Hanna is an American-European action thriller revolving around a 16-year-old who was raised by her father to be the perfect assassin after she is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.
Saoirse Ronan plays the sixteen year old girl at the centre of the movie and back in 2011 she was nominated for a number of awards, quite rightly, for her portrayal of the assassin. Right from the opening hunting scene you get a real sense of Ronan’s acting abilities and you know instantly that this is going to be a great performance from her. Hanna’s father, Erik Heller is played by Eric Bana and although he puts on a pretty convincing accent for his part in the film there is something very off putting about his on screen persona; this could be attributed to his character’s past but I think unfortunately it comes down to Bana himself (who I am not a fan of anyway after seeing him in The Hulk and being almost bored to tears watching The Time Traveler’s Wife). Cate Blanchett plays the villain pretty convincingly, she does seem like someone who you could really hate. And there’s a lovely moment where Jason Flemyng decides to pop up and inject a bit of humour into the film that is largely unexpected.
Hanna is quite a step away from what director Joe Wright is known for; he previously directed Pride & Prejudice and Atonement. His direction, however, is one of the most interesting aspects of the film. Every shot is clearly well thought through and the film just looks like a wonderful piece of artwork, the visuals are very very good. There is a sequence early on where Hanna, after thinking she has completed her mission, breaks out from where she is being held and her escape is so visually stimulating its incredible, the camera work, the effects: everything is detailed perfectly and it is a very fun sequence to watch. The film also has an underlying theme of fantasy and fairy tale (one of Hanna’s only forms of escapism comes in the form of a Grimm fairy tale book) and you really get a sense for that whilst watching. It’s not ‘in your face’ so much but when you notice it it really adds another layer to the film itself.
I would have liked to have seen more fight scenes and more action because at some times it did become quite dull and things seemed to take longer than perhaps they should have (Hanna’s friendship with the British girl she meets almost seems irrelevant) but when the action did take place and fights happened they were choreographed excellently. Eric Bana takes on four men in an underground car park type place and it is shot and fought really well. As for being a thriller it is good to see the seeds planted for the revelations at the end quite early on but I do think more back story would have been helpful to let the audience connect with the characters better.
Overall a very good film, the directing and the acting helps to overcome the sparse action sequences.
My Rating: 7/10.
Marvel’s The Avengers is out right now and breaking records left, right and centre; it has smashed the record for highest grossing opening weekend and is on course to break into the billion dollar club, who knows whether it will become the highest grossing film of all time. The highest grossing comic book movie to date is Batman flick The Dark Knight, the sequel to which, The Dark Knight Rises, comes out later this year and along with The Avengers looks to make this summer one for the comic book fans to really enjoy, but will The Dark Knight Rises be able to outdo The Avengers in terms of profit?
So The Dark Knight Rises has a tough act to follow and will it be able to follow that? Batman is a popular character and the huge scope of the audience that The Dark Knight managed to reach went beyond everyone’s expectations and now everybody knows about Batman and everyone knows what kind of film they will be getting going to see Nolan do another Batman movie. This is a good thing as you would expect a sequel to one of the highest grossing, and arguably best, films of all time would be able to make just as much money if not more, especially with the cast and crew all returning and the public hype the film is receiving.
The reason for The Avengers making so much money so quickly, in my opinion, is because this is what a lot of comic book fans have been waiting for since the birth of the superhero movie; it is all of Marvel’s big hitters on screen at the same time: Captain America, Iron Man, Thor and The Hulk all sharing screen time. These characters were already introduced via their own movies in Marvel’s very clever and special approach to film making which meant that even if some fans didn’t like Thor or The Hulk, they would still see The Avengers for Iron Man or Cap. The Dark Knight Rises isn’t in that position; if you don’t like Batman you more than likely won’t want to watch a film about him.
Casting is a vital part of the film; if you get the wrong actor to play a character it can go horribly wrong and the whole movie could fail because of it. Never is this more true than in the world of comic book movies. Millions of fans all over the world are already in love with the characters before they are brought to the big screen and if you cast someone that the fans are not happy about they will not hold back, you shall know about it! But when casting goes right, it brings out some of the best performances and best characters in the world. Here are my top eight perfectly cast comic book movie characters.
The Movie Universe 