Tag Archive: reboot


A few weeks ago I posted on Twitter (sarcastically) that in around twenty years time a reboot of Harry Potter would be made and Daniel Radcliffe would be limited to a cameo as one of the Hogwarts’ ghosts. And ever since I posted that tweet it seems like Warner Bros. and JK Rowling are doing their best to prove me right.

 

Everyone knows why Hollywood is obsessed with reboots and sequels: because they make money. A whole host of films have been rebooted recently including Clash of the Titans, Total Recall, Evil Dead and there are more in the pipeline: Oldboy, Robocop and Fantastic Four to name just a few. One of the biggest money making franchises ever was the Harry Potter series, and rightly so because it was a perfect franchise that managed to ignite the imaginations of audiences worldwide in a way that I haven’t seen matched in any way, shape or form. Anything branded under the Harry Potter umbrella is guaranteed success commercially, which makes expanding that universe ever so appealing to all the movie bigwigs.

Harry Potter’s story finished back in 2011 and already there are plans to milk the franchise dry for every penny it can possibly produce. That began with the announcement that JK Rowling’s Fantastic Beasts and Where to Find Them will be the spark that sets up a new series of films set in the wizarding world. And is it just me that thinks that is a horrible idea considering the book was released to raise money for the charity Comic Relief and the benefits of the film will more than likely be lining the pockets of Warner Bros. executives? But anyway, who has been asking for an adaptation of that book? I can barely remember the number of times I’ve heard people express their longing to see Newt Scamander on the big screen.. oh actually I can. Zero. This is probably the most obvious money making decision in the history of film making.

And that may not be the only Harry Potter spin-off in the works at Warner Bros. as news that they have trademarked Quidditch Through the Ages and Tales of Beedle the Bard has been announced. When quidditch first appeared in the Harry Potter films it was a revelation and the sequences of the game are fantastic, one of the highlights of the series but this is yet another money making scheme by expanding a universe that nobody has any interest in. The only thing Harry Potter fans want is to see another Harry Potter film, i.e. a film with Daniel Radcliffe, Rupert Grint and Emma Watson playing Harry Potter, Ron Weasley and Hermione Granger.

 

So how long can Warner Bros. appease fans with their explicit commercially led ventures and have no regard for the opinions of fans? My guess is not long (of course I could be wrong but lets see shall we). Soon Warner Bros. will be receiving millions of please for a new Harry Potter film and what will they do then? They will realise the amount of money they can make by remaking all eight of the films adapted from JK Rowling’s books and that reboot will be ultimately greenlit.

Even the most die hard fans of Harry and his friends had just come to accept that there would never be more adventures told of the boy wizard and that would be absolutely fine. But now this reignites the flames of desperation and it won’t be soon before Daniel Radcliffe is thrown out of the series and replaced with another eleven year old boy with a lightning bolt on his forehead and broken glasses abridge his nose.

Back in 1975 Jaws became the highest grossing film to date. It’s arguably one of the most famous films ever that has been parodied and referenced in countless numbers of films and has a theme tune that everyone can hum and recognise. The release and the popularity of Jaws marked the arrival of the summer blockbuster, which would become a staple in the cinema calendar; the summer blockbuster spots are reserved for the biggest studios to bring out the big guns and rake in the profits over summer. The whole idea of a ‘blockbuster film’ has gone through celebration and survived criticism but you can not deny that they are still apparent and, as we have seen this year, are the most bankable films of the year. But the originality has gone, and with that so has some of the fun.

Among the top ten highest grossing films of the year so far there are eight films that have been released in the summer. Only one of those is an original concept: Pacific Rim. When Jaws was released it marked a trend of ‘event’ films that major studios released to compete with Jaws and its sequels. Taking this into account Pacific Rim seems like a typical summer blockbuster remade for a modern audience. It seems like everything a summer audience want: mindless action, giant robots fighting gigantic aliens and what’s more the film had major clout behind it as it was directed by Guillermo Del Toro. Pacific Rim only just managed to double its budget worldwide despite all the hype surrounding it and Idris Elba booming “today we are cancelling the apocalypse” before every other summer film that you would go and see. Of course, one reason why Pacific Rim could have fallen short of expectations is because Michael Bay did such an awful job with the Transformers film that any film with robots in will now be tossed aside without thought.

