Tag Archive: seven dwarves


If you hadn’t heard already the Kristen Stewart helmed film Snow White and the Huntsman has come under criticism from a dwarf theatre group in Los Angeles (Beacher’s Madhouse) and dwarf group The Little People of America for casting famous regular size actors in the role of the

Huntsman and the ‘dwarves’

dwarves in the recent fairy tale adaptation. Before this row emerged I, and I expect the large majority of people, hadn’t given this a second thought; I saw the casting of people like Ray Winstone, Nick Frost and Ian McShane and though “oh, cool”. Since the fallout though I have pondered the situation and I do believe that these groups, who are also supporting a protest march over what has happened, make some very good points indeed.

Earlier in the year Mirror Mirror, another retelling of the Snow White story, was released and in the roles of the seven dwarves were cast shorter actors. However, the Rupert Sanders’ directed Snow White and the Huntsman opted for famous regular height stars. Why? No doubt it was for box office attention; but with Kristen Stewart of Twilight, Charlize Theron and Chris Hemsworth coming off the back of the success of The Avengers, was more box office draw really needed?

Mirror Mirror does it best.

The dwarves in Snow White and the Huntsman were barely even on screen that much and featured very little as the focus was on Snow White and the Huntsman as you would expect from the title of the film so what harm would it have done to cast dwarf actors in these roles. In Mirror Mirror the dwarves played a much larger and more important role in the overall story arc and yet were played by shorter actors.

There isn’t exactly a lack of talent in dwarf actors; in Mirror Mirror they all did a very fine job. Peter Dinklage, one of the most famous dwarf actors, even won an Emmy and a Golden Globe award for his role in the very successful television show Game of Thrones and yet he wasn’t even considered for a role here. The dwarves are written to be just that, dwarves and as such you should be casting dwarf actors to play the parts; the same way in which a male written part is played by a man and a female part is played by a woman, there is no difference.

Davis described the casting of the dwarves in Snow White and the Huntsman as ‘inexcusable’

Warwrick Davis, dwarf actor who has appeared in two of the most successful movie franchises ever: Star Wars and Harry Potter, perhaps says it best when he told E! News “It is not acceptable to ‘black up’ as a white actor, so why should it be acceptable to ‘shrink’ an actor to play a dwarf?”. There would be outrage if a white actor ‘blacked up’ as there was with Tropic Thunder when Robert Downey Jr. did so (even though his character in the film was doing it and not the actor himself there was still complaints surrounding it) so why is there not that same outrage with average height actors ‘shrinking’ with camera angles and special effects.

I think that Mirror Mirror went the right way about casting the seven dwarves because they used actors that were suitable for the parts and, even though it was the better film, Snow White and the Huntsman should have done the same. A huge insult has been shot at the dwarf community with Snow White and the Huntsman and there can not be a suitable reason as to why dwarf actors were not cast. Parts written as dwarves should be played by dwarf actors. End of story.

Disney is undoubtedly one of the biggest companies in the world, period. It is a huge mass media corporation and runs its own movie business, television channel,  huge advertising and publicity department, theme parks and as if that isn’t enough Disney also own Pixar and now Marvel. They are a huge powerhouse of a company and with the majority of their products aimed at children it is no surprise that children of today are influenced by Disney; in particular the Disney princesses that little girls know and love are what girls aspire to be these days and because of this, a lot of criticism has been levelled at Disney and their representation of women in their children’s films, so what is all the fuss about?

Let’s start with Snow White and the first ever full length animated feature film and one of Disney’s most successful films still today. The problem with Snow White is simple, she is a stereotypical woman waiting for a man to come and save her (this will become a familiar theme as I talk about more of Disney’s princesses); when she finds a little house in the woods that is empty what is her first instinct? To clean it. Snow White is a pretty woman relegated to the role of home maker who must carry out all housework for the seven dwarves in return for them letting her live there. And when she is rescued by the prince at the end of the film she instantly falls in love and rides off with him into the sunset, no doubt to clean and cook for him in future.

Ariel in The Little Mermaid is a bit rebellious of her father to begin with and her red hair symbolises that, maybe she is a good role model for young girls, sticking up for herself, showing how strong willed she is. But why does she want to rebel? To go on land and marry a handsome prince because that is the focus of all her life ambitions, oh Disney you surprised me there. Ariel, despite being a teenager, goes through pretty much the whole of the film half naked and must give up something she treasures (her voice) in order to find true love and of course, without her voice she must use her body and her womanly figure to win the man over. Disney promoting a strong campaign of ‘women should be seen and not heard’ right there. And when she finally gets her prince and he voice back, Ariel stays on land and leaves her family and friends of the sea behind because she has found romance. That’s pretty bad, isn’t it?

