Tag Archive: ted


There’s a mixture of good, bad and just plain weird news this week. First of all there was the good news that the Godzilla reboot was looking to take itself seriously and add some serious acting talent to the cast. Aaron Taylor-Johnson was, until recently, the only actor attached to the project (set for a 2014 release) but this week both Elizabeth Olsen (Silent House) and Bryan Cranston (Breaking Bad) have joined up.

 

A mixture of news in the sequel business this week. The good news first is that Albert Brooks, the voice of Marlin in Finding Nemo, WILL be back for the sequel which already has seen Ellen Degeneres return for her part as Dory. This is good news as you couldn’t really have the film without him; we followed him on his journey all the way through the original film and it would be pretty harsh on Nemo to kill off his dad considering his mum has already bitten the sea’s equivalent to dust. Marlin was the most important, and in my opinion the best, character in Finding Nemo so I’m pleased to see Brooks back. Oh… the bad news is that Night at the Museum 3 is being made which we really don’t need to see after the shambles of the second one.

 

After the success of Ted last year Seth MacFarlane’s next project is going to put him in the lead role once more, this time in live action mode rather than as a CGI teddy bear. It will be a comedy western entitled A Million Ways to Die. We already knew this but this week Amanda Seyfried has been added to the cast. Seyfried (of Mean Girls and Les Miserables fame) will play the wife that leaves MacFarlance’s character to plunge the whole story into motion. Charlize Theron is also set to star.

 

And finally, some really WEIRD and completely unexpected news. Sony has a little project in the pipeline entitled Dodge & Twist which is a sequel update reworking …it’s just a completely new story about Oliver Twist. This story sees Oliver Twist twenty years older than when he was a pickpocketing child and he encounters old rival Artful Dodger who is now on the right side of the law. Twist gets wrapped up in a plan to steal the Crown Jewels and has Artful Dodger in hot pursuit. Interesting…?

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I’m back from my Christmas hiatus and in the past couple of weeks critics and fans alike have been compiling their lists of the ten best films of 2012 or twenty best or whatever you like, but I have decided to take a different approach to compiling my list and I will be looking at, month by month, what were the best releases. I’ll be using the UK release dates for films and, in doing it month by month there will be some big omissions and some surprise inclusions.

Will any of these films feature on the list?

 

January – The Grey

To be honest, if you look at what was released in January it doesn’t really fill you with enthusiasm for the rest of the year as there weren’t really many films worth noting released this month. I think that people were still more bothered about seeing the previous year’s Christmas releases (The Girl with the Dragon Tattoo, Sherlock Holmes: A Game of Shadows, Mission Impossible: Ghost Protocol) however there were a few films that stood out. You might think that We Need to Talk About Kevin, Shame or War Horse might win this month but I decided to go for Liam Neeson’s The Grey. Neeson continued his rebirth as an action hero in 2012 and it was largely down to his enounter with wolves in the partially surprising hit: The Grey.

 

February – Chronicle

February brought a lot of very disappointing ventures to the cinema. Safe House was a blockbuster than lacked a punch, Man on a Ledge was a very boring ‘thriller’ and One For the Money is one of the most boring films I have ever seen! However, saying that I was really impressed by Woman in Black which seemed to reinstate Hammer Films at the forefront of the horror scene but for the best film of the month it fell short and I went for Chronicle. Chronicle was seen by many to be very refreshing to an overcrowded superhero genre. The characters that appear in this found footage film are not from the pages of comic books and, like The Grey, Chronicle was another surprise hit but worth of all it’s critical acclaim.

March – 21 Jump Street

If you think that 21 Jump Street is a strange and ridiculous choice to be on this list then I really do encourage you to look at films that were released in the UK in March this year. March saw releases from some very highly anticipated films that were subsequently big disappointments, none bigger than John Carter. Of course, March also brought us the beginning of a huge new franchise with the Jennifer Lawrence led The Hunger Games, however I enjoyed 21 Jump Street a lot more. I can’t remember the last time I laughed so much in the cinema, 21 Jump Street was a welcome injection of humour to an otherwise dull month.

