Can Seventh Son Become a Suprise Hit?

Slated for an October release in the UK, Seventh Son becomes the latest book series to be adapted into a film. However, you will probably not recognise the name of Joseph Delaney or his series The Wardstone Chronicles. This series of books is not as famous as the Harry Potter series, Twilight or even Anthony Horowitz’s Alex Rider saga, so it may be a bit of a risk choosing to adapt these books (for more than just this one reason which I will go into later). Even with a best seller you’re not guaranteed success, the failure of Stormbreaker put to bed any ideas that Point Blanc or the other Alex Rider stories may get the big film treatment no matter how much I hope and pray for it to happen… anyway, tangent ended, back to Seventh Son. Here’s the trailer:

Set in the 18th Century, the story revolves around young Thomas (Ben Barnes of Prince Caspian fame), the seventh son of a seventh son which in this world grants Tom with the ability to see things that others can not: boggarts, ghosts and other fantasy beings. Tom finds himself apprenticed to the local Spook (Jeff Bridges) to learn to fight against the evil spirits. His first great challenge comes when the powerful Mother Malkin (Julianne Moore) escapes her confinement while the Spook is away.

As you can see, in the trailer you get the carefully worded “inspired by the acclaimed series” rather than “based on…” which suggests Seventh Son is not going to be a straight adaptation. Although this decision has already angered some fans (but you always get the few who can’t stand to see any change to source material), I believe this is actually a smart choice: The Wardstone Chronicles does not carry the same fan base other book series’ do so this is an attempt to appeal to a wider audience. The story of a boy being trained in his craft has been done (Harry Potter, The Sorcerer’s Apprentice, Percy Jackson) and to attempt to place another origin story into a saturated market would make no sense at all, therefore, taking elements from other books in the series as well will help speed along the story. Hopefully it won’t be a case of too many ingredients just thrown in with no time given to story or character development.

The Wardstone Chronicles

The other promising factor for Seventh Son is the acting talent attached to the project. Of course, Ben Barnes is relatively new but making steady progress in his career, however he is supported by Oscar winner Jeff Bridges, four time Oscar nominee Julianne Moore and two time Oscar nominee Djimon Hounsou just for good measure. The director is Sergei Bodrov who is a Russian filmmaker who has twice had his features nominated for Best Foreign Language Film (Prisoner of the Mountains, Mongol: The Rise to Power of Genghis Khan). At one time Jennifer Lawrence was also attached to star, meaning that the script must have some merit to it. Now this is not to say that I think Seventh Son is going to clean up at the Oscars, far from it, but I do believe that with this talent on board there is definitely potential and it has more chance of being a good film than a bad one.

So it’s based on an acclaimed book series, has huge talent starring and directing, the trailer is action packed and exciting. So why would it be a surprise hit? Well first of all: it’s fantasy. And unless you happen to be bringing out a new Harry Potter film or The Hobbit then fantasy is a no go genre, that’s been proven time and time again. The trailer brings back memories to me of Black Death and Solomon Kane, two films I actually very much enjoyed but both fared poorly at the box office and with critics; when making fantasy you have to KNOW you have a hit, otherwise it’s all been a waste of time.

Other problems involve the dreaded moving of the release date. While it doesn’t sound like much the moving of a release date can be a sure fire signifier of a flop. In this case Seventh Son has been pushed back all the way from February this year to January next in the USA, I’m still skeptic that we’ll even get it in October in the UK. This move has been due to post production needing finishing, the same reason that The Lone Ranger is currently flopping on it’s stomach in the States (one of MANY reasons if early reviews are to be believed). This is not always the case, The Great Gatsby became a hit despite the moving of that release date but that has Leonardo DiCaprio in the lead role, Seventh Son does not.

Problems continue when you look further below the surface and see that the script has gone through a couple of rewrites. Again, never a good thing as when a script gets re-written you can see that the film has been dragged in several different directions by people who come on board with a separate view for the story and no respect for the work done by their predecessor (the most recent example of this being World War Z where the ending was rehashed). Even worse, Rhythm and Hues Studios who provide the visual effects for Seventh Son actually went bankrupt while working on the film; Legendary Pictures agreed to give $5million to the company to help them finish their work so this may or may not have hindered the project.

As you can see, Seventh Son is not without it’s problems. But upon it’s release people won’t be looking behind the screen at the difficulties the film has had getting there; they will be looking at the quality that is being presented to them. Ever since I first heard about this film I have been silently excited; the story, the genre and the theme is right up my street and something of a geeky pleasure for myself. I have been excited by the trailer and think that there is clearly plenty of potential here. To release on a quieter week in summer may have been a risk but it is one that could have paid off. Now, however, I can only see this being a flop and it pains me so much to say that.

The Big Wedding Review

In a comedy film titled The Big Wedding you wouldn’t be thought of as crazy to expect at least one of two things: a big wedding and/or some good jokes. If this is what you’re expecting then you are in for a major shock by the time the end credits begin to roll.

At the centre of The Big Wedding is Alejandro’s (Ben Barnes) marriage to Missy (Amanda Seyfried). Alejandro is adopted and his biological mother is a devout Catholic, therefore when it is announced that the biological mother is to attend the wedding Alejandro’s adopted parents, Don (Robert De Niro) and Ellie (Diane Keaton), are forced to pretend that they are still married, despite the fact they have been divorced for over ten years. Oh the fun that could come from this, right? Wrong!

The film opens with a quite misguided attempt at humour as we are introduced to the three main(?) characters, Don, Ellie and Don’s new girlfriend/Ellie’s best friend, Bebe (Susan Sarandon). The majority of backstory is thrown out of the window early on as the film focusses on introducing the main characters, trying to use humour to get the audience on side: there are no funny moments in this opening sequence, nor in Alejandro and Missy’s meeting with the vicar (Robin Williams), nor in Lyla’s (Katherine Heigl) introduction. You can just about force a laugh when Alejandro’s virgin brother (Topher Grace) is introduced.

The Big Wedding seems to be an experiment as to how much recycled comedy you can put into one film: the storyline seems to be very 80s style humour, the characters have all been seen before and offer nothing new to the storyline, and almost every story beat is predictable, despite how unpredictable the writer/director thinks he is being. Add all of this to the fact that almost none of the characters are really likeable then you know what you’re in for: an hour and a half of wishing the movie is going to take one almighty twist in which the wedding gets attacked by a nuclear weapon. This, unfortunately, never happens.

Early on there seem to be some promising aspects with Heigl and Grace’s interaction being the main source of genuine laughs but this soon fades away and is forgotten about as they have very little interaction at all after the first twenty minutes. A lot of the time, even in a bad comedy you can see what the film is attempting to do, you can see the potential. There isn’t even any real smidge of potential here, however.

The characters are, on the whole, very unlikeable; the plot is completely predictable for the most part; the acting is very poor, in particular Ben Barnes, while Amanda Seyfried is completely wasted in a nothing role; and the dialogue feels horribly forced and back to front.

The Big Wedding tries so hard to load in multiple story lines and in a last ten minutes that feels so rushed, these story lines are given very little time to come to natural solution and the films seems to jerk awkwardly towards the finishing line: this makes The Big Wedding, in actuality, seem more like a big waste of money.

My Rating: 3/10.