Disney tried to buck the trend of negative female role models, after so much criticism of The Little Mermaid, with Belle in Beauty and the Beast and said that Belle would be a more active woman and even a feminist. What actually changed? She enjoyed reading, that was all. The moral of the story is that you shouldn’t judge someone’s personality because of their appearance; Beast is a beast of a man but inside he is soft natured. Yet Belle just happens to be the most beautiful girl in town so it is her that must get the chance with the prince and must change him. It has been claimed (almost out of hope than anything else) that Beauty and the Beast promotes a message of ‘if you get beaten by your man, it is your fault for not changing him’, although I feel that this may be stretching it a little bit.

These are only a few examples of why the Disney princesses are seen as bad role models and I am not, for one second, saying that I agree with all of the points raised above but it does consider thinking about. Pretty much all of Disney’s heroines are in search of true romance and only that will make them happy and this idea that you NEED to have a man and a happy marriage to feel fulfilled is absolute rubbish of the highest calibre. I am not saying that these are bad films because I think that some of Disney’s Princess based films are very good, Beauty and the Beast in my opinion is almost as close to perfect as a film can get, but these princesses are not exactly the sort of role models that we need.

***WARNING: CONTAINS SPOILERS***

Mirror Mirror is the first in a long line of fairytale remakes heading to the big screen over the next couple of years. But while its competition in the genre, and natural main rival Snow White and the Huntsman, plan on setting a much darker tone on their stories, Mirror Mirror opts for a lighter, more comedic take on the classic tale.

So the story is pretty obvious. Mirror Mirror is of course about Snow White and her wicked step mother, the Evil Queen. Snow White is sent out to the forest to be killed, yet she is instead let free and ends up living with seven dwarves. However, in this version Snow White learns how to look after herself and become a skilled fighter and thief with the help of the dwarves whilst trying to win back the Prince who is under a love spell condemning him to long for the Evil Queen.

The cast really only carries one big hitter and that is Julia Roberts in the role of the Evil Queen. Roberts does a very good job really; you’re not supposed to like her character and the way that she is played makes you really see what a horrible character she is, not just as a villain but as a human being in general. You will probably find yourself wondering how much you could slap the Queen before you got bored. Lily Collins looks the part as the Evil Queen’s step daughter and heroine, Snow White; she is a perfect fit for the beautiful and innocent young girl and although her acting skills are not fully developed quite yet she certainly has potential.

The laughs are there in Mirror Mirror which is pretty handy considering it is being marketed for its comedy value. Arnie Hammer and Nathan Lane both offer up some laughs in their roles as Prince Alcott and Brighton respectively. But really the dwarves are the main source of comedy and that seems to be their main purpose within the film. A couple of the dwarves in particular, Grub and Half Pint will stand out.

So thats the good parts done with, now for the bad. The dialogue at times is really forced and chunky, placed within the film in order to blatantly feed the audience with information to a point where it is almost insulting the intelligence of the viewers. It felt like people were talking a lot more than they needed to be and the script could have been sharpened up slightly. There were several parts of the film where it felt as though the film had been clumsily put together and instead of flowing seamlessly from one scene to a next it just didn’t fit right.

I also have a problem with Snow White as a heroine. In the Disney film she wasn’t brilliant but that was many years ago now and people’s attitudes and expectations of the character surely would have changed but here she is still that naive princess. Despite learning to fight and look after herself she still needs the help of eight men at the end of the film to overcome ‘the beast’ and throughout the film it seems as though she is easily manipulated and as for the scenes getting her ready for her first kiss, it was very much playing up to little girls’ ideas of being a princess I felt and wasn’t really needed. She just is not a great heroine, but anyway I digress.

The biggest problem was the ending and the less said about how surplus to requirements it is, the better. We are told at the beginning that the King (Snow’s father) was never seen again. That was roughly ten years before the movie took place, the audience can and have accepted that Snow has not got a father anymore so there is really no need to bring him back at the end of the film, let alone let it turn out that he is ‘the beast’. How pointless is that. Really?!

Mirror Mirror, for all of its flaws, is enjoyable and it will probably make you laugh here and there. Its worth a watch at least once, maybe rent it once its out or just wait for it on television, but still worth a watch.

My Rating: 5/10.