What to Watch – January 2013

January sees the big Oscar contenders come to the UK. Many of these films have already been released over in the states to critical acclaim as you might expect.

 

The Impossible – 1st January

Based solely on the trailer, The Impossible is THE film to see this January. It is the first film to be released that uses the 2004 Indian Ocean tsunami at the heart of it’s story, telling the tale of one family caught up with thousands of strangers in a horrible natural disaster. Featuring the brilliant Ewan McGregor and the incredible Naomi Watts.

 

Gangster Squad – 10th January

Finally, the all-star long awaited gangster flick will be arriving on UK screens. Delayed after the tragic shootings in Aurora, Gangster Squad is a film that many people have been looking forward to seeing and now you get your chance. Featuring a cast of Josh Brolin, Sean Penn, Ryan Gosling and Emma Stone among others.

 

Les Miserables – 11th January

A new interpretation of the hit musical comes to the screen this year and if you’ve managed to avoid the adverts featuring Anne Hathaway singing then well done. I think Les Mis is bound to do well thanks to all it’s Oscar buzz and having already been nominated for 4 Golden Globes but it’s not that high on my list thanks to all of it’s competition.

 

Django Unchained – 18th January

And if Les Miserables thinks having 4 Golden Globe nominations is something to shout about then step aside for Django Unchained‘s 5. This is Quentin Tarantino’s first attempt at a full on Western and it certainly will not disappoint! It has been nominated for Best Drama, Best Director, Best Screenplay and Leonardo DiCaprio and Christoph Waltz both have nominations for Best Supporting Actor; Oscars are sure to follow.

 

Lincoln – 25th January

Now cynics may think that Lincoln has been made with the intention of winning awards rather than pleasing audiences… that is what I believe as well. This looks like Oscar-baiting in all it’s glory: a film about one of America’s most celebrated Presidents telling the story of a pivotal time in America history. If this isn’t Steven Spielberg shouting “GIVE ME OSCARS” I don’t know what is. It seems to be working though.

 

Zero Dark Thirty – 25th January

Back in 2010, The Hurt Locker surprised everyone to become one of the lowest grossing winners of the Best Picture Oscar ever. Zero Dark Thirty is director Kathryn Bigelow’s follow up film and tackles the events of the manhunt for Osama Bin Laden and his following death. I don’t think this one will do as well as The Hurt Locker but it should make for some interesting viewing at least.

Fee Fi Fo Fum – ‘Jack the Giant Slayer’ Trailer

UK Release Date: 22nd March 2013.

Stars: Bryan Singer (director), Nicholas Hoult, Stanley Tucci, Ewan McGregor, Bill Nighy, Ian McShane, Warwick Davis, Eleanor Tomlinson

Plot: The long-standing peace between men and giants is threatened, as a young farmer leads an expedition into the giants’ kingdom in hopes of rescuing a kidnapped princess.

Jack and the Beanstalk is the latest fairy tale to be adapted into some modern war/adventure film, following in the footsteps of Snow White and the Huntsman and the upcoming Hansel and Gretal: Witch Hunters. Here we have the simple naive farm boy of the fairy tale transformed into some brave, giant killing soldier.

Being directed by Bryan Singer, who took the X-Men films into darkness before Batman made it cool, I am surprised by how much it looks as though Jack the Giant Slayer is being aimed at children. A lot of what we see in this trailer, the attempts at humour and even the whole aesthetic look, makes it seem as though the family audience is being targeted although how many adults are going to be prepared to sit through this film I’m not sure.

I’m not saying this looks bad though because I actually think it could be a lot of fun. I’m pleased to see Nicholas Hoult getting main parts in films these days and its good to see Ewan McGregor offering some comedy up. Jack the Giant Slayer does look incredibly CGI heavy but hopefully that won’t distract viewers too much and, from the trailer, it looks as though it won’t. This one won’t be a film for everyone but it could be a fun ride.

Pixar, Marvel, Star Wars – Which Disney Purchase is Best?

Disney now owns three of the biggest companies in the world of movie making: Pixar, Marvel and LucasFilm, in particular the Star Wars franchise. So with these three huge franchises all working under the same roof it is inevitable that comparisons will be made, but just which is the biggest and best franchise? I will be ranking Pixar, Marvel and Star Wars out of 10 in categories such as Oscar recognition, box office takings, quality of the films and star quality.

