Tag Archive: skyfall


With the success of Skyfall and Sam Mendes’ direction it appears that the James Bond franchise is now in an enviable position. For the first time in a few years, the director’s chair on the next Bond film is a coveted seat indeed and so far, only A-list directors are being linked to the role. So let’s take a look at the possible candidates…
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SAM MENDES

Bond 23, or Skyfall if you want to call it by it’s proper name, broke into the top ten highest grossing films of all time and was loved by audiences and critics alike. Part of that reason was the direction which was masterfully handed by Sam Mendes. Early reports suggested that Mendes had refused to return for Bond 24 but if you believe what you read, Mendes is right back in the frame and surely should be the first choice.

What to expect if Mendes directs? Brilliant character development and lots of Oscar buzz but no Oscars.
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CHRISTOPHER NOLAN

From Memento right through to The Dark Knight Rises, every one of Nolan’s films has been critically acclaimed. The Dark Knight, under Nolan’s supervision, is arguably the best film of recent years and one of the best of all time. A technically gifted director who puts a great deal of thought into everything he does, if he gets his usual team of Jonathan Nolan and Wally Pfister together again, it could be a masterpiece.

What to expect if Nolan directs? Bond will either be dreaming, a twin or… Michael Caine.
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ANG LEE

Ang Lee hasn’t had it all his own way since he began making films in Hollywood but he does hit more often than he misses. Sam Mendes became the first Oscar winning director to direct a Bond film, how do you top that? Employ a man who has two Oscars. Brokeback Mountain and Life of Pi both won Lee the Oscar for Best Director and would no doubt keep Bond at the elevated status Mendes has now given him.

What to expect if Lee directs? A touching love story between Bond and Q.
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NICOLAS WINDING REFN

Perhaps the least recognisable name on this list among mainstream audiences, Refn has had an extremely good few years. Since Pusher Refn has received critical acclaim and his 2011 film Drive became an instant classic and was loved for its character development and theme heavy plot. However, his most recent effort Only God Forgives has divided early audiences with its controversial content.

What to expect is Refn directs? Brutal fight scenes leaving Bond scarred for life on every limb.
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BEN AFFLECK

Affleck has not been linked with the director’s role… until now! Since shifting his focus from acting to directing Affleck has become hot property. Gone Baby Gone, The Town and the Oscar winning Argo have won Affleck a lot of fans, with his oversight for a nomination at the Oscars being one of the most controversial topics surrounding the ceremony this year.

What to expect is Affleck directs? Bond 24 to win Best Motion Picture but Affleck to not even be nominated.
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Troubled sequel Dawn of the Planet of the Apes finally has it’s leading man. It’s taking some time getting done but Jason Clarke has been cast in the lead role; lets face it, we all knew James Franco really didn’t want to come back so this isn’t really a surprise. What may come as a shock, however, is the news that ‘Dawn‘ is due to take place FIFTEEN years after Rise of the Planet of the Apes so it will be interesting to see how far the apes have come since ‘Rise‘ and how the planet is shaping up. Clarke has previously appeared in Public Enemies, Lawless and most recently Zero Dark Thirty so he has a surprisingly good track record.

 

They haven’t won any Oscars yet but it looks as though David O. Russell and Jennifer Lawrence clearly enjoyed working together on Silver Linings Playbook because they have agreed to do another two projects together. First it was announced the Lawrence had joined the cast in a lead role in a currently untitled film (previously known as American Bullshit) which also stars former O. Russell collaborators Bradley Cooper (Silver Linings Playbook) and Christian Bale (The Fighter). The second is The Ends of the Earth; this time it was Lawrence who was already signed on and clearly David O. Russell thoroughly enjoys her company as he has agreed to direct this film too.

