TheMovieUniverse’s Best Films of 2012

I’m back from my Christmas hiatus and in the past couple of weeks critics and fans alike have been compiling their lists of the ten best films of 2012 or twenty best or whatever you like, but I have decided to take a different approach to compiling my list and I will be looking at, month by month, what were the best releases. I’ll be using the UK release dates for films and, in doing it month by month there will be some big omissions and some surprise inclusions.

Will any of these films feature on the list?

 

January – The Grey

To be honest, if you look at what was released in January it doesn’t really fill you with enthusiasm for the rest of the year as there weren’t really many films worth noting released this month. I think that people were still more bothered about seeing the previous year’s Christmas releases (The Girl with the Dragon Tattoo, Sherlock Holmes: A Game of Shadows, Mission Impossible: Ghost Protocol) however there were a few films that stood out. You might think that We Need to Talk About Kevin, Shame or War Horse might win this month but I decided to go for Liam Neeson’s The Grey. Neeson continued his rebirth as an action hero in 2012 and it was largely down to his enounter with wolves in the partially surprising hit: The Grey.

 

February – Chronicle

February brought a lot of very disappointing ventures to the cinema. Safe House was a blockbuster than lacked a punch, Man on a Ledge was a very boring ‘thriller’ and One For the Money is one of the most boring films I have ever seen! However, saying that I was really impressed by Woman in Black which seemed to reinstate Hammer Films at the forefront of the horror scene but for the best film of the month it fell short and I went for Chronicle. Chronicle was seen by many to be very refreshing to an overcrowded superhero genre. The characters that appear in this found footage film are not from the pages of comic books and, like The Grey, Chronicle was another surprise hit but worth of all it’s critical acclaim.

March – 21 Jump Street

If you think that 21 Jump Street is a strange and ridiculous choice to be on this list then I really do encourage you to look at films that were released in the UK in March this year. March saw releases from some very highly anticipated films that were subsequently big disappointments, none bigger than John Carter. Of course, March also brought us the beginning of a huge new franchise with the Jennifer Lawrence led The Hunger Games, however I enjoyed 21 Jump Street a lot more. I can’t remember the last time I laughed so much in the cinema, 21 Jump Street was a welcome injection of humour to an otherwise dull month.

 

April – Avengers Assemble

There was a clear winner for this month. Marvel’s Avengers Assemble became the third highest grossing film of all time, breaking no end of records on its way to this achievement. This was the event that film fans had been waiting for for 4 years and it did not disappoint, The Avengers (as it was known sensibly in other countries) provided big entertainment, big action, big characters and big laughs. The only real competition in this month came from another film with Joss Whedon’s name attached: Cabin in the Woods, which was seen to redefine the horror genre but really, nothing could top Avengers Assemble.

 

May – The Raid: Redemption

May saw a lack of big releases as the prospect of going up against Marvel’s box office Goliath seemed a little bit daunting for many studios. And of course there is a bit of a lull in the cinema calender before the big summer smashes get released. The Raid was something that we don’t see nearly enough on this side of the Atlantic, a foreign release… and a successful one at that! The Raid is a brilliant, action packed, adrenaline fueled Indonesian martial arts film and it should come as no surprise that there are plans in America to do an English language remake.

 

June – Killer Joe

Now, June saw the second big release of the year: Prometheus. And don’t get me started on how over rated that was and what a bore fest it unfortunately turned out to be. Rock of Ages was a very very dull adaptation of the successful stage musical and The Five Year Engagement was about five years too long. Killer Joe proved that Matthew McConaughey could really act and it turned out to be a very gritty, gothic crime drama that also featured Emile Hirsch who is quietly going about proving what a good actor he is too.

 

July – The Dark Knight Rises

At the beginning of July The Amazing Spider-Man was released and was a very good attempt at reshaping Spider-Man’s origins; then on the 20th of July Christopher Nolan turned up to show everyone how it was done. Nolan’s Batman trilogy ended with one of the greatest films of the year. Full stop. He brought an all star cast here and cranked up the tension, cranked up the stakes and people flocked to the cinema to see how the greatest superhero trilogy ever made would end. And it did not disappoint. Sure, it never quite reached the heights of The Dark Knight which preceded it but I thought that the ending of The Dark Knight Rises was one of the greatest and most satisfying endings I have ever seen.