 

Box Office

The box office takings are vital to companies and film franchises such as these three as it indicates whether there is any demand for their films any longer and obviously, at the minute, there is. The Star Wars franchise (the original trilogy and prequel trilogy) have taken $3,793,650,642 at the box office, making an average of around $632million per film. Marvel Entertainment have so far released six films of their own, from Iron Man to The Avengers and have made $3,772,055,196 (with The Avengers making up the most of that) averaging $628million per film. None of this quite matches Pixar who, since releasing Toy Story have amassed an incredible $7,794,770,758 at the global box office, however on average this only amounts to just under $600million per film.

Marks out of 10 for Box Office takings:

Pixar: 6

Marvel: 7

Star Wars: 8

 

“Son?”

Oscars

Each year the Oscars acknowledge the best films and the best efforts in making films. Marvel are really lagging behind in this area with just three nominations, two for Iron Man and one for Iron Man 2. Star Wars have so far managed to win seven Oscars with another fifteen nominations! But still this is far far behind Pixar who have been storming the Oscars with almost all of their films and have won ten Oscars for their feature films with another 30 (yes 30!) nominations!

Pixar: 10

Marvel: 1

Star Wars: 6

 

Film Quality

There is no doubt about who makes the best films out of Pixar, Marvel and Star Wars. Ever since their first release Pixar have continually churned out near perfect, enjoyable family films almost every year. With their recent releases it looks as though they have started to lag but their discography cannot be ignored. Marvel, aside from Christopher Nolan’s Batman trilogy, have dominated the superhero genre and continue to bring out fun, light hearted but still very very good films and all of this culminated in one of the best films of 2012: The Avengers. I have never really liked Star Wars but I can appreciate that the original trilogy was good (yet nothing to really shout about) however the prequel trilogy is universally disliked.

Pixar: 10

Marvel: 8

Star Wars: 6

Star Talent

Star Wars made stars out of Mark Hamill, Carrie Fisher and Harrison Ford primarily, although they were virtual unknowns at the time. However, they did attract Peter Cushing and Alec Guinness to the franchise. In the prequels they managed to cast some good British talent with Liam Neeson and Ewan McGregor along with the huge Samuel L. Jackson. Marvel also signed Samuel L. Jackson up along with huge stars Robert Downey Jr, Ed Norton, Scarlett Johansson, Gwyneth Paltrow, Jeremy Renner, Hugo Weaving, Tim Roth, Jeff Bridges and Sam Rockwell (and that’s not even all of them!). Tom Hanks, John Ratzenberger, Michael Keaton, Kevin Spacey, John Goodman and Steve Buscemi have all provided voices for Pixar characters but a lot of the time the actors are unknown to audiences.

Pixar: 6

Marvel: 9

Star Wars: 4

 

Overall Ratings:

Pixar: 32/40.

Marvel: 25/40.

Star Wars: 24/40.

So overall Pixar comes out on top which is unsurprising to say the least! Although with their two most recent films (Cars 2 and Brave) not going down as well as previous efforts are they on the decline? Marvel have just released the third highest grossing movie of all time this year and their universe of films is only going to continue to grow and get more and more exciting. Star Wars has continued to live on in television shows since the end of the film franchise and everyone is expecting big things from the new instalment. In the next few years it will be interesting to see who Disney is getting the most from.

Best British Director? Danny Boyle.

For years and years Danny Boyle has been my favourite director. With so many great and bigger names in the directing world at the minute (Quentin Tarantino, Christopher Nolan, Zack Snyder, Martin Scorsese etc. etc…) Boyle does seem to fly under the radar because of his low profile and because of the fact that, despite being critically acclaimed and having won numerous awards, he continues to work and remain in his homeland of British film. For the past few months Boyle has been kept busy with his latest project; this time it is not a film though. In just under two weeks the whole world will be watching as the Olympic games kick off in London and the opening ceremony has been put together and directed by Danny Boyle himself, no pressure. It’s been a long but very worthwhile journey for the lad from Lancashire.

Before getting into the film world Boyle began directing theatre projects; he directed plays for both the Royal Court Theatre and the Royal Shakespeare Company so right from the very beginning he was clearly ready to take on big projects. After that Boyle got into television and directed a few episodes of various television series such as Inspector Morse and Mr. Wroe’s Virgins. Then he finally got his big break in the world of movies with Shallow Grave, a crime thriller starring Christopher Eccleston and Ewan McGregor.