 

Marvel have a lot of film projects dotted about studios as well as their own ‘two films per year’ scheme they seem to be operating so you can pretty much guarantee that there will be something in the news regarding them every week, even more so with Bryan Singer back directing X-Men as he LOVES to talk about the project. Firstly, Jason Momoa (Game of Thrones) has been cast as Drax the Destroyer in Marvel’s own cosmic team-up film Guardians of the Galaxy, which is moving well on the casting front. As well as this, Momoa’s co-star on Game of Thrones, Peter Dinklage, has been added to the ever expanding cast of X-Men: Days of Future Past. After early speculation of Dinklage playing Alpha Flight team member Puck was dismissed it now seems as though he will be playing a villain, probably Bolivar Trask, creator of the Sentinels.

 

And now, to end on a very good note! The previous James Bond film, Skyfall, was a smash hit around the globe winning both critically and commercially. Now it seems that it is almost dead certain that director Sam Mendes WILL return to direct the 24th Bond film in the series. Bond 24 is already being written by the same writer as Skyfall so to have Mendes back on board would increase expectations even more but I am certain that he can deliver.

I’m pleased to see Affleck getting the recognition he deserves as a director.

The Golden Globes took place last night and Argo was the hit of the night winning Best Drama and won Ben Affleck Best Director. This would suggest that Argo is now the favourite to pick up the Best Picture Oscar (it was already many people’s favourites and this will just strengthen arguments) but will that be the case?

Argo will face tough competition at the 85th Academy Awards from Les Miserables in particular which picked up the Best Musical or Comedy Golden Globe last night. I’m not sure why the Golden Globes feels the need to separate films into drama and musical/comedy but that’s what they do and they infer that Argo will be going head to head with Les Miserables. The cynic in me still thinks that something like Lincoln or Zero Dark Thirty will get the win thanks to their very strong pro-American vibes. Last year, The Descendants and The Artist were the winners of Best Motion Picture Golden Globes and The Artist went on to stuff its face with more and more awards in the following weeks, I can’t see the same happening for Argo to the same extent but I wouldn’t say an Oscar is beyond doubt.

However, Ben Affleck is not even nominated for Best Director at the Oscars! I think the Best Director Oscar is well up for grabs and any of the five nominees (Steven Spielberg, Ang Lee, Michael Haneke, David O. Russell, Benh Zeitlin) could easily win it. But surely it says something that the winner of the Golden Globe for direction is not even nominated for the Academy Award? Personally, I though Affleck’s direction was one of the best features of Argo!

Lawrence is one of the youngest actresses to be nominated for an Academy Award and the Golden Globes suggest this could be her year.

The Best Actor Oscar looks set to be between Hugh Jackman and Daniel Day-Lewis and these are the two people I would have been backing before last night. I do hope that Daniel Day-Lewis wins the Oscar as he is clearly one of the best actors that his generation has seen, and I would go so far as to say he will go down as one of the greatest of all time. Jennifer Lawrence and Jessica Chastain will compete for the Best Actress award and Lawrence is nailed on favourite so it’s hard to look past her for this one.

The rest of the Golden Globes correctly predict the winners for me: Christopher Waltz for Best Supporting Actor, Anne Hathaway for Best Supporting Actress, Adele to win for Best Original Song for Skyfall and Quentin Tarantino to win Best Screenplay.

In terms of the acting awards last year the Golden Globes were a certain prediction of the Oscar Awards but only time will tell if this year will follow suit.

I’m back from my Christmas hiatus and in the past couple of weeks critics and fans alike have been compiling their lists of the ten best films of 2012 or twenty best or whatever you like, but I have decided to take a different approach to compiling my list and I will be looking at, month by month, what were the best releases. I’ll be using the UK release dates for films and, in doing it month by month there will be some big omissions and some surprise inclusions.

Will any of these films feature on the list?

 

January – The Grey

To be honest, if you look at what was released in January it doesn’t really fill you with enthusiasm for the rest of the year as there weren’t really many films worth noting released this month. I think that people were still more bothered about seeing the previous year’s Christmas releases (The Girl with the Dragon Tattoo, Sherlock Holmes: A Game of Shadows, Mission Impossible: Ghost Protocol) however there were a few films that stood out. You might think that We Need to Talk About Kevin, Shame or War Horse might win this month but I decided to go for Liam Neeson’s The Grey. Neeson continued his rebirth as an action hero in 2012 and it was largely down to his enounter with wolves in the partially surprising hit: The Grey.