 

But then a film with fighting robots also became the fifth highest grossing film of all time: Iron Man 3. So this seems to suggest that that was not the only reason for Pacific Rim‘s failure to make a huge impression on the audience. In a world with so many sequels it is becoming more important to see those sequels when they come out, especially with what Marvel are doing with each film becoming a huge stable of cinema in itself and an unmissable event. People want to see what they already know because the first films are so good and successful that it gives a sequel credibility before it is even released. The likes of Star Trek Into Darkness, Fast and Furious 6, Monsters University and even Despicable Me 2 cracked the top ten highest grossing films – all coming off the back of successful franchises or original films. World War Z and Man of Steel also join the list but they’re coming from hugely successful books and comic books. With World War Z it also seems to suggest that star power is also important for a summer blockbuster with Brad Pitt no doubt being responsible for some of the surprisingly huge audience the zombie action film found.

So what of Will Smith, Tom Cruise and Johnny Depp? Three of the biggest movie stars on the planet absolutely tanked at the box office in 2013. Smith’s After Earth and Cruise’s Oblivion both seemed pretty similar in their basic premise: Earth has been abandoned and now Will Smith/Tom Cruise come back to Earth and find out that it’s not as bare as they might have thought. It was assumed that one film would take the spoils because they were too similar but as it turned out, neither film did and both failed. Johnny Depp looked to bring a new franchise to the big screen and should have been more successful being as though The Lone Ranger is integrated in popular culture – everyone has heard “Hi-Yo, Silver!” at least once in their lives. But a difficult time in production seemed to put an end to any plans Disney had of making a sequel. And the less said about R.I.P.D the better.

 

Another one of the most anticipated films of the year was Neill Blomkamp’s Elysium. After Blomkamp’s debut feature District 9 was an Oscar nominated film people were expecting something exceptional from Elysium, starring Matt Damon and Jodie Foster. However, as of now it has only just managed to make back its budget and not set the world alight as people expected. Of course, a late summer release won’t have helped being as though it seems everyone had already spent their money on previously mentioned films. So why is it so hard to find a spot for originality in the summer months?

For me, I think it comes down to the cost of going to the cinema. Over summer the children are off school and people go to the cinema as a family. This means that you’re going to be spending around £25-£35 on tickets and then another £20ish on drinks and popcorn which makes it seem pretty expensive just to go and sit down for a couple of hours. Nobody wants to go and see a bad film at the cinema anyway but when it’s costing that much you want to know that you’re going to enjoy what you watch. Therefore, I believe people are more likely to go and see Iron Man 3 when Marvel have a spotless record and you’re guaranteed a great performance from Robert Downey Jr. rather than take a chance that something like R.I.P.D or Pacific Rim which you don’t know much about.

 

In the next couple of years we are going to see more Marvel films – Guardians of the Galaxy in 2014, The Avengers: Age of Ultron in 2015. The Man of Steel sequel featuring Batman is coming out too, the same as the seventh chapter of Star Wars and presumably a third in the new Star Trek trilogy: add to that another Fast & Furious film, a sequel to World War Z and X-Men: Days of Future Past. It seems like so many huge franchises are begging for people’s money that it seems impossible for anything new to turn heads. For the sake of cinema that has to change sooner rather than later.