In 1996 Danny Boyle was responsible for directing one of the greatest films ever without a shadow of a doubt; Trainspotting. Again he teamed up with Ewan McGregor who this time took on the lead role and helped to make Trainspotting what it is, often voted the best British film of all time. Trainspotting received one Oscar nomination for it’s scriptwriting and Boyle was unjustly left out of the Best Director nominations. It was always going to be difficult to carry on the wave of success that Trainspotting brought him and his next couple of films were pretty far from that standard; first was A Life Less Ordinary (again starring Ewan McGregor) and The Beach. Originally Ewan McGregor was cast in the lead role for The Beach but rumour has it that Hollywood executives wanted to push through Leonardo DiCaprio as he was the current Hollywood pretty boy and hot property so DiCaprio got the role and, to this day, Ewan McGregor still hasn’t worked with Boyle since that dispute.

Anyway, Boyle returned to his best with horror film 28 Days Later… and followed that up with Millions. Since these two projects Boyle has continued to direct to the very highest standard. It took three years after Millions for another Danny Boyle film to be released but it was well worth the wait. Sunshine is a sci-fi film about a team of astronauts who are trying to reignite a dying sun to save the planet and it is absolutely brilliant! It was also named as one of Quentin Tarantino’s favourite films of recent years, pretty high praise indeed!

In 2009 Danny Boyle finally won an Oscar for his direction on Slumdog Millionaire which pretty much cleaned up at the 2009 Oscars; as well as Boyle’s directing Oscar it also won for it’s cinematography, film editing, original score, original song, sound mixing, adapted screenplay and it won the big one, Best Motion Picture of the Year. This time round as well, Boyle was able to follow the success of Slumdog Millionaire with another one of my favourite films, 127 Hours which got nominated for six Oscars (including Best Adapted Screenplay and Best Film).

After the Olympics Boyle will return to the big screen with Trance, a crime thriller starring James McAvoy and Rosario Dawson. He is also working on a follow up to 28 Weeks Later… which he has stated that it should be called 28 Months Later… in theory. Boyle has also expressed in interviews his desire to work with Ewan McGregor again on his next feature film. I hope that he does but I really hope that he continues to make prominent British films and remains to make them of the highest quality!

Is Michael Fassbender Really That Good?

Michael Fassbender is one of the hottest properties in Hollywood right now and over the last few years he has really shot to the forefront of the movie industry. With his choice of films he has really shown that he has a fantastic range of skills and is a very versatile actor. The short answer to the question ‘Is Michael Fassbender really that good?’ is simply Yes; but feel free to continue reading if you want the longer answer.

Fassbender first rose to prominence on television where one of his first main roles was on the Steven Spielberg and Tom Hanks produced mini series Band of Brothers which received hugely positive reviews and brought plenty of publicity for the cast. Fassbender continued to work in television with another critically acclaimed television series, this time British: Murphy’s Law.

The first big film that Michael Fassbender featured in and set the sparks in motion of the fire that Michael Fassbender was soon to light Hollywood up with was 300, a fantasy action film directed by one of my favourite directors Zack Snyder. It’s not a film that many people would instantly think of when trying to list Michael Fassbender’s movies but it started off something big in the movie industry. Fassbender won over critics at the Cannes film festival in 2008 with Hunger, directed by Steve McQueen.

But it was thanks to Quentin Tarantino that people were really forced to sit up and take notice of Michael Fassbender. Inglorious Basterds is one of Tarantino’s best films and Fassbender features in one of the best scenes in the movie in my opinion. This film came out in 2009 and overshadowed the small British film that Michael Fassbender also featured in in the same year: Fish Tank. Fish Tank is the story of a rebellious teenage girl growing up on a run down council estate living with her alcoholic mother and tearaway younger sister. Michael Fassbender is the creepy love interest of the mother and manages to pull off a kind of safe but sinister paedophilic character scarily well. To this day this is my favourite role I have seen Fassbender in although it is one of his least well known but the performance he puts in is nothing short of sensational.

If 2009 was one of Michael Fassbender’s best years in films then 2010 was definitely one of his worst. Perhaps high on the success of Inglorious Basterds Fassbender made some rather, well… questionable choices. He appeared in Centurion and the horribly tragic comic book adaptation of Jonah Hex, both films making a loss. Probably a year that Fassbender wouldn’t like to dwell on anytime soon. But these failures didn’t put him off or seem to put him out of favour with movie big wigs.

