as one of Quentin Tarantino’s favourite films of recent years, pretty high praise indeed!

In 2009 Danny Boyle finally won an Oscar for his direction on Slumdog Millionaire which pretty much cleaned up at the 2009 Oscars; as well as Boyle’s directing Oscar it also won for it’s cinematography, film editing, original score, original song, sound mixing, adapted screenplay and it won the big one, Best Motion Picture of the Year. This time round as well, Boyle was able to follow the success of Slumdog Millionaire with another one of my favourite films, 127 Hours which got nominated for six Oscars (including Best Adapted Screenplay and Best Film).

After the Olympics Boyle will return to the big screen with Trance, a crime thriller starring James McAvoy and Rosario Dawson. He is also working on a follow up to 28 Weeks Later… which he has stated that it should be called 28 Months Later… in theory. Boyle has also expressed in interviews his desire to work with Ewan McGregor again on his next feature film. I hope that he does but I really hope that he continues to make prominent British films and remains to make them of the highest quality!

The Man With The Iron Fists [Red Band Trailer]

Stars: RZA (director), Russell Crowe, Lucy Liu, Jamie Chung, Cung Le, Byron Mann.

Plot: In feudal China, a blacksmith who makes weapons for a small village is put in the position where he must defend himself and his fellow villagers.

The Man With The Iron Fists is the directorial debut from Grammy award winning Wu-Tang Clan rapper RZA, co-written by him and Eli Roth, produced, in part, by Quentin Tarantino. The trailer doesn’t really give much away but it looks as though it has enough to entertain fans of Tarantino’s style of directing and it reminds me strongly of Tarantino’s Kill Bill; Lucy Liu features in both and the style of Kill Bill was reminiscent of Asian martial arts films I think.

As we don’t get much plot from the trailer it is difficult to tell who will be the main characters of the story but with Russell Crowe signing on you would expect him to play a rather key part. Although the film is in the English language and is from the United States it clearly wants to try and capture the essence of the Asian martial arts films which always feature fantastic fight scenes and stunts which are always incredible to see and the trailer shows that there is a lot of potential for that style here.

The films original cut was over four hours long and there were talks of splitting The Man With the Iron Fists into two film however it was eventually cut down to just an hour and a half. And though I think the trailer looks exciting this news makes me wonder just how good the film will really be; sure if they cut down from four hours to ninety minutes then what is left should be the very best but if they were able to just discard two and a half hours of the film will what’s left just be average too?

No release date has been stated yet for release.

Is Michael Fassbender Really That Good?

Michael Fassbender is one of the hottest properties in Hollywood right now and over the last few years he has really shot to the forefront of the movie industry. With his choice of films he has really shown that he has a fantastic range of skills and is a very versatile actor. The short answer to the question ‘Is Michael Fassbender really that good?’ is simply Yes; but feel free to continue reading if you want the longer answer.

Fassbender first rose to prominence on television where one of his first main roles was on the Steven Spielberg and Tom Hanks produced mini series Band of Brothers which received hugely positive reviews and brought plenty of publicity for the cast. Fassbender continued to work in television with another critically acclaimed television series, this time British: Murphy’s Law.

The first big film that Michael Fassbender featured in and set the sparks in motion of the fire that Michael Fassbender was soon to light Hollywood up with was 300, a fantasy action film directed by one of my favourite directors Zack Snyder. It’s not a film that many people would instantly think of when trying to list Michael Fassbender’s movies but it started off something big in the movie industry. Fassbender won over critics at the Cannes film festival in 2008 with Hunger, directed by Steve McQueen.

But it was thanks to Quentin Tarantino that people were really forced to sit up and take notice of Michael Fassbender. Inglorious Basterds is one of Tarantino’s best films and Fassbender features in one of the best scenes in the movie in my opinion. This film came out in 2009 and overshadowed the small British film that Michael Fassbender also featured in in the same year: Fish Tank. Fish Tank is the story of a rebellious teenage girl growing up on a run down council estate living with her alcoholic mother and tearaway younger sister. Michael Fassbender is the creepy love interest of the mother and manages to pull off a kind of safe but sinister paedophilic character scarily well. To this day this is my favourite role I have seen Fassbender in although it is one of his least well known but the performance he puts in is nothing short of sensational.

If 2009 was one of Michael Fassbender’s best years in films then 2010 was definitely one of his worst. Perhaps high on the success of Inglorious Basterds Fassbender made some rather, well… questionable choices. He appeared in Centurion and the horribly tragic comic book adaptation of Jonah Hex, both films making a loss. Probably a year that Fassbender wouldn’t like to dwell on anytime soon. But these failures didn’t put him off or seem to put him out of favour with movie big wigs.