 

February – Chronicle

February brought a lot of very disappointing ventures to the cinema. Safe House was a blockbuster than lacked a punch, Man on a Ledge was a very boring ‘thriller’ and One For the Money is one of the most boring films I have ever seen! However, saying that I was really impressed by Woman in Black which seemed to reinstate Hammer Films at the forefront of the horror scene but for the best film of the month it fell short and I went for Chronicle. Chronicle was seen by many to be very refreshing to an overcrowded superhero genre. The characters that appear in this found footage film are not from the pages of comic books and, like The Grey, Chronicle was another surprise hit but worth of all it’s critical acclaim.

March – 21 Jump Street

If you think that 21 Jump Street is a strange and ridiculous choice to be on this list then I really do encourage you to look at films that were released in the UK in March this year. March saw releases from some very highly anticipated films that were subsequently big disappointments, none bigger than John Carter. Of course, March also brought us the beginning of a huge new franchise with the Jennifer Lawrence led The Hunger Games, however I enjoyed 21 Jump Street a lot more. I can’t remember the last time I laughed so much in the cinema, 21 Jump Street was a welcome injection of humour to an otherwise dull month.

 

April – Avengers Assemble

There was a clear winner for this month. Marvel’s Avengers Assemble became the third highest grossing film of all time, breaking no end of records on its way to this achievement. This was the event that film fans had been waiting for for 4 years and it did not disappoint, The Avengers (as it was known sensibly in other countries) provided big entertainment, big action, big characters and big laughs. The only real competition in this month came from another film with Joss Whedon’s name attached: Cabin in the Woods, which was seen to redefine the horror genre but really, nothing could top Avengers Assemble.

 

May – The Raid: Redemption

May saw a lack of big releases as the prospect of going up against Marvel’s box office Goliath seemed a little bit daunting for many studios. And of course there is a bit of a lull in the cinema calender before the big summer smashes get released. The Raid was something that we don’t see nearly enough on this side of the Atlantic, a foreign release… and a successful one at that! The Raid is a brilliant, action packed, adrenaline fueled Indonesian martial arts film and it should come as no surprise that there are plans in America to do an English language remake.

 

June – Killer Joe

Now, June saw the second big release of the year: Prometheus. And don’t get me started on how over rated that was and what a bore fest it unfortunately turned out to be. Rock of Ages was a very very dull adaptation of the successful stage musical and The Five Year Engagement was about five years too long. Killer Joe proved that Matthew McConaughey could really act and it turned out to be a very gritty, gothic crime drama that also featured Emile Hirsch who is quietly going about proving what a good actor he is too.

 

July – The Dark Knight Rises

At the beginning of July The Amazing Spider-Man was released and was a very good attempt at reshaping Spider-Man’s origins; then on the 20th of July Christopher Nolan turned up to show everyone how it was done. Nolan’s Batman trilogy ended with one of the greatest films of the year. Full stop. He brought an all star cast here and cranked up the tension, cranked up the stakes and people flocked to the cinema to see how the greatest superhero trilogy ever made would end. And it did not disappoint. Sure, it never quite reached the heights of The Dark Knight which preceded it but I thought that the ending of The Dark Knight Rises was one of the greatest and most satisfying endings I have ever seen.

 

August – Ted

Fans of controversial humour, outrageous humour and toilet humour were delivered an early Christmas present back in August when Seth MacFarlane made his feature film directorial debut in this story of a child’s teddy bear coming to life to become a sex-craved, pot smoking best friend (voiced by MacFarlane himself). I think Ted may suffer from a lack of rewatchability but all in all it was a very funny film with some great cameos and hilarious scenes. The “white trash girls names” scene is one of the best scenes of the year in itself!