2011 brought several Michael Fassbender films to the forefront without making people sick of him. Fassbender took up the part of Edward Rochester in an adaptation of Charlotte Bronte’s novel Jane Eyre (one of the greatest stories ever written, end of story) for which he received a lot of praise. Another comic book movie, with a lot better fate than his last one, gave Fassbender huge success and stability as it comes with a several movie contract. X-Men First Class is the movie and Magneto is the character; although at times Fassbender seemed to get complacent and his accent slipped back to Irish it was overall a great performance and Fassbender proved yet again how good he is at playing a conflicted and bad natured character. This movie reunited Fassbender with his old Band of Brothers co star James McAvoy.

A Dangerous Method followed starring Viggo Mortensen and Keira Knightley which was about the relationship between psychologists Carl Jung and Sigmund Freud. Fassbender then reunited with director Steve McQueen for Shame, which is probably his most critically successful film and role which won Fassbender a number of awards at film festivals and awards ceremonies and picked him up even more nominations. He then returned to mainstream cinema with Haywire which saw him co-star with names like Ewan McGregor and Antonio Banderas.

This year, 2012, Michael Fassbender only has one film slated for release after a busy twelve months. This comes in the form of Ridley Scott’s Prometheus. After recently seeing this I was not a huge fan of the film but as a fan already of Michael Fassbender I was excited for his performance and I was not left disappointed by him. Fassbender, for me, is the stand out performer of the cast and the only really memorable character or performance from the cast. There is no doubt that Fassbender is set for a huge and successful career in my opinion and he deserves it.

Is Michael Fassbender really that good? Yes.

Choose Your Future. Choose Life. Choose Trainspotting.

Recently Trainspotting was voted top in a poll of best British films to be released under Queen Elizabeth II’s reign.

I think that this is a little bit of an injustice. Trainspotting is possibly the greatest British film released under any reign. Scratch that. Trainspotting is one of the greatest films EVER made in any language, any country, any genre. Trainspotting is as close to perfect as I have ever seen a film reach.

Released in 1996 to rave reviews from all angles Trainspotting tells the story of Renton, a guy deeply immersed in the Edinburgh drug scene who tries to clean up and get out, despite the allure of the drugs and influence of friends. After working together on Shallow Grave Danny Boyle and Ewan McGregor teamed up to make an absolute classic based on Irvine Welsh’s novel.

Superstar director – Danny Boyle

Danny Boyle is one of Britain’s greatest directors and is one of my favourite directors working today. Christopher Nolan, the Coen brothers, Martin Scorsese and Quentin Tarantino get the majority of attention and are perhaps the most famous of directors but Danny Boyle always has been and remains one of the best. Since Trainspotting he has churned out hit after hit including 28 Days Later, The Beach, Sunshine, Slumdog Millionaire and 127 Hours and while all are very impressively filmed and are gorgeous to look at nothing quite touches all the senses in the same way that Trainspotting does.

Trainspotting introduced Ewan McGregor to the masses and he has gone on to have a very long and prestigious career in film. I am a fan of the Scot and his performance here as Renton is flawless. He gives possibly the best narration to a film ever (along with Ed Norton’s narration in Fight Club) but his presence on screen is fantastic; he really submerges himself deeply in the character’s life and his performance is both harrowing and hilarious at the same time. If McGregor is to be remembered for any film role, it should be this one.

One of the greatest friendships ever caught on film.

McGregor laid down the gauntlet for his fellow cast members to compete with and they picked it up and ran with it. Ewen Bremmer as the dimwitted and closest friend of Renton, Spud, gives a humorous turn while keeping in tune with the dark subject matter. Johnny Lee Miller has gone on to star in American television series’ such as Dexter but he will always be known as Sick Boy and Kevin McKidd manages to put in a great performance as Tommy to the extent that you feel sorry for him but you don’t really care about him. It’s strange. But Robert Carlyle as Begbie, a short tempered frustrated possible homosexual, is amazing; Carlyle always gives a safe performance but he offers up a lot of laughs in an otherwise serious film.

The friendship between Renton, Sick Boy, Tommy, Spud and Begbie is completely believable and authentic. All the relationships are recognisable and take away the drug use (or include it) and you probably know people just like this group of friends in Trainspotting. To me, one of the most important parts of a film is character interaction, development and relationships and each and every one is spot on. The friendship between Renton and Spud is probably my favourite because even though Renton lets Spud go to jail whilst he remains free and later on Renton does them over, you can tell that the only one of that group that Renton really cares about is Spud and I think that is touching really.