2011 brought several Michael Fassbender films to the forefront without making people sick of him. Fassbender took up the part of Edward Rochester in an adaptation of Charlotte Bronte’s novel Jane Eyre (one of the greatest stories ever written, end of story) for which he received a lot of praise. Another comic book movie, with a lot better fate than his last one, gave Fassbender huge success and stability as it comes with a several movie contract. X-Men First Class is the movie and Magneto is the character; although at times Fassbender seemed to get complacent and his accent slipped back to Irish it was overall a great performance and Fassbender proved yet again how good he is at playing a conflicted and bad natured character. This movie reunited Fassbender with his old Band of Brothers co star James McAvoy.

A Dangerous Method followed starring Viggo Mortensen and Keira Knightley which was about the relationship between psychologists Carl Jung and Sigmund Freud. Fassbender then reunited with director Steve McQueen for Shame, which is probably his most critically successful film and role which won Fassbender a number of awards at film festivals and awards ceremonies and picked him up even more nominations. He then returned to mainstream cinema with Haywire which saw him co-star with names like Ewan McGregor and Antonio Banderas.

This year, 2012, Michael Fassbender only has one film slated for release after a busy twelve months. This comes in the form of Ridley Scott’s Prometheus. After recently seeing this I was not a huge fan of the film but as a fan already of Michael Fassbender I was excited for his performance and I was not left disappointed by him. Fassbender, for me, is the stand out performer of the cast and the only really memorable character or performance from the cast. There is no doubt that Fassbender is set for a huge and successful career in my opinion and he deserves it.

Is Michael Fassbender really that good? Yes.

‘Best Movies Ever’ That I Think Are Overrated.

With so many movies made it is inevitable that nobody will enjoy all of them. There are also some movies that are frequently named as the best movies ever made and whilst I think that some of them live up to the hype (The Departed, Back to the Future, Toy Story) there are some classic films that I do not like despite the majority of people thinking they are absolutely perfect. Here are a few of my controversial choices:

Pulp Fiction is ranked at number five on IMDB’s list of Top 250 films and is commonly referred to as one of the best films ever made and Tarantino’s best. I don’t think this is Tarantino’s best work, in fact of all the films I have seen of his this is my least favourite, I much preferred Reservoir Dogs and Kill Bill. I was expecting to be blown away by Pulp Fiction when I finally got round to watching it because of the way people spoke so highly of it, yet I was left bored and unentertained. I think the storyline is very weak and the dialogue is dull and unnecessary; it lacks the punch that Reservoir Dogs and Inglourious Basterds packs. And the way fans of the film bang on about it being a non-linear structure you would think it would be the only film to ever have done that and it doesn’t even add anything to the story by editing it in this way.

Taxi Driver, directed by Martin Scorsese and featuring Robert De Niro in an Oscar winning performance, is another film that left me feeling like I had missed something. As I have mentioned in  previous post I do really enjoy the first half of Taxi Driver, the way that the character is created and we get insight into this person and his life is very very good drama indeed. But then the gear changes in the film and the wheels seem to come off; I know some people like it but I just feel like it makes no sense, it becomes boring and where it tries to become exciting it fails. I would definitely place Taxi Driver up there with one of the worst gunfights in movie history for its climatic action scene.

Star Wars is undoubtedly one of the most iconic films in history. Many of the characters have become staples in popular culture: Darth Vader, Yoda, Chewbacca, Han Solo. Everybody knows Star Wars, that much is true. But I don’t see what all the fuss was about. I am a fan of science fiction so that’s not the problem here; I like Star Trek and Back to the Future but I failed to see the hype surrounding this massive franchise. I felt very underwhelmed and very bored, Han Solo who is supposedly one of the coolest characters around disappointed me as did many of the others. I really wanted to like Star Wars but found it impossible.

Django Unchained Trailer Released!

UK Release Date: 18th January 2013.

Plot: With the help of his mentor, a slave-turned-bounty hunter sets out to rescue his wife from a brutal Mississippi plantation owner.

Stars: Quentin Tarantino (director), Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L. Jackson, Kerry Washington.

Some directors have a very distinct style, Tarantino’s being more distinct than others and watching this trailer it could not be more obvious that this was a Tarantino film. The soundtrack, the visuals, the dialogue, everything screams of trademarks of Tarantino and this could easily become another classic from the acclaimed film maker.