 

April – Avengers Assemble

There was a clear winner for this month. Marvel’s Avengers Assemble became the third highest grossing film of all time, breaking no end of records on its way to this achievement. This was the event that film fans had been waiting for for 4 years and it did not disappoint, The Avengers (as it was known sensibly in other countries) provided big entertainment, big action, big characters and big laughs. The only real competition in this month came from another film with Joss Whedon’s name attached: Cabin in the Woods, which was seen to redefine the horror genre but really, nothing could top Avengers Assemble.

 

May – The Raid: Redemption

May saw a lack of big releases as the prospect of going up against Marvel’s box office Goliath seemed a little bit daunting for many studios. And of course there is a bit of a lull in the cinema calender before the big summer smashes get released. The Raid was something that we don’t see nearly enough on this side of the Atlantic, a foreign release… and a successful one at that! The Raid is a brilliant, action packed, adrenaline fueled Indonesian martial arts film and it should come as no surprise that there are plans in America to do an English language remake.

 

June – Killer Joe

Now, June saw the second big release of the year: Prometheus. And don’t get me started on how over rated that was and what a bore fest it unfortunately turned out to be. Rock of Ages was a very very dull adaptation of the successful stage musical and The Five Year Engagement was about five years too long. Killer Joe proved that Matthew McConaughey could really act and it turned out to be a very gritty, gothic crime drama that also featured Emile Hirsch who is quietly going about proving what a good actor he is too.

 

July – The Dark Knight Rises

At the beginning of July The Amazing Spider-Man was released and was a very good attempt at reshaping Spider-Man’s origins; then on the 20th of July Christopher Nolan turned up to show everyone how it was done. Nolan’s Batman trilogy ended with one of the greatest films of the year. Full stop. He brought an all star cast here and cranked up the tension, cranked up the stakes and people flocked to the cinema to see how the greatest superhero trilogy ever made would end. And it did not disappoint. Sure, it never quite reached the heights of The Dark Knight which preceded it but I thought that the ending of The Dark Knight Rises was one of the greatest and most satisfying endings I have ever seen.

 

August – Ted

Fans of controversial humour, outrageous humour and toilet humour were delivered an early Christmas present back in August when Seth MacFarlane made his feature film directorial debut in this story of a child’s teddy bear coming to life to become a sex-craved, pot smoking best friend (voiced by MacFarlane himself). I think Ted may suffer from a lack of rewatchability but all in all it was a very funny film with some great cameos and hilarious scenes. The “white trash girls names” scene is one of the best scenes of the year in itself!

 

September – Looper

There were some very popular films released in September: Anna Karenina, Dredd, The Sweeney and House at the End of the Street to name a few. Lawless, featuring wonderful performances from Tom Hardy, Shia LaBeouf and Guy Pearce among others was an incredible film and gives Looper a run for its money but when I saw Looper I knew I was watching something special. Looper is one of the best films that I have ever seen and has fast become one of my favourites. The time travel plot device that has long been a staple in the science fiction genre and Looper gave an alternate look while skirting around the edges of Rian Johnson’s own laws of time travel. Looper was incredible! My best film of the year.

 

October – Skyfall

2012 saw the return of James Bond to the big screen in Skyfall, directed by Sam Mendes. After a disappointing Quantum of Solace Bond returned in a flood of critical acclaim and commercial success worldwide in the critically lauded Skyfall. Skyfall delivered a more personal look at the characters in Bond’s world, including a small trip into Bond’s background, a more in-depth look at M and revealed a few dark secrets of MI6. Skyfall also brought back some famous characters in a new style, Q and Moneypenny. Skyfall was simply fantastic and should be an outside bet for a couple of Oscar nominations.

 

November – Argo

My heart longs to say that Rise of the Guardians was the best film released in November but my head says otherwise. November saw End of Watch and Silver Linings Playbook released as well but I think that Argo was a really really incredible achievement for Ben Affleck. Argo was crammed full of suspense and tension and had audiences chewing on their nails whilst sitting on the edge of their seats. A true story of a rescue attempt using the undercover story of being a film crew for a science fiction film seems almost unbelievable but Argo brings it to the screen with such perfect realism.

