Prisoners Trailer

UK Release Date: 4th October 2013

Stars: Denis Villeneuve (director), Hugh Jackman, Jake Gyllenhaal, Viola Davis, Terrence Howard, Maria Bello, Melissa Leo, Paul Dano.

Plot: A Boston man kidnaps the person he suspects is behind the disappearance of his young daughter and her best friend.

Even if you watch just the first seconds of the trailer without reading the synopsis, you can tell that Prisoners is not going to be a film that makes you cry with happiness. Watch it all and you’ll soon realise that what Prisoners is planning on doing is making you sit there pulling your hair out begging Hugh Jackman not to do everything that he does.

With coming up to seven films as Wolverine, it’s easy to forget that Jackman is an incredibly versatile actor. And with an October release date it looks as though Jackman has Oscar nominations in his sights again as Prisoners seems like a story that is going to resonate with a lot of people and the performances are going to have to be groundbreaking in order to convey such a threatening tale.

Paul Dano must feel a bit of an outcast being as though Jackman, Gyllenhaan, Davis, Howard, and Leo have all either been nominated or won an Oscar, while Bello has two Golden Globe nominations to go with that. However, he is a talented young actor who should hold his own.

Prisoners looks like a journey full of suspense. You get the feeling that there must be a twist to the story at some point. And whatever happens, it seems doubtful that Jackman’s character is going to have a happy ending.

Side Effects Review

Steven Soderbergh, director Ocean’s Eleven, Ocean’s Thirteen (Ocean’s Twelve too but I’m trying to build him up, not condemn him) and more recently Magic Mike, has previously stated that Side Effects marks the end of his directorial career for a few years as he intends to take a sabbatical. So with Side Effects, is Soderbergh going out on a high?

It’s probably best to go into Side Effects knowing very little about it and prepare to just be taken with it. But at it’s very basic the story can be split into two parts: the first half chronicles Emily Taylor’s (Rooney Mara) battle with depression and the meetings she has with her psychiatrist before she suffers traumatic side effects of a new anti-depressant; the second half is about her psychiatrist (Jude Law) as he attempts to unravel the truth and find out who is guilty of the events caused by the drugs.

As a psychological neo-thriller Side Effects requires some top notch acting from its headline stars. And Mara and Law do not disappoint at all. All I could think while Rooney Mara was on screen was “this is the same girl from The Girl with the Dragon Tattoo?” because she is completely different but still puts in a wonderful performance. Based on her performances that I have seen so far she is set to become one of the best, most versatile actresses of her generation. At only 27, she has the whole world of film at her feet.
I will admit that I am guilty of absolutely lambasting Jude Law in the early years of this century, but since about 2009 my opinion of him could not have changed more. In recent years he has emerged as one of my favourite actors to watch now; his performances are consistently good and that does not change here with one of his best performances to date in Side Effects as the obsessed psychiatrist.

Side Effects really does crank up the tension and suspense in a way that Hitchcock would be proud of. The story is very well thought out and once the first twist hits the audience it’s as if you’re on a roller coaster with twists and turns coming thick and fast, you can never really be sure what it actually happening. There are a lot of clever plot points that are made and this helps to make it such a compelling watch.

Unfortunately though, the twist and turn nature also lets the film down a little. In a film such as this there always comes the inevitable point where you have to tell everything to the audience, which sort of takes away the point of making such a clever film. And in Side Effects, Emily Taylor’s narration does not make it as interesting as it should and could be. The underlying back story that is given at this point does not seem strong enough for the rest of the actions that took place.

Jude Law’s character makes some very good commentaries on the state of counseling and depression which are well worth considering, the whole cast put in very good dramatic performances and while I was in the cinema I was truly gripped. However, after leaving I felt like I was missing out, that I had been unfulfilled and underwhelmed.

Multiple viewings are prescribed.

My Rating: 7/10.

Argo Review

In a year with so many big action sequences and huge blockbuster films hitting the cinema screen it would be easy for Argo to have escaped attention. Argo depicts the unbelievably true story of the rescue of six American diplomats in Tehran, Iran during 1979 in which CIA operative Tony Mendez (played here by Ben Affleck) attempts to infiltrate Iran and get the diplomats out by pretending to be a film crew scouting locations for their new science fiction film titled Argo.

The obvious problem when making a film about a rescue mission is thus: audiences primarily go because they want to see the rescue which puts pressure on the build up to the rescue because it becomes a hard task to get your audience invested in your characters and your story. It was a worrying start for Argo, I felt, because the opening narration which outlines Iran’s state at the time of the events seemed pretty boring and while not exactly irrelevant, it wasn’t actually needed either. Fortunately these early concerns of boredom were soon put to rest, largely thanks to Ben Affleck, although not for his acting.

Ben Affleck is not often quoted as anyone’s favourite actor and, in all honesty, I don’t think his performance in Argo as Tony Mendez will change that at all. Tony Mendez seems to come across as quite a boring although no doubt brave and intelligent man but he’s not a character who immediately gains your interest and pulls you into the story. Fortunately, Ben Affleck is a wonderful director and he directs Argo as well as starring in it and he does a brilliant job of really capturing the emotion of the story. Every time that the film goes back to Iran and focusses on the stranded Americans the film seems to dig a lot deeper than most, with real panic, stress and human pain being shown and Affleck very subtly leaves the empathic audience to really get a feel for the conditions and sadness of the situation by themselves.

Ben Affleck is helped by the fact that he has a very experienced cast for him to direct. The cast combines stars of both television and film in the forms of Bryan Cranston, John Goodman, Alan Arkin, Scoot McNairy and Kerry Bishe among others. Every cast member puts in a more than adequate performance and really bring to the forefront the emphasis on emotion and character. Along with Affleck’s brilliant direction it is partly Goodman and Arkin’s double act and comedic moments that help to sustain interest before the actual rescue takes place.

Once Afflek’s character touches down in Iran and meets the diplomats that is when the pace begins to quicken and things begin to get a lot more interesting! The rescue itself is nail biting stuff that will make your heart thump out of your chest. There is so much suspense and tension created, conflict between the characters, flaws in the plan, will the be found out or not? I think you are best of seeing Argo with no knowledge of the real life escape to save yourself from ruining the ending of the film. Although, even if you do know how the situation resolves itself you will still be overcome with emotion as you will the escape to happen and you wish for everyone to make it out of Iran safely. Of all the films I have seen this year Argo is the one that has created the most tension and suspense. The final act is incredibly gripping, nail biting, edge of your seat entertainment and the audience is rewarded with a fantastic ending.

It would be wrong to call Argo a feel good film but the sense of elation that runs through your body with the climax of the film is unmatched by most films this year. I would suggest that Argo could well be a dark horse for an Oscar nomination. It truely deserves the hype and brings the emphasis of the cinema back to human stories. Just brilliant.

My Rating: 8/10.