 

September – Looper

There were some very popular films released in September: Anna Karenina, Dredd, The Sweeney and House at the End of the Street to name a few. Lawless, featuring wonderful performances from Tom Hardy, Shia LaBeouf and Guy Pearce among others was an incredible film and gives Looper a run for its money but when I saw Looper I knew I was watching something special. Looper is one of the best films that I have ever seen and has fast become one of my favourites. The time travel plot device that has long been a staple in the science fiction genre and Looper gave an alternate look while skirting around the edges of Rian Johnson’s own laws of time travel. Looper was incredible! My best film of the year.

 

October – Skyfall

2012 saw the return of James Bond to the big screen in Skyfall, directed by Sam Mendes. After a disappointing Quantum of Solace Bond returned in a flood of critical acclaim and commercial success worldwide in the critically lauded Skyfall. Skyfall delivered a more personal look at the characters in Bond’s world, including a small trip into Bond’s background, a more in-depth look at M and revealed a few dark secrets of MI6. Skyfall also brought back some famous characters in a new style, Q and Moneypenny. Skyfall was simply fantastic and should be an outside bet for a couple of Oscar nominations.

 

November – Argo

My heart longs to say that Rise of the Guardians was the best film released in November but my head says otherwise. November saw End of Watch and Silver Linings Playbook released as well but I think that Argo was a really really incredible achievement for Ben Affleck. Argo was crammed full of suspense and tension and had audiences chewing on their nails whilst sitting on the edge of their seats. A true story of a rescue attempt using the undercover story of being a film crew for a science fiction film seems almost unbelievable but Argo brings it to the screen with such perfect realism.

 

December – Life of Pi

Life of Pi was very hotly anticipated as soon as it was announced. Being a best-selling book Life of Pi already had a huge audience waiting to see how the adaptation would turn out. The story is of 16 year old Pi who suffers a ship wreck which kills his family and leaves Pi stranded with just a Bengal tiger named Richard Parker. It is a truly touching and emotional story and is already reaping the rewards of their hard work with Golden Globe nominations for Best Score, Best Drama and Best Director.

Skyfall Review

The arrival of a new James Bond film is always treated as a special occasion because the Bond films hold such a high place of regard in the history of film. Never has that been more true than this year with the arrival of Bond 23: Skyfall. 2012 marks the 50th anniversary of James Bond on screen and with the amount of time fans have been waiting Skyfall has to be something exceptional… and it is.

Skyfall sees M come under review and her ability to head up the Secret Service in doubt. This is after the Secret Service’s intelligence is broken and a list of agents has been stolen and in attempt to retrieve that list Bond has gone missing, presumed dead. However, when the Service itself comes under attack at the hands of suspected terrorists Bond is drawn back to London only to find that the person behind the attacks, Raoul Silva, claims a personal connection to both Bond and M, which forces Bond to question his loyalty to M.

Director Sam Mendes’ take on the world’s most famous spy marks the first time that an academy award winning director has taken the helm of a James Bond flick. Citing Christopher Nolan’s The Dark Knight as one of the main influences on his take on the film you could tell that he was clearly going to make sure he put in a shift directing Skyfall. And he does not disappoint. Skyfall is shot superbly and combines a rare treat in Bond films of giving the characters equal billing with the action sequences, without one outweighing the other.

Right from the very first sequence, which includes a motorbike chase over rooftops as well as a shootout on a train, the bar is set very high. The set pieces are absolutely wonderful, explosions galore all the way through the film but this is not just action for the sake of it which is clear by the amount of emphasis put on characters throughout the film. Mendes manages to really add layers to Bond, M and the villain of the piece Raoul Silva and it is brilliant to watch these characters grow throughout the film.