The realism captured on film of the drug addiction, Scottish life, friendship, death and sexuality is incredible. Trainspotting could well be real, it is filmed that well, it could well be a documentary with Ewan McGregor’s voice over warning everyone about drugs and the addictiveness of them so it is hard to believe that this is a work of fiction. Some of the scenes become incredibly hard to watch because of the haunting events unravelling but you can’t peel your eyes away from the screen; the dark images will stay with you for as long as you live.

Luckily though, Trainspotting, while dealing with a lot of serious and dark themes does manage to pack in the laughs as well. There is a lot of humour for viewers to find there and the ‘worst toilet in Scotland’ scene manages to be both horrible and hilarious at the same time, absolutely cringeworthy as well as Spud’s ‘dinner table accident’ scene later on.

I can’t express in words how good Trainspotting is. It’s probably not a film for the faint hearted but it’s nothing like any other film ever made.

Combine the greatness of Danny Boyle and the quality of actors like McGregor and Carlyle to name just a couple and you are in for something fantastic right from the word go.

Trainspotting IS one of the best films ever made. No question.

Rendition (2007) Review.

Rendition is a thriller, released in 2007 to mixed reviews. It centres on a CIA analyst who begins to question his assignment after witnessing an unorthodox interrogation at a secret detention facility outside the US. The film is based on the true story of Khalid El-Masri who was mistaken for Khalid Al-Masri.

It features a cast of many big names: Jake Gyllenhaal, Reese Witherspoon, Peter Sarsgaard (who spends most of the film looking incredibly similar to Ewan McGregor), Meryl Streep and J.K. Simmons and is directed by Gavin Hood who is also responsible for ruining a fan favourite Marvel character’s origins in X-Men Origins: Wolverine. The performances of the above are not that bad and that is the highest compliment I can pay them, however the performance of Omar Metwally who plays the man mistaken for a terrorist is absolutely fantastic; he completely steals the show.

Jake Gyllenhaal’s character is very two dimensional. I like Gyllenhaal as an actor and when he turns it on he really does turn it on, but here in Rendition something is lacking. His character is poor and nothing can really bring him to life. Witherspoon’s character is just irritating from start to finish while Sarsgaard’s character seems useless. The heavyweights Simmons and Streep aren’t used nearly enough. The character development and characters in general need to be better written and are not well rounded or even that likeable.

Some of the torture scenes in which Anwar El-Ibrahimi is treated horrifically by the American government are when this film comes into its own. They are very well filmed and recreated and clearly a lot of research went into making those scenes authentic and they do, at times, become very hard to watch because we, as the audience, know that the victim is innocent.

My biggest problem with Rendition though is its genre. Thriller. Here’s a little piece of advice; you can’t call a film a thriller when it isn’t even thrilling in the slightest! A thriller, in my opinion, needs to have a mystery, it needs to have shocks and keep the audience on the edge of their seats. Rendition fails to do this majorly. There are parts of the film where it seems as though the director is trying to build up sympathy or the characters or try and give a subtle shock to the audience but it only plants the seeds for a plot twist and the seeds never really come to fruition.

When I sat down to watch the film I had read what it was about and was anticipating something very entertaining as I was impressed with the storyline and the cast but as the film grew on (from what was a very boring first half into a mediocre second) I soon came to realise that I was not watching the film I had hoped. Rendition was a let down; an anti-war film that never really takes off.

Having read around the film I know that it has its fans but I just can’t imagine myself wanting to watch it again.

My Rating: 4/10.

Salmon Fishing in the Yemen

UK Release Date: 20th April 2012.

Today was the first time I had heard about this film: Salmon Fishing in the Yemen. It has been doing the rounds at international film festivals but is publicly released this year in a couple of months time.

The film is based upon the novel of the same name, written by Paul Torday. It is a romantic drama with elements of comedy featured within it and the story focusses on a fisheries expert (Ewan McGregor) who is approached by a consultant (Emily Blunt) to help realise a Sheikh’s vision of bringing Salmon fishing to the Yemen. Together they embark on an upstream journey of faith and fish to make the impossible happen.

Whilst the plot doesn’t sound enough to make people interested the trailer does. We have comedy, we have the characters, we have what seems to be a fantastic couple in the form of McGregor and Blunt’s characters’ and it looks as though it could be a heart warming film for everyone to enjoy driven by character development and the story. It has been received very positively at various film festivals and it won’t be expecting to gross anything spectacular I hope it will do well in cinemas.