 

December – Life of Pi

Life of Pi was very hotly anticipated as soon as it was announced. Being a best-selling book Life of Pi already had a huge audience waiting to see how the adaptation would turn out. The story is of 16 year old Pi who suffers a ship wreck which kills his family and leaves Pi stranded with just a Bengal tiger named Richard Parker. It is a truly touching and emotional story and is already reaping the rewards of their hard work with Golden Globe nominations for Best Score, Best Drama and Best Director.

Again, nothing seems to have really peaked my interest THAT much in the world of movies this week, other than the release of the brilliant Looper, of course.

First up, the best news of the week I think is the announcement that writer and actor Seth MacFarlane will be hosting the 85th Academy Awards, or the Oscars as the rest of us know them. In recent years the awards have opted for actors/actresses to host the ceremony so it is a nice change that a writer will be hosting it, meaning a lot of his material will be his own. Now this obviously becomes somewhat of a risk because MacFarlane is known for being pretty intense with his jokes and right on the border between what is acceptable and what is not (that line being crossed on more than one occasion). However, I am looking forward to his performance as I do think he is a very talented writer and he should be able to keep everyone entertained with ease. When James Franco co-hosted the Oscars in 2010 (alongside Anne Hathaway) he was nominated for Best Actor, I doubt that MacFarlane’s Ted will be winning anything though.

Also this week Fox announced that Mark Millar has been hired to oversee all of their current Marvel products, much in the same way that Joss Whedon is doing actually AT Marvel but probably to less effect in Millar’s case and to a lot less excitement. That being said, this is probably a good move because Millar has a history writing comic books for Marvel having contributed to X-Men comic books and the Civil War storyline. He clearly has an understanding of how comic books work and how the comic book should influence the movies (much like Whedon) and God knows Fox do need some help with their Marvel properties. Fox currently has X-Men: Days of Future Past and a Fantastic Four reboot in the pipeline.

In other Marvel related news (I don’t know if you can tell from my blog but I do love Marvel) there is more good news! The Amazing Spider-Man came out this year and was without a doubt the best film based on a Marvel property not made by Marvel Studios in a good few years! Part of this was down to the fact that Marc Webb was directing and Andrew Garfield was playing a role he suits down to the ground: Peter Parker. I had always assumed that Garfield would be returning for the sequel but directors are usually more touch and go with many directors leaving after one instalment. But this week the return of both Webb and Garfield was announced to a chorus of cheers.

So, this is the movie news that should have been posted yesterday, however I got slightly side tracked by the fact that there was a new trailer for The Hobbit: An Unexpected Journey being released and I was so excited and highly anticipating that trailer that I forgot to post this. So let’s all just pretend it’s on time and bathe in the news of the past week.

First up, director news, both joining projects and possibly leaving projects too. James Gunn, after plenty of speculation, has officially been announced as the director of Guardians of the Galaxy, probably Marvel’s most ambitious movie to date. Gunn recently directed Super which received mixed reviews from critics and failed to make any impact at all on the box office. More worryingly is that Gunn will also be re-writing the script: Gunn’s previous writing credits include Scooby Doo and Scooby Doo 2: Monsters Unleashed. However, Joss Whedon has said that he has complete faith in Gunn’s vision for Guardians of the Galaxy and that can only be good news!

The internet is rife with rumours of the directorial departure over at FOX of Rupert Wyatt from Dawn of the Planet of the Apes, the sequel to the rather surprisingly very good Rise of the Planet of the Apes. There have been a few shake ups over at FOX recently and the rumours are now that Wyatt will be leaving the sequel because he is not confident that he can both produce a top quality film and meet the release date which FOX announced as May 23rd 2014. This is a real shame if the rumours are true because Wyatt did a great job of directing the first instalment; he had a very difficult job to do and he managed to pull the story together and get real emotion from most of the characters. The choice of his replacement could be make of break for the new Apes franchise.