Many fans of the James Bond series say that a Bond film is only as good as the villain and Javier Bardem as Raoul Silva delivers a villain not easily forgotten. As a rogue agent he is an equal match physically for Bond but his intellect is on a rather high level too and it seems as though his resources are endless. There is something incredibly creepy and sinister about the character and this performance is easily the best of the film. Although perhaps too much was put in to Bardem’s character because it seems as though the Bond girls were somewhat forgotten. After seeing all the promotional shots for the film I was expecting both Naomie Harris and Bérénice Marlohe to play a much larger part in Skyfall than they actually did and it seemed to render their characters almost irrelevant other than to have something nice to look at.

Is it Sean Connery? Is it Roger Moore? The debate goes on and on among fan communities about who is the best Bond and with Skyfall Daniel Craig goes a long way to stamping out any doubt that would deny him of the accolade. Craig is a wonderful fit the Bond role, he’s a rough and ready guy with a charm to him; he delivers his one liners excellently and you can’t help but like his portrayal. Couple that with the fact that Craig actually is a very very good actor and you get a great combination of on screen presence. And I have to mention that Ben Whishaw certainly pulls off the Q role perfectly.

Skyfall is a Bond film that, for me, stands alone above the rest. It does a great deal in differentiating itself from the rest of the films and makes sure it is better than Quantum of Solace. The opening sequence, the soundtrack, the title sequence; everything is wonderful. And I deny anyone to at least get a smile on their face when the famous James Bond music kicks in the middle of a scene. Skyfall is full of twists, turns and huge explosions that comes to its conclusion with a fantastic, yet incredibly surprising, ending. Enjoy!

My Rating: 9/10.

“The name’s Bond, James Bond” is one of the most iconic lines in cinema history, almost as iconic as the man himself who says it so often. James Bond is a figure known all across the world, a British Secret Service agent that has saved the world and defeated villains countless times. The Ian Fleming creation has spawned twenty-three canon films and has been played by six different actors, all of whom have been white.

Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and today’s Daniel Craig have all donned the suit and the suave attitude to play the most famous spy that the world has ever seen. But once Daniel Craig steps aside is the path paved for a black actor to take on one of the most famous cinematic roles in history? It certainly looks as though this is now a real possibility where it has never really been given any thought before. Skyfall Bond girl Naomie Harris has let is slip that a black actor has been met by producers to talk about taking on the part, despite Daniel Craig having a contract for another two films. The actor in question is the phenomenal Idris Elba, who would certainly be an inspired choice as his stock continue to grow in Hollywood after roles in huge blockbuster films such as Thor and Prometheus.

Harris is quoted in The Huffington Post as saying “it does seem like there is a possibility in the future that there could very well be a black James Bond. And I would have to vote for Idris because I just finished working with him and he’s a great guy”. I thoroughly believe that the colour of his skin should not be an issue for the casting choice but let’s not forget all the uproar that was caused when Daniel Craig was cast just because he had BLONDE hair! But this is something that Idris Elba has mentioned and spoken about before, in October 2011 he stated “I don’t want to be the black James Bond. Sean Connery wasn’t the Scottish James Bond, and Daniel Craig wasn’t the blue-eyed James Bond, so if I played him, I don’t want to be called the black James Bond”. This makes complete sense; it should be his ability to act as the famous James Bond character that should see him either accepted or declined for the role.

Unfortunately I have been on a few fan forums and a lot of James Bond fans seem to be against this idea with some even saying that this would lead to a ‘gay, then female’ James Bond. Some fans say that making Bond black would go against the creation of Fleming but things are changing in the modern cultural climate and character’s do not stay the same forever. M was once a man in the films, now is a woman. Although I do believe that film fans can be fickle and in the end, if Elba played the part well enough there would be a lot of people backtracking on their previously held opinions.

Let’s not forget that it does appear to be a kind of underlying rule that a Hollywood hero must be either white or Will Smith. This would be a great opportunity for James Bond to not only take their own franchise and name forward but help pave way for better roles for black actors and a more equal chance for actors despite what their race may be.