 

August – Ted

Fans of controversial humour, outrageous humour and toilet humour were delivered an early Christmas present back in August when Seth MacFarlane made his feature film directorial debut in this story of a child’s teddy bear coming to life to become a sex-craved, pot smoking best friend (voiced by MacFarlane himself). I think Ted may suffer from a lack of rewatchability but all in all it was a very funny film with some great cameos and hilarious scenes. The “white trash girls names” scene is one of the best scenes of the year in itself!

 

September – Looper

There were some very popular films released in September: Anna Karenina, Dredd, The Sweeney and House at the End of the Street to name a few. Lawless, featuring wonderful performances from Tom Hardy, Shia LaBeouf and Guy Pearce among others was an incredible film and gives Looper a run for its money but when I saw Looper I knew I was watching something special. Looper is one of the best films that I have ever seen and has fast become one of my favourites. The time travel plot device that has long been a staple in the science fiction genre and Looper gave an alternate look while skirting around the edges of Rian Johnson’s own laws of time travel. Looper was incredible! My best film of the year.

 

October – Skyfall

2012 saw the return of James Bond to the big screen in Skyfall, directed by Sam Mendes. After a disappointing Quantum of Solace Bond returned in a flood of critical acclaim and commercial success worldwide in the critically lauded Skyfall. Skyfall delivered a more personal look at the characters in Bond’s world, including a small trip into Bond’s background, a more in-depth look at M and revealed a few dark secrets of MI6. Skyfall also brought back some famous characters in a new style, Q and Moneypenny. Skyfall was simply fantastic and should be an outside bet for a couple of Oscar nominations.

 

November – Argo

My heart longs to say that Rise of the Guardians was the best film released in November but my head says otherwise. November saw End of Watch and Silver Linings Playbook released as well but I think that Argo was a really really incredible achievement for Ben Affleck. Argo was crammed full of suspense and tension and had audiences chewing on their nails whilst sitting on the edge of their seats. A true story of a rescue attempt using the undercover story of being a film crew for a science fiction film seems almost unbelievable but Argo brings it to the screen with such perfect realism.

 

December – Life of Pi

Life of Pi was very hotly anticipated as soon as it was announced. Being a best-selling book Life of Pi already had a huge audience waiting to see how the adaptation would turn out. The story is of 16 year old Pi who suffers a ship wreck which kills his family and leaves Pi stranded with just a Bengal tiger named Richard Parker. It is a truly touching and emotional story and is already reaping the rewards of their hard work with Golden Globe nominations for Best Score, Best Drama and Best Director.

Is Michael Fassbender Really That Good?

Michael Fassbender is one of the hottest properties in Hollywood right now and over the last few years he has really shot to the forefront of the movie industry. With his choice of films he has really shown that he has a fantastic range of skills and is a very versatile actor. The short answer to the question ‘Is Michael Fassbender really that good?’ is simply Yes; but feel free to continue reading if you want the longer answer.

Fassbender first rose to prominence on television where one of his first main roles was on the Steven Spielberg and Tom Hanks produced mini series Band of Brothers which received hugely positive reviews and brought plenty of publicity for the cast. Fassbender continued to work in television with another critically acclaimed television series, this time British: Murphy’s Law.

The first big film that Michael Fassbender featured in and set the sparks in motion of the fire that Michael Fassbender was soon to light Hollywood up with was 300, a fantasy action film directed by one of my favourite directors Zack Snyder. It’s not a film that many people would instantly think of when trying to list Michael Fassbender’s movies but it started off something big in the movie industry. Fassbender won over critics at the Cannes film festival in 2008 with Hunger, directed by Steve McQueen.