Over at the Toronto International Film Festival the awards were given out as the festival drew to a close and there was a surprise winner for the People’s Choice Award. This is a pretty important award because in the past The King’s Speech and Slumdog Millionaire both won this award and went on to be huge successes and obviously clean up at the Oscars. The winner this year was Silver Linings Playbook, starring Bradley Cooper and Jennifer Lawrence. While I thought the trailer looked very good I wasn’t sure what to expect from the whole film but early signs suggest this is going to be a fantastic film, even though I doubt it will do as well at the box office as those previous winners.

The other little tid bits of news this week include the announcement that Universal has planned fir sequels to both Ted and The Bourne Legacy. The fact that The Bourne Legacy is getting a sequel should come as no surprise although it received mixed reviews from critics and mainstream audiences. With Ted getting a sequel this is clearly just a money making scheme by Universal as one film was definitely enough. And finally there has been an announcement made on who will be singing the theme tune to this years James Bond film Skyfall. After months of speculation Adele has finally been confirmed to have been given the honour. A perfect choice.

Ted Reviewed.

It’s a strange career that Seth MacFarlane has had; he wrote for Cow and Chicken, Dexter’s Laboratory, Johnny Bravo; he’s appeared in Gilmore Girls and FlashForward, but it is his more adult animation that he is known for: Family Guy, American Dad and The Cleveland Show. Now Seth MacFarlane has released his first feature film to be written and directed by himself and he also voices the main character: Ted.

Ted is the story of a young boy’s teddy bear coming to life after a special Christmas wish is made. And if the storyline sounds right out of a children’s book the humour is completely grown up, grown up in the sense that it is for adults, not that it is mature. The boy who makes this wish is John Bennett, played by Mark Wahlberg who I had my doubts about when the film was released because he doesn’t seem like the usual go to guy for a comedy but he turns out to be a brilliant choice along with his co-star Mila Kunis who’s relationship with John originally gets in the way of John and Ted’s friendship. The supporting cast is full of people who made their names on sitcoms: Patrick Warburton, Joel McHale, Giovanni Ribisi and a cameo appearance from Ryan Reynolds. There is also a voice over in the wonderful tone of Seth MacFarlane’s unlikely friend Patrick Stewart.

The humour comes in all shapes and sizes; the verbal humour and the physical humour are equally as funny and Ted seems to find the right balance between the two. The conversations between Ted and the supermarket boss are comedy gold, although you might not know if you’re laughing because it’s funny or whether you’re laughing because what Ted is saying is completely outrageous…but as long as you’re laughing, does it really matter?

Basically, watching Ted is a bit like watching a 100 minute long episode of Family Guy. The jokes seem to always be in that vein and you wouldn’t be surprised if they had been used in the television show, there are a lot of references to popular culture figures and there are even a couple of cutaway scenes that Family Guy is famous for. All this is great… if you are a fan of Family Guy, but it isn’t very original if you just take your television show, change a couple of characters and put it on the big screen which is what watching Ted felt like. Luckily though, I really like Family Guy so I didn’t mind at all. Again, I love pop culture references but I think if you insist on making pop culture references then keep them limited or else you are at risk of alienating your audience if they don’t know what you’re on about and Ted had everything from Justin Bieber, Van Wilder, Brandon Routh, Aliens and a hell of a lot of Flash Gordon. There were a lot of jokes that fell dud because of the audience’s lack of knowledge about aspects of popular culture but there was just enough brilliant lines throughout the rest of the film to keep everyone laughing.

I am a big fan of Giovanni Ribisi and I’ve seen a lot of his work and I think he is very funny but I thought the whole storyline with him trying to kidnap Ted seemed a little bit thin and it wouldn’t have really mattered if that never took place. The storyline just existed to give a very cliche ending bringing John and his girlfriend back together and so Seth MacFarlane could make jokes at the expense of an overweight child (not complaining about the last bit, it was really funny!)

Ted is not for the faint hearted but if you like cure, close to the bone humour, then you’ll love it.