It is unclear when in time the meetings took place between Elba and the Bond producers, it could even have been before they signed Daniel Craig on to two more films or it could have been after. It is also unclear whether Elba is the only person producers have met with or whether there have been others (black or white actors) who have been approached with a view to replacing Daniel Craig when he eventually steps down. Although, with critics already calling Skyfall the best Bond ever you have to think that fans will want to see plenty more of Craig before any considerations get under way as to who will be next in line.

Bond 23 ‘Skyfall‘ is in cinemas tomorrow (26/10/2012)

He’s just a guy that I really want to hang out with.

Since it’s his birthday today (14/10/2012) this is the perfect opportunity for me to write about one of my favourite British actors, or actors in general, at the minute – Ben Whishaw. Now, I’ll openly admit I haven’t seen everything he has been in but once you see him for the first time in a main role, you will not forget him. Even if on screen for just a few minutes he brings great charisma, energy and unforgettable character to his roles and, being in quite a few big films this year, it becomes clear almost instantly that Whishaw is a master of the craft of acting.

At 32 years old, Whishaw has been acting now for 13 years. His career began all the way back in the twentieth century in 1999 and although he appeared in a few films and television series’ it would not be until 2011 that Ben Whishaw would finally get the recognition and attention that he so richly deserves. Whishaw has been quoted previously saying about his personal life “as an actor you have total rights to privacy and mystery, whatever your sexuality, whatever you do. I don’t see why that has to be something you discuss openly because you do something in the public eye. I have no understanding of why we turn actors into celebrities” perhaps showing a desire to stay out of the public eye and just to enjoy his work and let others enjoy his performances too without focussing too much on him as a person.

Ben Whishaw and Daniel Craig together for the first (but not the last) time on film.

As well as appearing on stage Whishaw first got recognition from the film world in 2001 when he was names Most Promising Newcomer at the British Independent Film Awards for his part in My Brother Tom. This led to appearances in Enduring Love, Layer Cake (where he would appear with Daniel Craig for the first time) and Stoned, a biopic about Brian Jones in which Ben Whishaw played Keith Richards. He then moved to television to appear in short lived Channel 4 comedy Nathan Barley. At the time I can remember watching this and thinking that it was indeed very funny, although upon a recent return to the series I think I over rated it quite a lot back then.

After this Whishaw appeared in Perfume playing a perfume make whose craft turns deadly and I’m Not There in which he is one of several people to portray Bob Dylan. After a BBC television series (Criminal Justice) and a couple more feature films: Brideshead Revisited, The International and The Tempest Ben Whishaw appeared in the role that would help get him into Hollywood. The role in question is that of Freddie Lyon in The Hour, a sort of British answer to Mad Men which I enjoyed greatly! Whishaw was absolutely brilliant in his role and this is where I first became the big fan of his that I am right now. After this Ben Whishaw played King Richard in the BBC adaptation of Richard II which thanks to his back catalogue of performing Shakespeare in the theatre Whishaw was perfect for.

My favourite Ben Whishaw role so far – The Hour.

And that brings us right up to speed with Ben Whishaw’s projects this year. The Americans get to see him this month in Cloud Atlas but we Brits have to wait until next February for our chance, but Cloud Atlas is a huge undertaking and has already done well critically in early screenings. Then we finally get to see Whishaw as a young Q in Bond flick Skyfall, which will see him reunite with Daniel Craig eight years after both appearing in Layer Cake. From what I have seen of Whishaw already he seems like he will make the ideal Q. And on top of that (as if that’s not enough) Whishaw is rumoured to be in the running for a role in Robopocalypse which, if you read my blog regularly, you will know is Steven Spielberg’s upcoming blockbuster.

One thing is certain: Ben Whishaw is a very talented young man. Whether he continues to ply his trade in theatre, television or film he will surely be enduring great success. I predict that if he continues to work in films he will one day be on the receiving end of an Oscar nomination, if not being a winner.

Hopefully we’ll see Whishaw in plenty more Bond films after Skyfall!