But it was thanks to Quentin Tarantino that people were really forced to sit up and take notice of Michael Fassbender. Inglorious Basterds is one of Tarantino’s best films and Fassbender features in one of the best scenes in the movie in my opinion. This film came out in 2009 and overshadowed the small British film that Michael Fassbender also featured in in the same year: Fish Tank. Fish Tank is the story of a rebellious teenage girl growing up on a run down council estate living with her alcoholic mother and tearaway younger sister. Michael Fassbender is the creepy love interest of the mother and manages to pull off a kind of safe but sinister paedophilic character scarily well. To this day this is my favourite role I have seen Fassbender in although it is one of his least well known but the performance he puts in is nothing short of sensational.

If 2009 was one of Michael Fassbender’s best years in films then 2010 was definitely one of his worst. Perhaps high on the success of Inglorious Basterds Fassbender made some rather, well… questionable choices. He appeared in Centurion and the horribly tragic comic book adaptation of Jonah Hex, both films making a loss. Probably a year that Fassbender wouldn’t like to dwell on anytime soon. But these failures didn’t put him off or seem to put him out of favour with movie big wigs.

2011 brought several Michael Fassbender films to the forefront without making people sick of him. Fassbender took up the part of Edward Rochester in an adaptation of Charlotte Bronte’s novel Jane Eyre (one of the greatest stories ever written, end of story) for which he received a lot of praise. Another comic book movie, with a lot better fate than his last one, gave Fassbender huge success and stability as it comes with a several movie contract. X-Men First Class is the movie and Magneto is the character; although at times Fassbender seemed to get complacent and his accent slipped back to Irish it was overall a great performance and Fassbender proved yet again how good he is at playing a conflicted and bad natured character. This movie reunited Fassbender with his old Band of Brothers co star James McAvoy.

A Dangerous Method followed starring Viggo Mortensen and Keira Knightley which was about the relationship between psychologists Carl Jung and Sigmund Freud. Fassbender then reunited with director Steve McQueen for Shame, which is probably his most critically successful film and role which won Fassbender a number of awards at film festivals and awards ceremonies and picked him up even more nominations. He then returned to mainstream cinema with Haywire which saw him co-star with names like Ewan McGregor and Antonio Banderas.

This year, 2012, Michael Fassbender only has one film slated for release after a busy twelve months. This comes in the form of Ridley Scott’s Prometheus. After recently seeing this I was not a huge fan of the film but as a fan already of Michael Fassbender I was excited for his performance and I was not left disappointed by him. Fassbender, for me, is the stand out performer of the cast and the only really memorable character or performance from the cast. There is no doubt that Fassbender is set for a huge and successful career in my opinion and he deserves it.

Is Michael Fassbender really that good? Yes.

The Great Gatsby Trailer

UK Release Date: 26th December 2012.

And so it begins again. This is our first look at one of two films released around Christmas featuring Leonardo DiCaprio as he goes after that Oscar that has eluded him time and time again. The Great Gatsby is probably the lesser anticipated of the two (the other being Django Unchained) but it is the first to show its trailer to audiences and has stirred a lot of interest.

Leonardo DiCaprio plays Jay Gatsby; a young, mysterious millionaire who has shady business connections and an obsessive love for Daisy Buchanan (Carey Mulligan). Nick Carraway (Tobey Maguire), a Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbour, Jay Gatsby. He is drawn into Gatsby’s circle, becoming a witness to obsession and tragedy.

The cast features several big names. Tobey Maguire is very hit and miss as far as I’m concerned but working with a close friend of his in DiCaprio may bring out the best in him. Leonardo DiCaprio himself has been one of the most consistent performers of recent years and has proven his brilliance over and over showing that he really has got better with age. Carey Mulligan is DiCaprio’s love interest and there is a lot of hype around the young actress earning rave reviews for her performances in An Education (great film by the way) and Shame.

Baz Luhrmann is at the helm as director and reunites with Leonardo DiCaprio after directing him in one of his very first film roles Romeo & Juliet. Luhrmann’s turns as director have been few and far between over the years but when he directs it is met with success; Romeo & Juliet, Moulin Rouge and Australia.

The Great Gatsby looks great from this trailer. It doesn’t give too much of the plot away but does its job in building up the lifestyle of the mysterious title character and giving us a little insight into his world. The film looks stylish and the actors look great. It has to get the critics drooling surely.