Deciding what films to see this month is going to be one tough task. With big blockbusters being released as well as lower budget story heavy features. There’s something for everyone to go and see in June.
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The Stone Roses: Made of Stone – 5th June

Shane Meadows’ documentary about the Manchester rock band is a must see for any fan!
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After Earth – 7th June

I remain unconvinced by this but Will Smith guarantees box office success whether the film is good or not.
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The Iceman – 7th June

The first of two Michael Shannon films released this month; praise has already been high for his performance here as Richard Kuklinski.
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Man of Steel – 14th June

And Michael Shannon plays the villain in Warner Bros. latest attempt to reboot arguably the most boring superhero ever created. Guaranteed box office smash and looks to be the Superman film people have been crying out for.
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Much Ado About Nothing – 14th June

If like me, you are a fan of Marvel and Shakespeare (I appreciate that isn’t a cross section many people anticipate) then Joss Whedon’s take on the famous Shakespeare play is a must see. With Clark Gregg and Nathan Fillion this is the modern sci-fi fan’s biggest wet dream.
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World War Z – 21st June

All the hype so far has been about the poor CGI and uninteresting posters. It’ll be interesting to see if Brad Pitt still has box office appeal – I’m not so sure.
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Despicable Me 2 – 28th June

If you’ve been to the cinema a lot lately you’re probably sick of seeing the teasers for this film, but you have to admit, it does look pretty good. And everyone loves those little minions!
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This is the End – 28th June

James Franco. Seth Rogen. Emma Watson. Jonah Hill. That guy from Pineapple Express and Hot Tub Time Machine. The funny one from Parks and Recreation. Milky Way. I want to see this.

Lara Croft is the most recognisable female video game character in the world. At the beginning of this century two Tomb Raider films were released with Angelina Jolie taking on the role and, despite the original film still being the most successful film adaptation of a video game in the United States, both this and its sequel were not too well received by critics. Also, in recent years, the video game side of the Tomb Raider franchise has been waning. Until 2013. Earlier this month a reboot of the video game series hit the shelves, simply titled Tomb Raider. It received huge critical acclaim, is one of the best games I have ever played and obviously went on to sell more than a million copies in less than 48 hours. So it seems the time is right to reboot the franchise on the big screen, but who should play Lara Croft?

Here are my candidates:

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Gemma Arterton

Arterton has had experience in big action films before: Quantum of Solace, Prince of Persia, Clash of the Titans. While none of these films were exactly brilliant it has given Arterton the skills necessary to be let loose on her own big action franchise. She is currently one of the best British actresses working today and her talent is undeniable. I would definitely like to see her given a chance as Lara Croft.

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Hayley Atwell

Atwell is more of a television actress but made her break in Hollywood recently in Marvel’s Captain America: The First Avenger where her performance as Peggy Carter won her a lot of fans. She has shown her skills in Pillars of the Earth and The Duchess. However, her stock as a leading lady is yet to be tested and helming the Tomb Raider franchise could be a leap too far so early in her film career.

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Camilla Luddington

You may not know who Camilla Luddington is but she is the voice behind Lara Croft in the Tomb Raider reboot of this year. On screen she has been in Californication, True Blood and Grey’s Anatomy but is yet to make her break in the film industry. However, depending on how closely involved the game’s publishers and producers are in making the film (my guess being not very) then she may have an outside shot at landing the role.

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Alice Eve

This is a long shot and probably won’t be considered. She is set to appear in Star Trek Into Darkness later this year so will be getting a lot of exposure both on screen and off it (if you’ve seen the new trailer you’ll know what I mean) and so she may be worth the risk?

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Bryce Dallas Howard

As the only non-Englishwoman on the list she would probably be my least favourite for the role (I just think that as Lara Croft is English it would be nice to see an English actress take the part this time) but Bryce Dallas Howard could be a nice fit. Previously appearing in Spider-Man 3, Terminator Salvation, 50/50 and The Help she has shown off her action credentials as well as her acting abilities.

For me, it’s between Gemma Arterton and Hayley Atwell with Arterton just winning in my mind!

Abrams is an expert in the science fiction genre.

I’m not writing this to say that JJ Abrams isn’t a good director or film maker, it would be absurd to say something along those lines after the incredible success he has had bringing Star Trek back to the big screen along with his television work. And I have no doubt that he will do another great job making Star Wars seems relevant again. But when I saw the announcement a little bit of me did die inside. But why?