There hasn’t really been much news this week that has really grabbed my attention other than these three stories so this shouldn’t take long.
Steven Spielberg’s Robopocalypse is one of the most highly anticipated movies in production right now and the film takes place sometime in the future after the robot uprising.

Earlier this year Chris Hemsworth was reported to have landed the lead role (although some people say that is still being negotiated) but now there have been more rumours about the casting. Anne Hathaway is reportedly in talks to land the female lead which, I think, would be a bad call for this because she doesn’t have a reputation in big blockbusters (The Dark Knight Rises being her only one) and she isn’t actually that good an actress in my opinion; I just don’t see the hype. However, the other casting rumour involves British actor Ben Whishaw who I have no doubt will be a huge star in the next ten years. He has wonderful acting ability and a great sense of likeability surrounding him: he will be in Cloud Atlas and Skyfall later this year. Robopocalypse is due for a 2014 release.

Whishaw is ‘Q’ in the latest Bond outing.

Last month I wrote a blog about my dream cast for a female version of The Expendables. In that cast list I placed Gina Carano, who had her first acting role at the very beginning of this year in Haywire, and now it seems that she is the first name to sign on the dotted line and join the movie. A great choice. Carano will next be seen in the next Fast & Furious instalment alongside action heavyweights Vin Diesel and Dwayne Johnson.

And finally another casting choice that I can smile about. Casey Affleck has taken a part in Race to the South Pole. The film will chronicle the real life journey of two men in the early 1900s, the British Robert Falcon Scott (Affleck’s character) and Norwegian Roald Amundsen (yet to be cast), and their race to be the first man to reach the South Pole which is the last uncharted territory on the planet at the time. What’s more is that Ben Affleck and Matt Damon (that old friendship) will be partnering up to produce the film based on Peter Glanz’s script. It will be Glanz’s second feature film after The Longest Week but Casey Affleck does choose his films carefully so all signs are pointing in the right direction on this journey.

So, this is the movie news that should have been posted yesterday, however I got slightly side tracked by the fact that there was a new trailer for The Hobbit: An Unexpected Journey being released and I was so excited and highly anticipating that trailer that I forgot to post this. So let’s all just pretend it’s on time and bathe in the news of the past week.

First up, director news, both joining projects and possibly leaving projects too. James Gunn, after plenty of speculation, has officially been announced as the director of Guardians of the Galaxy, probably Marvel’s most ambitious movie to date. Gunn recently directed Super which received mixed reviews from critics and failed to make any impact at all on the box office. More worryingly is that Gunn will also be re-writing the script: Gunn’s previous writing credits include Scooby Doo and Scooby Doo 2: Monsters Unleashed. However, Joss Whedon has said that he has complete faith in Gunn’s vision for Guardians of the Galaxy and that can only be good news!

The internet is rife with rumours of the directorial departure over at FOX of Rupert Wyatt from Dawn of the Planet of the Apes, the sequel to the rather surprisingly very good Rise of the Planet of the Apes. There have been a few shake ups over at FOX recently and the rumours are now that Wyatt will be leaving the sequel because he is not confident that he can both produce a top quality film and meet the release date which FOX announced as May 23rd 2014. This is a real shame if the rumours are true because Wyatt did a great job of directing the first instalment; he had a very difficult job to do and he managed to pull the story together and get real emotion from most of the characters. The choice of his replacement could be make of break for the new Apes franchise.

Over at the Toronto International Film Festival the awards were given out as the festival drew to a close and there was a surprise winner for the People’s Choice Award. This is a pretty important award because in the past The King’s Speech and Slumdog Millionaire both won this award and went on to be huge successes and obviously clean up at the Oscars. The winner this year was Silver Linings Playbook, starring Bradley Cooper and Jennifer Lawrence. While I thought the trailer looked very good I wasn’t sure what to expect from the whole film but early signs suggest this is going to be a fantastic film, even though I doubt it will do as well at the box office as those previous winners.