My Rating: 7/10.

Obviously the big news of the week is the tragic death of film director Tony Scott who directed such hits as Top Gun, Man on Fire and The Taking of Pelham 123. I wrote about this the other day and said what a loss I thought he was to the world of cinema and in particular action films. There have been conflicting reports about the health of Scott since his death but all we know for certain is that it is a very sad time for his friends and family and wish them all the best.

Last week I wrote how Donald Faison was approached for a part in Kick-Ass 2: Balls to the Wall as Dr. Gravity and now it seems as though the sequel to 2010’s hit film is moving on full steam ahead with their casting as there have been two very prominent rumours this week. Lindy Booth (Dawn of the Dead, Cry Wolf) is in talks to play another member of Kick-Ass’ superhero team Justice Forever – Night Bitch. The biggest rumour though is who is line to play The Colonel (or Colonel Stars in the comic book) and that is Jim Carrey! Carrey may seem like too much of a big name for a supporting role next to Aaron Johnson and Chloe Moretz but in recent years Carrey’s career has been stalling and faltering all over the place and this could be the big reboot that his career needs.

The Dark Tower is a series of books written by the world’s most famous author Stephen King. For a while now Ron Howard has been trying to push through a very ambitious and epic television and film collaboration to produce the books. This would mean that in between the films being released there would be a television series to sort of bridge the gap and provide fans with more of a knowledge of the story so you can see the difficulty of getting this done. And it seems as though big studios are shying away from pushing the project through. Universal Pictures has already turned it down and now so have Warner Bros. who were seen as the best studio to do this. With Russell Crowe attached to star it should have studios begging to produce it but the risk seems to outweigh the ambition at the minute. Media Rights Captial (who produced Ted) are now in serious discussions to produce The Dark Tower so maybe it could finally get to the big screen one day. I have only read the first book, The Gunslinger, but I did find it very very interesting and very different. I would love to see this project being greenlit and moving forward.

DreamWorks animation’s contract with Paramount is coming to an end at the turn of the year and is not being renewed. This would mean that DreamWorks have nobody to distribute their films, however they have now agreed a five year run with 20th Century Fox which will see them through until the end of 2017. The reason behind the contract at Paramount not being renewed is thus: Paramount are putting some serious effort into building up their own studio, possibly to rival that of DreamWorks (I imagine it will still be some way behind Pixar). You can see why Paramount would do this, last year they won the Best Animated Film Oscar for their Rango and that clearly has sparked an idea within Paramount to produce more animated features. As owners of Nickelodeon they already have plenty of animated characters to work with. I see the animation scope of films largely dominated by Pixar and DreamWorks (even though other studios do animated films) and I think Paramount will have a long road ahead of them to catch up with those two.

UK Release Date: 3rd August 2012.

Ted is the upcoming live action/CGI animated film that is directed, written and produced by Seth MacFarlane and so if the film goes well, all credit to him, if it goes badly MacFarlance only has himself to blame. Since creating hit animated television shows Family Guy and American Dad, MacFarlane has tasted success but also splits audiences right down the line, for all the fans he has he sure does have his haters too.

Ted is the story of a young boy’s wish coming true. When he was younger, John wished that his teddy bear (Ted) could come to life and talk to him. As John got older, Ted also got older and as an adult John’s attempts to embrace his adulthood and move forward in a relationship with the love of his life, Lori, are scuppered by Ted’s irresponsible and vulgar lifestyle.

For Seth MacFarlance’s live action directorial debut he has got a pretty good cast on his hands. Mark Wahlberg plays John while Mila Kunis plays Lori and the cast is filled out with Giovanni Ribisi, Patrick Warburton and Laura Vandervoort.

Whilst you may not be able to tell this from the trailer, Ted is supposed to be a comedy and not just a piece of rubbish. To say it’s a comedy there aren’t many, if any at all, funny parts of the trailer. Ted himself just comes across as someone you just want to punch and the overall type of comedy just seems immature and dated. I won’t be lining up to see this, that’s for sure.