 

Well, first things first, Abrams has now committed the ultimate betrayal in the world of pop culture. When people ask you whether you prefer Star Trek or Star Wars the only acceptable answers are either ‘Trek‘ or ‘Wars‘ (occasionally someone will let you say neither) but ‘both’ is not usually an option. For around five decades now these two franchises have gone head to head and, I know it’s only films, it doesn’t really matter, but to a lot of people it will matter that Abrams has gone behind Star Trek‘s back and chosen to direct Star Wars: Episode VII. But that’s not the main reason, in fact, I couldn’t care less about this reason because I am not a huge fan of either franchise (although I loved the 2009 reboot).

The main reason for my disappointment is that it is a very boring choice, it’s a safe choice. I expected Disney to really pull out the big guns, get someone in who would create something magical who wouldn’t necessarily be everyone’s first choice but would win everyone over when the film is released in 2015, but this seems to not be the case. Abrams is a self professed fan of Star Wars so I have no doubt that his passion for the project will see that only good things come of this.

Abrams’ 2009 Star Trek reboot was met with wide critical acclaim.

However, the fact that Abrams is now directing the two biggest science fiction franchises in the galaxy, it makes the science fiction genre very boring; it almost seems like a very prestigious boy’s club and if you’re not involved you don’t get a chance. All directors have their own trademarks, their own styles and now there will no doubt be very high similarities between Star War and Star Trek which may blur the lines between the two franchises whereas they should both be kept apart.

 

Matthew Vaughn was considered to be front runner for the job.

I would have much preferred someone else who wasn’t already running a science fiction franchise to take control of Star Wars VII and install their own style and their own creativity into the project. I just don’t think this bodes well for the future of the science fiction genre having one man control the two biggest franchises. Film and cinema thrives on variety and with the vast number of science fiction releases increasing year on year, variety is becoming more and more necessary. I can’t help but feel a bit disappointed with Disney’s choice and their refusal to employ someone who could bring something different to the science fiction genre, but in 2015 I’m sure everyone will enjoy the Star Wars that JJ Abrams brings us.

Well this week’s news is all about sequels (some wanted, some not) and scriptwriters being hired. We’ll start with the news that a sequel to 2010’s Alice in Wonderland, starring Johnny Depp (as the Mad Hatter, not Alice), has finally started moving. I don’t say finally because I’ve been waiting ages for a sequel as a fan of the film, but because despite its mixed reviews Alice in Wonderland is the twelfth highest grossing movie of all time so it’s amazing that in a sequel heavy cinema scene that it has taken so long to get off the ground. Linda Woolverton is the woman apparently writing the script, which fits seeing as though she wrote the first film, and hopefully the sequel will be as good as her earlier works: The Lion King, Beauty and the Beast, Mulan.

 

Wreck-It Ralph absolutely smashed the box office when it was released over in America and fast became a hit with audiences and critics alike. Disney have been fast to get a sequel rushing ahead with their animated feature. Despite the fact that Wreck-It Ralph was full of cameos from very famous video game characters there was one very obvious omission, everyone’s favourite Italian plumber (because how many do you really know?) Mario! Well with the sequel Disney are trying to find an organic way to implement him into the story saying they will put him in if they can find him something good to do, so good news for video game fans and movie fans alike.

 

Columbia are working on a remake of the children’s classic film Jumanji. The 1995 original was a tale of kids who have to deal with the dangers of the jungle when the titular board game starts unleashing animals and more as they play. Although there is no director or stars attached to the project Columbia have now hired a writer and that is Stranger Than Fiction scriptwriter Zach Helm. Although Stranger Than Fiction was well received his only attempt at family films so far, Mr. Magorium’s Wonder Emporium, was not so well received.