The other little tid bits of news this week include the announcement that Universal has planned fir sequels to both Ted and The Bourne Legacy. The fact that The Bourne Legacy is getting a sequel should come as no surprise although it received mixed reviews from critics and mainstream audiences. With Ted getting a sequel this is clearly just a money making scheme by Universal as one film was definitely enough. And finally there has been an announcement made on who will be singing the theme tune to this years James Bond film Skyfall. After months of speculation Adele has finally been confirmed to have been given the honour. A perfect choice.

Cloud Atlas is getting noticed more and more this week as a few days ago a number of images were released onto the net from the film and now we have an incredible six minute trailer showcasing the vast scope that this story takes on. Here are a number of reasons as to why Cloud Atlas has no choice but to be an absolutely incredible film.

Cloud Atlas is based on the novel of the same name that was released back in 2004. The novel was written by British author David Mitchell (not the comedian). To this date Mitchell has written five novels, two of which have been nominated for the prestigious Booker Prize. Mitchell has received huge praise throughout his career for his work. Cloud Atlas is one of the novels that was nominated for the Booker Prize as well as being nominated also for the Nebula Award and the Arthur C. Clarke Award among many others as well as actually winning the Literary Fiction Award at the British Books Award. The novel is clearly held in very very high regard and so turning it into a film will have a huge pressure on it, especially because of the nature of the story which itself is an intriguing piece of imagination.

The official synopsis of the film is thus: An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution. This sounds fascinating itself but when you learn of the structure it becomes even more compelling. Cloud Atlas tells six nested stories, all of which are being read or observed by a character in the next story; it then mirrors itself as the second half to each story is revealed one after the other. This means that the cast are playing a number of characters through each time line and this structure is sure to make for a very exciting journey for the cast and audience, but it is going to take one hell of a good cast to make this work.

And a pretty good cast is what they have got for Cloud Atlas. Here we go: Tom Hanks, Halle Berry, Hugo Weaving, Jim Sturgess, Susan Sarandon, Hugh Grant, Ben Whishaw, Keith David, Jim Broadbent and James D’Arcy.  The cast is a wide range of careers as you have people like Tom Hanks and Halle Berry who are already accomplished actors and you have the wonderful Ben Whishaw who I am a huge fan of and really hoping his career takes off (he will also be playing Q in Skyfall).

Whishaw is destined to become a huge Hollywood property.

The budget is around $100 million and clearly a lot of that has gone to ensure that a cast capable of playing a number of characters over different times and places is gathered and it certainly looks like an ensemble to be excited about!

To direct a film with such a huge scope and with so much pressure with such a talented cast is no easy thing that’s for sure and Cloud Atlas has three directors! Will it be a case of the old proverb “too many cooks…” or will it work perfectly? I suspect the latter. Each of the three directors (Tom Tykwer, Andy Wachowski and Lana Wachowski) combined to write the screenplay and they clearly have a lot of passion for the project. Because of the size of the project two units were needed to make sure the film was created to the best it could be: Tykwer directed one unit and the Wachowski siblings directed the other. Tykwer has experience with films with a number of narratives as he has previously directed the fantastic German film Run Lola Run. The Wachowski brothers directed The Matrix and it’s sequels so they can handle this vein of films very well too.

 

The six minute trailer is absolutely fantastic. It manages to give an idea of the film, bring together the themes and characters that Cloud Atlas will explore but does not give away any major plot details or spoilers and so it can really be enjoyed for its visual beauty. It is obvious that nothing has been held back as the special effects look absolutely stunning and the actors look as though they will be putting in a shift and a half. Not many people will know about this film yet but now they will have to; it is definitely going to be a big deal. If this is done right it could become known to be one of the greatest films of all time. It is a huge project but hopefully it will all be worth it in the end.

Hanks and Berry in one of their many guises.

I, for one, am very very excited for the arrival of Cloud Atlas. It is set to be released in October of this year however no specific date has been slated yet. The sooner it comes round the better!