The trailer itself focusses on Django and King Schultz (Waltz) and the beginning of their partnership. King Schultz seems like a very similar character to the one Waltz played in Inglourious Basterds (also Tarantino) for which he won an Oscar so nothing short of perfection will be expected form him here. Will Smith was first choice for Django but had to drop out because he didn’t have time despite being very impressed with the script and so Foxx has the task of being brilliant in the leading role.

We don’t get to see too much of Leonardo DiCaprio as the villainous Calvin Candie which is a shame but I am sure as more trailers get to be released his character will be focussed on. Early footage that was screened at Cannes film festival received very positive reviews, especially regarding DiCaprio’s performance.

Django Unchained has to be another classic from Tarantino.

Choose Your Future. Choose Life. Choose Trainspotting.

Recently Trainspotting was voted top in a poll of best British films to be released under Queen Elizabeth II’s reign.

I think that this is a little bit of an injustice. Trainspotting is possibly the greatest British film released under any reign. Scratch that. Trainspotting is one of the greatest films EVER made in any language, any country, any genre. Trainspotting is as close to perfect as I have ever seen a film reach.

Released in 1996 to rave reviews from all angles Trainspotting tells the story of Renton, a guy deeply immersed in the Edinburgh drug scene who tries to clean up and get out, despite the allure of the drugs and influence of friends. After working together on Shallow Grave Danny Boyle and Ewan McGregor teamed up to make an absolute classic based on Irvine Welsh’s novel.

Superstar director – Danny Boyle

Danny Boyle is one of Britain’s greatest directors and is one of my favourite directors working today. Christopher Nolan, the Coen brothers, Martin Scorsese and Quentin Tarantino get the majority of attention and are perhaps the most famous of directors but Danny Boyle always has been and remains one of the best. Since Trainspotting he has churned out hit after hit including 28 Days Later, The Beach, Sunshine, Slumdog Millionaire and 127 Hours and while all are very impressively filmed and are gorgeous to look at nothing quite touches all the senses in the same way that Trainspotting does.

Trainspotting introduced Ewan McGregor to the masses and he has gone on to have a very long and prestigious career in film. I am a fan of the Scot and his performance here as Renton is flawless. He gives possibly the best narration to a film ever (along with Ed Norton’s narration in Fight Club) but his presence on screen is fantastic; he really submerges himself deeply in the character’s life and his performance is both harrowing and hilarious at the same time. If McGregor is to be remembered for any film role, it should be this one.

One of the greatest friendships ever caught on film.

McGregor laid down the gauntlet for his fellow cast members to compete with and they picked it up and ran with it. Ewen Bremmer as the dimwitted and closest friend of Renton, Spud, gives a humorous turn while keeping in tune with the dark subject matter. Johnny Lee Miller has gone on to star in American television series’ such as Dexter but he will always be known as Sick Boy and Kevin McKidd manages to put in a great performance as Tommy to the extent that you feel sorry for him but you don’t really care about him. It’s strange. But Robert Carlyle as Begbie, a short tempered frustrated possible homosexual, is amazing; Carlyle always gives a safe performance but he offers up a lot of laughs in an otherwise serious film.

The friendship between Renton, Sick Boy, Tommy, Spud and Begbie is completely believable and authentic. All the relationships are recognisable and take away the drug use (or include it) and you probably know people just like this group of friends in Trainspotting. To me, one of the most important parts of a film is character interaction, development and relationships and each and every one is spot on. The friendship between Renton and Spud is probably my favourite because even though Renton lets Spud go to jail whilst he remains free and later on Renton does them over, you can tell that the only one of that group that Renton really cares about is Spud and I think that is touching really.

The realism captured on film of the drug addiction, Scottish life, friendship, death and sexuality is incredible. Trainspotting could well be real, it is filmed that well, it could well be a documentary with Ewan McGregor’s voice over warning everyone about drugs and the addictiveness of them so it is hard to believe that this is a work of fiction. Some of the scenes become incredibly hard to watch because of the haunting events unravelling but you can’t peel your eyes away from the screen; the dark images will stay with you for as long as you live.

Luckily though, Trainspotting, while dealing with a lot of serious and dark themes does manage to pack in the laughs as well. There is a lot of humour for viewers to find there and the ‘worst toilet in Scotland’ scene manages to be both horrible and hilarious at the same time, absolutely cringeworthy as well as Spud’s ‘dinner table accident’ scene later on.

I can’t express in words how good Trainspotting is. It’s probably not a film for the faint hearted but it’s nothing like any other film ever made.

Combine the greatness of Danny Boyle and the quality of actors like McGregor and Carlyle to name just a couple and you are in for something fantastic right from the word go.

Trainspotting IS one of the best films ever made. No question.