 

Earlier this year it was announced that Fantastic Four was set to receive a reboot directed by Chronicle director Josh Trank. Well it has now been announced that the release date for Fantastic Four will be March 6th 2015. This, in my view, is a horrible move being as though some big ‘geeky’ franchises are also set to continue in 2015: The Avengers 2 and Star Wars: Episode VII are both set for release that year. Long awaited Ant-Man also has a 2015 release date; the Justice League movie is slated for a release in 2015 although I highly doubt that will come to fruition. Point is, the superhero market is very liquidated in 2015 with bigger films than the Fantastic Four reboot and after the shambolic original two films will anybody care about this attempt at a reboot when The Avengers 2 hits screens?

Last week we discovered that Star Wars was going to return to the cinema screens in 2015 with the help of new owners, Disney. This week there has been speculation as to who will be the director and a couple of cast members stating that they would like to return to the series. Harrison Ford, who famously played the iconic hero Han Solo, has stated that he would love to reprise his roles in the sequel/reboot/continuation. Also said to be considering returning are Mark Hamill and Carrie Fisher as Luke Skywalker and Princess Leia. Jeremy Bulloch famously brought Boba Fett to life back in the original trilogy and has stated his optimism and willingness to return but doubts that he will get his chance. I don’t think the story will really involve Luke, Leia and Han that much but it would be nice to see them back to make a connection between the films. Reports this week have linked Matthew Vaughn with the directing gig. Vaughn recently dropped out of directing X-Men: Days of Future Past and is not directing Kick-Ass 2: Balls to the Wall either so his schedule should be pretty clear for this job.

 

One of the most enjoyable films that has been released this year, in my opinion, is The Muppets. The best bit about The Muppets was the music sequences without a doubt and it is not very well known that Bret McKenzie, one half of comedy duo Flight of the Conchords, was responsible for this music. And it has been announced that McKenzie is writing some new music for the sequel, set to his screens Christmas 2013. Nicholas Stoller is once again writing the script even though Jason Segel will not be returning. Attached to star at the minute is Christoph Waltz of Inglourious Basterds and upcoming Django Unchained. Waltz and Kermit the Frog don’t seem to go hand in hand but it can only lead to success!

 

The Amazing Spider-Man successfully rebooted the Marvel hero this year with Andrew Garfield in the lead role. With Garfield, Emma Stone and Marc Webb all returning for the sequel all they need is a villain, and it looks as though they may have found one. Jamie Foxx, who will coincidently be starring alongside Christoph Waltz in Django Unchained at the end of this year, is in very early talks to play the super villain Electro. Electro is another villain that we are yet to see on the big screen and Marc Webb has described Foxx as one of the best actors around today and he is pretty good, it has to be said.

 

Finally, a couple of weeks ago it was announced that Breaking Bad star Aaron Paul would be taking the lead role in the upcoming Need for Speed movie adaptation. Now it has been announced that young British actor Dominic Cooper will be joining him in the driving seat. I am a big fan of Dominic Cooper and this would be something very different to what he normally does, I look forward to seeing it.

There are no awards for guessing that Warner Bros. and comic book company DC Comics are desperate to get their superhero team The Justice League to the big screen. After the phenomenal success of Marvel’s The Avengers, DC seem to be desperate to compete with them on the big screen which recently, they haven’t been able to do: Christopher Nolan’s The Dark Knight trilogy is really the only good effort from DC recently with Superman Returns and The Green Lantern paling in comparison to Iron Man and Thor. Now Warner Bros. are pushing on with the Justice League project with directors being lined up (Ben Affleck has been reported to have been approached & turned it down) but this could lead to a huge failure rather than success.

The most obvious problem to me is the Batman problem. Before The Dark Knight Rises was even released there was talk of Warner Bros. planning to reboot the caped crusader as soon as just two or three years down the line. After the huge acclaim that Batman Begins, The Dark Knight and The Dark Knight Rises received it seems a ridiculous idea to want to reboot the character of Batman immediately, with fans not even having time to let the old Batman go first (although this didn’t seem to be too much of a problem for The Amazing Spider-Man, another Marvel success). With Batman being a founding member of the Justice League a movie version would seem to be lacking something without him.

Next up, there is Wonder Woman. The Avengers sole representative of the female genre came in the form of Scarlett Johansson’s Black Widow and she was a very popular character in the third highest grossing movie of all time. This was no doubt down to the fact that she is largely a supporting character and at the helm of The Avengers was Joss Whedon, a man famed for his strong female characters. Wonder Woman is very different to Black Widow; Wonder Woman was the first female superhero and is a real staple in comic book history. She is the epitome of female superheroes and needs to be treated as such. Wonder Woman fans won’t want to see their favourite woman as a background character in someone else’s movie, they want to see her on par with the likes of Batman and Superman. Why is this a problem? Well, how well did Elektra and Catwoman do in their individual movies? And what happened to the new Wonder Woman television show? That’s right, cancelled after just a pilot. Not promising at all.

The new Superman film Man of Steel comes out later this year and, so far, it is unclear whether this will hint at a future Justice League movie. If it doesn’t then surely we will have to endure yet ANOTHER Superman reboot which would be horrible for film fans (and me especially as I already think Superman is a pretty boring character). It would also be pretty disappointing if it did because DC’s most recent non-Batman film was of course the largely disappointing Green Lantern. Green Lantern didn’t hint at a Justice League film either and you’ve got to really hope they’re not going to rehash it again just to get a Justice League movie out. Also, there is a very vast difference between The Green Lantern and (what we expect from) Man of Steel in terms of how real and grounded in reality each film is.

The wonderful thing about Marvel is that they had The Avengers planned for years, it was a long time in planning. The Avengers was a five year project that began back in 2008 and even before that when the film was in production. Whilst each film was coming out, though, we could tell that each film was happening in the same universe and little hints were laid (Cap’s shield in Iron Man 2, Tony Stark turning up in The Incredible Hulk, Agent Coulson’s constant appearances) to remind us what each film was leading up to. With each main character introduced in their own solo film we were given the chance to get to know each character by themselves then watch them change, grow and adapt as part of a team in The Avengers. It was a wonderful journey and an incredible moment in cinema history that showed just what could be accomplished with the right planning.

The Justice League so far has not laid any trails for fans to latch on to. I highly doubt there will be a moment in Man of Steel where Superman suddenly refers to The Green Lantern or anything like that. Warner Bros. really needs to take their time and make sure that they get individual films for Wonder Woman, Flash and, a little more difficult, Aquaman and Martian Manhunter. Warner Bros. are going to need someone special at the helm just as Marvel had Joss Whedon and a bad sign already is that Christopher Nolan has said he will not be involved.

As fans of movies, comic books and superheroes we can only hope that Warner Bros. and DC just take their time, rather than trying to rush a cut and paste job onto the big screen in reply to Marvel.

The Bourne Legacy Review

Aaron Cross is the new hero of the Bourne franchise.

Ten years ago, in 2002, Jason Bourne discovered went looking for his Identity, in 2004 Bourne appeared once again to unleash his Supremacy and in 2007 he never actually delivered an Ultimatum but this was the title of the film nonetheless. Now, the year is 2012 and a new leading agent, Aaron Cross, is dealing with the aftermath of Bourne’s actions, the Legacy that has been left behind.

The Bourne Legacy was always going to be a difficult task. The original trilogy of Bourne films are critically acclaimed and even more loved by fans, it is one of the most successful and greatest trilogies of all time without a bad film in the franchise. Now, minus Matt Damon in the lead role and Paul Greengrass in the director’s chair the task becomes even harder. A good move by the studio was to hire Tony Gilroy to write the fourth film, which would turn into a sequel/reboot/paraquel, since he wrote the original trilogy as well. And what started out as simply writing the first draft turned into a full writing and directing job for Gilroy meaning that they had someone in control who could capture the essence of the original films and was already involved in the Bourne universe rather than bringing in a stranger.

It doesn’t get much cooler than this.

Legacy does a fantastic job of both establishing a new character, story and opening up the story as well as coupling these events with the actions that take place within The Bourne Ultimatum. The opening scene pretty much does this immediately with Aaron Cross (Jeremy Renner) beginning the film in the same way Jason Bourne left it: lying motionless in the water before suddenly moving into action. The occasional mention of Jason Bourne help to keep the film in the same universe without relying on it too much to continue the story.

Action scenes have always been vital in the Bourne franchise and these have been lauded by fans over and over again because they are perfectly choreographed and have a proper gritty sense of realism. There are worries at the beginning that this may not be the case with The Bourne Legacy as it takes a while for some big fight scenes to take place. Instead we have to settle for Aaron Cross finding his way through some mountains, shooting a few things with a rifle and bonding with some other random agent in a log cabin in the snow. There is a little taster of what’s to come when Cross takes on a wolf but then the action gets so much better when Cross tracks down and saves Dr. Marta Shearing (Rachel Weisz), killing four people in the process using everything from the ordinary (a gun) to the unexpected that Bourne is known for (a table, fire extinguisher). The stunts and fight scenes are just as good, if not better in my opinion, as the original trilogy’s.

Renner and Weisz prove a winning combination on screen.

The performances from everyone in the cast are very solid. Jeremy Renner, continuing his great year following Mission Impossible: Ghost Protocol and The Avengers, is brilliant in the lead role and has fantastic chemistry with Rachel Weisz which really helps in the believability of their relationship towards one another as it builds through the film. Weisz herself is actually very good as well. Ed Norton doesn’t have much to do unfortunately but I anticipate a bigger role for him in the sequel which The Bourne Legacy certainly leaves itself open to and I wouldn’t be surprised if a script was already being written as I write this.

The Bourne Legacy does exactly what it needs to. It does a great job of exploring the world that we know Bourne lives in and gives insight to how his actions have affected people’s lives that were never given a second thought to before. With Matt Damon leaving this was a great direction to go. It doesn’t quite live up to the original trilogy but what it does is leave itself open for it’s own franchise to be headed by Jeremy Renner and hopefully Tony Gilroy will stay on writing duties even if he steps down from directing. Fans of the first three films should enjoy The Bourne Legacy but it is a hard place to jump in to what is already a pretty complicated series of films.

My Rating: 7/10.

UK Release Date: 14th June 2013.

Stars: Zack Snyder (director), Henry Cavill, Russell Crowe, Kevin Costner, Amy Adams, Michael Shannon, Diane Lane.

Plot: A child sent to Earth from a dying planet is adopted by a couple in rural Kansas. Posing as a journalist, he uses his extraordinary powers to protect his new home from an insidious evil.

With The Dark Knight Rises now out in cinemas and Christopher Nolan’s brilliant The Dark Knight trilogy coming to a close, Warner Bros. are keen to promote their newest superhero project, Man of Steel. This will be a reboot of the Superman story with another Brit, Henry Cavill, in the lead role of one of arguably the most iconic, yet most boring, superhero of them all, however, with Christopher Nolan in place as co-writer and producer, the signs should be good for Superman.

The teaser is pretty boring to be honest and compared to reports of what the comic con trailer consisted of, this one sounds a lot worse. Here we just get lots of miserable shots of an adult Clark Kent trying to find himself on a road, or on a fishing boat, or at the docks, and these shots are intersected with shots of a child wearing a cape who we presume to be a young Clark Kent. The final shot we get is a full costumed Superman flying through the sky, but this shot is a bit distant and really does nothing to peak interest in the character.

The comic con trailer included shots of Russell Crowe in costume, of Krypton, of Superman in handcuffs with the police and scenes all over the city of Superman or Clark Kent fighting people or saving people. No doubt as the release date draws nearer, especially next year, the general public will get to see this too. Until then, we’re stuck with this boring 90 second effort.